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The Music of the Stanley Brothers brings together forty years of passionate research by scholar and record label owner Gary Reid. A leading authority on Carter and Ralph Stanley, Reid augments his own vast knowledge of their music with interviews, documents ranging from books to folios sold by the brothers at shows, and the words of Ralph Stanley, former band members, guest musicians, session producers, songwriters, and bluegrass experts. The result is a reference that illuminates the Stanleys' art and history. It is all here: dates and locations; the roster of players on well-known and obscure sessions alike; master/matrix and catalog/release numbers, with reissue information; a full discography sorting out the Stanleys' complex recording history; the stories behind the music; and exquisitely informed biographical notes that place events in the context of the brothers' careers and lives. Monumental and indispensable, The Music of the Stanley Brothers provides fans and scholars alike with a guide for immersion in the long career and breathtaking repertoire of two legendary American musicians.
Carter and Ralph Stanley--the Stanley Brothers--are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925-1966) and Ralph (b. 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe. In order to re-create this post-World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph. Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels, and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.
A fascinating exploration of the relationship between American culture and music as defined by musicians, scholars, and critics from around the world.
A giant of American music opens the book on his wrenching professional and personal journeys, paying tribute to the vanishing Appalachian culture that gave him his voice. He was there at the beginning of bluegrass. Yet his music, forged in the remote hills and hollows of Southwest Virginia, has even deeper roots. In Man of Constant Sorrow, Dr. Ralph Stanley gives a surprisingly candid look back on his long and incredible career as the patriarch of old-time mountain music. Marked by Dr. Ralph Stanley?s banjo picking, his brother Carter?s guitar playing, and their haunting and distinctive harmonies, the Stanley Brothers began their career in 1946 and blessed the world of bluegrass with hundreds of classic songs, including ?White Dove,? ?Rank Stranger,? and what has become Dr. Ralph?s signature song, ?Man of Constant Sorrow.? Carter died in 1966 after years of alcohol abuse, but Dr. Ralph Stanley carried on and is still at the top of his game, playing to audiences across the country today at age eighty-one. Rarely giving interviews, he now grants fans the book they have been waiting for, filled with frank recollections, from his boyhood of dire poverty in the Appalachian coalfields to his early musical success with his brother, to years of hard traveling on the road with the Clinch Mountain Boys, to the recent, jubilant revival of a sound he helped create. The story of how a musical art now popular around the world was crafted by two brothers from a dying mountain culture, Man of Constant Sorrow captures a life harmonized with equal measures of tragedy and triumph.
 GB. Grayson and Henry Whitter were two of the most influential artists in the early days of country music. Songs they popularized—“Tom Dooley,” “Little Maggie,” “Handsome Molly,” and “Nine Pound Hammer”—are still staples of traditional music. Although the duo sold tens of thousands of records during the 1920s, the details of their lives remain largely unknown. Featuring never before published photographs and interviews with friends and relatives, this book chronicles for the first time the romantic intrigues and tragic deaths that marked their lives and explores the Southern Appalachian culture that shaped their music.
'A very enjoyable book...makes you feel that you are listening to the persons Wright interviewed talk about treasured memories.' -- Suzanne Denison, Bluegrass Breakdown
He was there when Dylan went electric, when a generation danced naked at Woodstock, and when Ken Kesey started experimenting with acid. Jerry Garcia was one of the most gifted musicians of all time, and he was a member of one of the most worshiped rock 'n' roll bands in history. Now, Blair Jackson, who covered the Grateful Dead for twenty-five years, gives us an unparalleled portrait of Garcia--the musical genius, the brilliant songwriter, and ultimately, the tortured soul plagued by his own addiction. With more than forty photographs, many of them previously unpublished, Garcia: An American Life is the ultimate tribute to the man who, Bob Dylan said, "had no equal."

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