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“The hipster cultural economy of the dot-com boom is skewered in this hilarious coming-of-age memoir” (Publishers Weekly, starred review). Glasgow Phillips published his debut novel Tuscaloosa at the tender age of twenty-four. The results were disastrous: encouraging reviews, translations, a paperback sale, a film option, and a Stegner Fellowship at Stanford. But over the next two years, as Phillips’s second novel unraveled and freelance journalism assignments ended in humiliation, a horrible, secret thought took hold in him: perhaps, just possibly, whatever talent he had was of the kind that would never be more than promise. Washed up as a “real” writer before he was thirty, Phillips went to Los Angeles and formed a company with his best childhood friend Jason McHugh, independent producer of Cannibal! The Musical and Orgazmo. The Royal Nonesuch is the story of Phillips’s rollercoaster ride through the twisted world of underground Hollywood and the funhouse of the Internet during the boom. Phillips builds a hilarious and poignant memoir, in the tradition of Augusten Burroughs and Sean Wilsey, from tales of promise and failure, family and madness, friendship and redemption, fame and infamy, and good old-fashioned hustling. It is a remarkable book; a brilliant portrait of a generation in all its foolish glory. “The best book I’ve read about being in your twenties and trying to figure out what to do with your life . . . Something this funny shouldn’t also be this profound.” —Matt Stone, cocreator of South Park
Gerald Graff argues that our schools and colleges make the intellectual life seem more opaque, narrowly specialized, and beyond normal learning capacities than it is or needs to be. Left clueless in the academic world, many students view the life of the mind as a secret society for which only an elite few qualify. In a refreshing departure from standard diatribes against academia, Graff shows how academic unintelligibility is unwittingly reinforced not only by academic jargon and obscure writing, but by the disconnection of the curriculum and the failure to exploit the many connections between academia and popular culture. Finally, Graff offers a wealth of practical suggestions for making the culture of ideas and arguments more accessible to students, showing how students can enter the public debates that permeate their lives.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
A treasury of criticism, reflection, observation, and insight from the A.R.T.'s past twenty years, gleaned from its newsletter, conferences, post-production symposia, and pre-talk shows, illustrated with photographs and drawings from A.R.T. archives.

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