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While debate continues in the fields of the sciences and humanities as to the nature of consciousness and the location of consciousness in the brain or as a field phenomenon, in the Vedic tradition, consciousness has been understood and continues to be articulated as an infinite field of intelligence at the basis of all forms of existence. This infinite field of intelligence is accessible to human awareness, being the very nature of the mind and the structuring dynamics of the physiology from the DNA, to the cell, tissues, organs, and to the whole body and its sophisticated functioning. This two-part volume, "The Big Fish: Consciousness as Structure, Body and Space," considers in Part One the Vedic approach to consciousness, specifically referencing Maharishi Vedic Science, and discusses themes pertinent to the arts, including perception and cognition, memory as awareness, history and culture, artistic performance and social responsibility, observatory instruments as spaces and structures to enhance consciousness, and, beyond metaphor, architectural sites as multi-layered enclosures of the brain detailed in the "Shrimad Devi Bhagavatam" and, as cosmic habitat or "Vastu" aligned to the celestial bodies. Presenting some more general consciousness-based readings, Part Two includes essays by various authors on Agnes Martin and her views on art, perfection and the Classic, unified field based education and freedom of expression versus censorship in art, prints from the Renaissance to the contemporary era as allegories of consciousness, the work of Australian artist Michael Kane Taylor as beyond a modern / postmodern dichotomy, the photographic series "The Ocean of Beauty" by Mark Paul Petrick referencing the Vedic text the "Saundarya-Lahari," a Deleuzian analysis of the dual-screen multi-arts work "Reverie I," and an account of the making of "Reverie II," a single-screen video projection inspired by the idea of dynamics of awareness. This book, therefore, presents a broad range of interests and reading while offering a unique, yet profoundly transformative perspective on consciousness."
This book is designed to assist the advanced mathematics and science students through the maze of the Ancient World/Hellenistic World/ Classical World and its flow into the Modern World. This book will not only put critical events in perspective but also in their true chronological order. This book will give the reader knowledge of the history of the Mediterranean World from the Persian Empire to the 1883 A.D. discovery of electricity and beyond. From the seven wonders of the ancient world to ancient warfare and ancient machines of war and peace to Africa’s development and implementation of the disciplines of mathematics, all engineering sciences, physics, chemistry, metallurgy, statistics, medicine, masonry, technology, ethics, political science, metaphysics, astronomy, astrology and philosophy. In general, the reader will be introduced to a world that was developed and maintained by the mind of the African. This way of thought has maintained the world up to the modern age. Most importantly, the reader will learn through deductive and inductive reasoning where the origin of the western world really begins—who educated whom, when this education took place, where it took place, how long this educational environment lasted, the manner in which the professors and master teachers were treated, when the course of the world changed, who changed it, how it was changed and why. If the reader is tired of “keep your eyes on the prize!” and wants to know what the prize is and whether or not the African deserves the prize, then read this book and be informed.
Why do we readily dispose of some things, whereas we keep and maintain others for years, despite their obvious wear and tear? Can a greater understanding of aesthetic value lead to a more strategic and sustainable approach to product design? Aesthetic Sustainability: Product Design and Sustainable Usage offers guidelines for ways to reduce, rethink, and reform consumption. Its focus on aesthetics adds a new dimension to the creation, as well as the consumption, of sustainable products. The chapters offer innovative ways of working with expressional durability in the design process. Aesthetic Sustainability: Product Design and Sustainable Usage is related to emotional durability in the sense that the focus is on the psychological and sensuous bond between subject and object. But the subject–object connection is based on more than emotions: aesthetically sustainable objects continuously add nourishment to human life. This book explores the difference between sentimental value and aesthetic value, and it offers suggestions for operational approaches that can be implemented in the design process to increase aesthetic sustainability. This book also offers a thorough presentation of aesthetics, focusing on the correlation between the philosophical approach to the aesthetic experience and the durable design experience. The book is of interest to students and scholars working in the fields of design, arts, the humanities and social sciences; additionally, it will speak to designers and other professionals with an interest in sustainability and aesthetic value.

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