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When it comes to the gun control debate, there are two kinds of data: data that's accurate, and data that left-wing billionaires, politicians, and media want you to believe is accurate. In The War on Guns, economist and gun rights advocate John Lott turns a skeptical eye to well-funded anti-gun studies and stories that perpetuate false statistics to frighten Americans into giving up their guns.
When it comes to the gun control debate, there are two kinds of data: data that's accurate, and data that left-wing billionaires, liberal politicians, and media want you to believe is accurate. In The War on Guns: Arming Yourself Against Gun Control Lies (Regnery Publishing; $27.99; 978-1621575801), nationally-renowned economist John R. Lott, Jr. turns a skeptical eye to well-funded anti-gun studies and stories that perpetuate false statistics to frighten Americans into giving up their guns. In this, his latest and most important book, The War on Guns, Lott offers the most thorough debunking yet of the so-called “facts,” “data,” and “arguments” of anti-gun advocates, exposing how they have repeatedly twisted or ignored the real evidence, the evidence that of course refutes them on every point. In The War on Guns, you’ll learn: Why gun licenses and background checks don’t stop crime How “gun-free” zones actually attract mass shooters Why Stand Your Ground laws are some of the best crime deterrents we have Women now hold over a quarter of concealed handgun permits How big-money liberal foundations and the federal government are pouring hundreds of millions of dollars into “public health” studies, the sole purpose of which is to manufacture false data against guns How media bias and ignorance skew the gun debate—and why it will get worse From 1950-2010, not a single mass public shooting occurred in an area where general civilians are allowed to carry guns
On its initial publication in 1998, John R. Lott’s More Guns, Less Crime drew both lavish praise and heated criticism. More than a decade later, it continues to play a key role in ongoing arguments over gun-control laws: despite all the attacks by gun-control advocates, no one has ever been able to refute Lott’s simple, startling conclusion that more guns mean less crime. Relying on the most rigorously comprehensive data analysis ever conducted on crime statistics and right-to-carry laws, the book directly challenges common perceptions about the relationship of guns, crime, and violence. For this third edition, Lott draws on an additional ten years of data—including provocative analysis of the effects of gun bans in Chicago and Washington, D.C—that brings the book fully up to date and further bolsters its central contention.
New York is a city of writers. And when the city was attacked on 9/11, its writers began to do what writers do, they began to look and feel and think and write, began to struggle to process an event unimaginable before, and even after, it happened. The work of journalists appeared immediately, in news reports, commentaries, and personal essays. But no single collection has yet recorded how New York writers of fiction, poetry, and dramatic prose have responded to 9/11. Now, in 110 Stories, Ulrich Baer has gathered a multi-hued range of voices that convey, with vivid immediacy and heightened imagination, the shock and loss suffered in September. From a stunning lineup of 110 renowned and emerging writers-including Paul Auster, Lynne Sharon Schwartz, Edwidge Danticat, Vivian Gornick, Phillip Lopate, Dennis Nurkse, Melvin Bukiet, Susan Wheeler-these stories give readers not so much an analysis of what happened as the very shape and texture of a city in crisis, what it felt like to be here, the external and internal damage that the city and its inhabitants absorbed in the space and the aftermath of a few unforgettable hours. As A.M. Homes says in one of the book's eyewitness accounts, "There is no place to put this experience, no folder in the mental hard drive that says, 'catastrophe.' It is not something that you want to remember, not something that you want to forget." This collection testifies to the power of poetry and storytelling to preserve and give meaning to what seems overwhelming. It showcases the literary imagination in its capacity to gauge the impact of 9/11 on how we view the world. Just as the stories of the World Trade towers were filled with people from all walks of life, the stories collected here reflect New York's true diversity, its boundless complexity and polyglot energy, its regenerative imagination, and its spirit of solidarity and endurance. The editor’s proceeds will be donated to charity. Cover art donated by Art Spiegelman. List of Contributors: Humera Afridi, Ammiel Alcalay, Elena Alexander, Meena Alexander, Jeffery Renard Allen, Roberta Allen, Jonathan Ames, Darren Aronofsky, Paul Auster, Jennifer Belle, Jenifer Berman, Charles Bernstein, Star Black, Breyten Breytenbach, Melvin Jules Bukiet, Peter Carey, Lawrence Chua, Ira Cohen, Imraan Coovadia, Edwidge Danticat, Alice Elliot, Eric Darton, Lydia Davis, Samuel R. Delany, Maggie Dubris, Rinde Eckert, Janice Eidus, Masood Farivar, Carolyn Ferrell, Richard Foreman, Deborah Garrison, Amitav Ghosh, James Gibbons, Carol Gilligan, Thea Goodman, Vivian Gornick, Tim Griffin, Lev Grossman, John Guare, Sean Gullette, Jessica Hagedorn, Kimiko Hahn, Nathalie Handal, Carey Harrison, Joshua Henkin, Tony Hiss, David Hollander, A.M. Homes, Richard Howard, Laird Hunt, Siri Hustvedt, John Keene, John Kelly, Wayne Koestenbaum, Richard Kostelanetz, Guy Lesser, Jonathan Lethem, Jocelyn Lieu, Tan Lin, Sam Lipsyte, Phillip Lopate, Karen Malpede, Charles McNulty, Pablo Medina, Ellen Miller, Paul D. Miller/DJ Spooky, Mark Jay, Tova Mirvis, Albert Mobilio, Alex Molot, Mary Morris, Tracie Morris, Anna Moschovakis, Richard Eoin Nash, Josip Novakovich, Dennis Nurkse, Geoffrey O'Brien, Larry O'Connor, Robert Polito, Nelly Reifler, Rose-Myriam Réjouis, Roxana Robinson, Avital Ronell, Daniel Asa Rose, Joe Salvatore, Grace Schulman, Lynne Sharon Schwartz, Dani Shapiro, Akhil Sharma, Suzan Sherman, Jenefer Shute, Hal Sirowitz, Pamela Sneed, Chris Spain, Art Spiegelman, Catharine R. Stimpson, Liz Swados, Lynne Tillman, Mike Topp, David Trinidad, Val Vinokurov, Chuck Wachtel, Mac Wellman, Owen West, Rachel Wetzsteon, Susan Wheeler, Peter Wortsman, John Yau, Christopher Yu.
"If you want the truth the anti–gunners don't want you to know…you need a copy of The Bias Against Guns" —Sean Hannity of Fox News Channel's Hannity & Colmes
In the wake of tragic shootings in Newtown and Aurora, the anti-gun lobby has launched a campaign of lies, distortion, misrepresentation, and emotional manipulation that is breathtaking in its vitriol and its denial of basic facts. Their goal is to take away our Second Amendment rights and then disarm law-abiding Americans. Emily Miller tells her personal story of how being a single, female victim of a home invasion drove her to try to obtain a legally registered gun in Washington, D.C. The narrative—sometimes shocking, other times hilarious in its absurdity—gives the reader a real life understanding of how gun-control laws only make it more difficult for honest, law-abiding people to get guns, while violent crime continues to rise. Using facts and newly uncovered research, Miller exposes the schemes politicians on Capitol Hill, in the White House, and around the country are using to deny people their Second Amendment rights. She exposes the myths that gun grabbers and liberal media use to get new laws passed that infringe on our right to keep and bear arms. The gun rights debate isn’t just about firearms. It’s about protecting a fundamental right that is enshrined in the U.S. Constitution. It’s about politicians who lie, manipulate, and outright break existing laws to get what they want. It’s about President Obama wanting a bigger federal government to control you. Not just your guns—you. The fight for gun rights is the fight for freedom. Emily Miller says stand up and fight back now because your Second Amendment will only be the first to go.

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