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Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women's shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of readings. The Wave in the Mind includes some of Le Guin's finest literary criticism, rare autobiographical writings, performance art pieces, and, most centrally, her reflections on the arts of writing and reading.
Ruth Ozeki erkundet, was es heißt, in diesem Augenblick, genau jetzt, ein Mensch zu sein – »bezaubernd, klug und herzzerreißend« (Junot Díaz). »Hallo! Ich heiße Nao, und ich bin ein Zeitwesen. Weißt du, was ein Zeitwesen ist? Wenn du einen Moment hast, erzähl ich es dir.« So beginnt das Tagebuch des japanischen Teenagers Nao, das eines Tages am Strand einer kanadischen Pazifikinsel angespült wird. Nao schreibt von Einsamkeit und Mobbing, vom depressiven Vater, von ihrer schillernden Urgroßmutter Jiko und den Geheimnissen des Zen. Die Autorin Ruth, die das Tagebuch gefunden hat, ist bald wie gebannt von Naos Notizen und beginnt zugleich um ihr Leben zu fürchten – hat Nao letztlich Selbstmord begangen? Ist sie im Tsunami gestorben? Die Suche nach Antworten gerät für Ruth zu einer magischen Reise durch die Gegenwart, die am Ende auch den Blick auf ihr eigenes Leben verwandelt.
A multifaceted look at one of science fiction and feminism s most original voices"
"Graeme Harper is quite possibly the best person in the country to edit this book" Richard Kerridge, Bath Spa University College, UK The Creative Writing Guidebook is the key text for learning creative writing. Packed full of useful advice, exercises and readings, it sets out an informative and inspiring introduction to writing creatively. Taking a practical, workshop approach to creative writing, this comprehensive guidebook includes: introductions to genres of writing, including the novel, poetry, screenwriting, new media and non-fiction; workshop exercises suitable for each genre; a wide-range of examples and suggestions for further reading and discussions of cross-genre issues such as point of view, character, setting and voice. Written by internationally renowned experts, this is the definitive textbook on creative writing for students. Contributors include: Catherine Dent, Ken Dancyge, Adrianne Finlay, Graeme Harper, Gill James, Jeri Kroll, Oliver Mayer, Graham Mort, William S. Penn, Hazel Smith, and Silas Zobal
A significant body of scholarship examines the production of children’s literature by women and minorities, as well as the representation of gender, race, and sexuality. But few scholars have previously analyzed class in children’s literature. This definitive collection remedies that by defining and exemplifying historical materialist approaches to children’s literature. The introduction of Little Red Readings lucidly discusses characteristics of historical materialism, the methodological approach to the study of literature and culture first outlined by Karl Marx, defining key concepts and analyzing factors that have marginalized this tradition, particularly in the United States. The thirteen essays here analyze a wide range of texts—from children’s bibles to Mary Poppins to The Hunger Games—using concepts in historical materialism from class struggle to the commodity. Essayists apply the work of Marxist theorists such as Ernst Bloch and Fredric Jameson to children’s literature and film. Others examine the work of leftist writers in India, Germany, England, and the United States. The authors argue that historical materialist methodology is critical to the study of children’s literature, as children often suffer most from inequality. Some of the critics in this collection reveal the ways that literature for children often functions to naturalize capitalist economic and social relations. Other critics champion literature that reveals to readers the construction of social reality and point to texts that enable an understanding of the role ordinary people might play in creating a more just future. The collection adds substantially to our understanding of the political and class character of children’s literature worldwide, and contributes to the development of a radical history of children’s literature.
„Ich schreibe so lange, wie der Leser davon überzeugt ist, in den Händen eines erstklassigen Wahnsinnigen zu sein.“ Stephen King Während der Genesung nach einem schweren Unfall schreibt Stephen King seine Memoiren – Leben und Schreiben sind eins. Ein unverzichtbarer Ratgeber für alle angehenden Schriftsteller und eine Fundgrube für alle, die mehr über den König des Horror-Genres erfahren wollen. Ein kluges und gleichzeitig packendes Buch über gelebte Literatur. »Eine Konfession.« Frankfurter Allgemeine Zeitung

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