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In East London in the summer of 1895, Robert Coombes (age thirteen) and his brother Nattie (age twelve) were arrested for matricide and sent for trial at the Old Bailey. Robert confessed to having stabbed his mother, but his lawyers argued that he was insane. The judge sentenced him to detention in Broadmoor, the most infamous criminal lunatic asylum in the land. Shockingly, Broadmoor turned out to be the beginning of a new life for Robert. At a time of great tumult and uncertainty, Robert Coombes's case crystallized contemporary anxieties about the education of the working classes, the dangers of pulp fiction, and evolving theories of criminality, childhood, and insanity. With riveting detail and rich atmosphere, Summerscale re-creates this terrible crime and its aftermath, uncovering an extraordinary story of man's capacity to overcome the past.
Winner of the 2017 Edgar Award for Best Fact Crime Book! From the internationally bestselling author, a deeply researched and atmospheric murder mystery of late Victorian-era London In the summer of 1895, Robert Coombes (age 13) and his brother Nattie (age 12) were seen spending lavishly around the docklands of East London -- for ten days in July, they ate out at coffee houses and took trips to the seaside and the theater. The boys told neighbors they had been left home alone while their mother visited family in Liverpool, but their aunt was suspicious. When she eventually forced the brothers to open the house to her, she found the badly decomposed body of their mother in a bedroom upstairs. Robert and Nattie were arrested for matricide and sent for trial at the Old Bailey. Robert confessed to having stabbed his mother, but his lawyers argued that he was insane. Nattie struck a plea and gave evidence against his brother. The court heard testimony about Robert's severe headaches, his fascination with violent criminals and his passion for 'penny dreadfuls', the pulp fiction of the day. He seemed to feel no remorse for what he had done, and neither the prosecution nor the defense could find a motive for the murder. The judge sentenced the thirteen-year-old to detention in Broadmoor, the most infamous criminal lunatic asylum in the land. Yet Broadmoor turned out to be the beginning of a new life for Robert--one that would have profoundly shocked anyone who thought they understood the Wicked Boy. At a time of great tumult and uncertainty, Robert Coombes's case crystallized contemporary anxieties about the education of the working classes, the dangers of pulp fiction, and evolving theories of criminality, childhood, and insanity. With riveting detail and rich atmosphere, Kate Summerscale recreates this terrible crime and its aftermath, uncovering an extraordinary story of man's capacity to overcome the past.
First published in Great Britain by Bloomsbury Publishing.
From the bestselling, multi-award-winning author of The Suspicions of Mr Whicher comes a brand new true story of Victorian scandal
"Suppose that everything we think we know about the Victorians is wrong." So begins Inventing the Victorians by Matthew Sweet, a compact and mind-bending whirlwind tour through the soul of the nineteenth century, and a round debunking of our assumptions about it. The Victorians have been victims of the "the enormous condescension of posterity," in the historian E. P. Thompson's phrase. Locked in the drawing room, theirs was an age when, supposedly, existence was stultifying, dank, and over-furnished, and when behavior conformed so rigorously to proprieties that the repressed results put Freud into business. We think we have the Victorians pegged--as self-righteous, imperialist, racist, materialist, hypocritical and, worst of all, earnest. Oh how wrong we are, argues Matthew Sweet in this highly entertaining, provocative, and illuminating look at our great, and great-great, grandparents. One hundred years after Queen Victoria's death, Sweet forces us to think again about her century, entombed in our minds by Dickens, the Elephant Man, Sweeney Todd, and by images of unfettered capitalism and grinding poverty. Sweet believes not only that we're wrong about the Victorians but profoundly indebted to them. In ways we have been slow to acknowledge, their age and our own remain closely intertwined. The Victorians invented the theme park, the shopping mall, the movies, the penny arcade, the roller coaster, the crime novel, and the sensational newspaper story. Sweet also argues that our twenty-first century smugness about how far we have evolved is misplaced. The Victorians were less racist than we are, less religious, less violent, and less intolerant. Far from being an outcast, Oscar Wilde was a fairly typical Victorian man; the love that dared not speak its name was declared itself fairly openly. In 1868 the first international cricket match was played between an English team and an Australian team composed entirely of aborigines. The Victorians loved sensation, novelty, scandal, weekend getaways, and the latest conveniences (by 1869, there were image-capable telegraphs; in 1873 a store had a machine that dispensed milk to after-hours' shoppers). Does all this sound familiar? As Sweet proves in this fascinating, eye-opening book, the reflection we find in the mirror of the nineteenth century is our own. We inhabit buildings built by the Victorians; some of us use their sewer system and ride on the railways they built. We dismiss them because they are the age against whom we have defined our own. In brilliant style, Inventing the Victorians shows how much we have been missing.
Born in 1900 to a promiscuous American oil heiress and a British army captain, Marion Barbara Carstairs realised very early on that she was not like most little girls. Liberated by war work in WWI, Marion reinvented herself as Joe, and quickly went on to establish herself as a leading light of the fashionable lesbian demi-monde. She dressed in men's clothes, smoked cigars and cheroots, tattooed her arms, and became Britain's most celebrated female speed-boat racer - the 'fastest woman on water'. Yet Joe tired of the lime-light in 1934, and retired to the Bahamian Island of Whale Cay. There she fashioned her own self-sufficient kingdom, where she hosted riotous parties which boasted Hollywood actresses and British royalty among their guests. Although her lovers included screen sirens such as Marlene Dietrich, the real love of Joe's life was a small boy-doll named Lord Tod Wadley, to whom she remained devoted throughout her remarkable life. She died, aged 93, in 1993.
A vivid investigation into the unsolved murder case that shocked Victorian England, by the author of the New York Times Notable Book Shooting Victoria. On April 26th, 1871, a police constable walking one of London’s remotest beats stumbled upon a brutalized young woman kneeling in the muddy road, her face smashed and battered. The policeman gaped in horror as the woman stretched out her hand to him, collapsed in the mud, muttered “let me die,” and slipped into a coma. Five days later, she died, her identity still unknown. Within hours of her discovery, scores of Metropolitan Police officers were involved in the investigation, while Scotland Yard sent one of its top detectives to lead it. On the day of her death, the police discovered the girl's identity: Jane Maria Clouson, a sixteen-year-old servant to the Pooks, a respectable Greenwich family. Hours later, they arrested her master's son, twenty-year-old Edmund, for her murder. An epic tale of law and disorder, Pretty Jane and the Viper of Kidbrooke Lane is the story of a criminal case conducted at the time of the birth of modern forensic science. It is the story of the majesty–and the travesty–of the nineteenth-century British legal system: the zealous prosecutors determined to convict young Pook; and the remarkable lawyer equally determined to obtain his acquittal by any means possible. At the heart of this story are the alleged killer and his alleged victim: Edmund Pook, the young Victorian gentleman caught up in a legal nightmare, and Jane Maria Clouson, the young maid whose hard life before her tragic death serves as a bracing corrective to Downton Abbey fantasies about the lives of British servants. Using an abundant collection of primary sources, Paul Thomas Murphy creates a gripping narrative of the police procedural and the ensuing legal drama, with its many twists and turns, from the discovery of the body until the final judgement–and beyond. For while the murder of Jane Clouson has for nearly one hundred and fifty years remained unsolved, much of the evidence remains, and Murphy, applying contemporary forensic methods to this Victorian cold case, reveals definitively the identity of Jane Clouson's murderer–and provides the resolution that Jane's angry supporters long ago demanded.

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