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The powerful, evocative new novel by the critically acclaimed author of The Handfasted Wife, The Woman in the Shadows presents the rise of Thomas Cromwell, Tudor England's most powerful statesman, through the eyes of his wife Elizabeth. When beautiful cloth merchant’s daughter Elizabeth Williams is widowed at the age of twenty-two, she is determined to make herself a success in the business she has learned from her father. But there are those who oppose a woman making her own way in the world, and soon Elizabeth realises she may have some powerful enemies – enemies who also know the truth about her late husband… Security – and happiness – comes when Elizabeth is introduced to kindly, ambitious merchant turned lawyer, Thomas Cromwell. Their marriage is one based on mutual love and respect…but it isn’t always easy being the wife of an influential, headstrong man in Henry VIII’s London. The city is filled with ruthless people and strange delights – and Elizabeth realises she must adjust to the life she has chosen…or risk losing everything.
Women have traditionally been expected to tend the sick as part of their domestic duties; yet throughout history they have faced an uphill struggle to be accepted as healers outside the household. In this provocative anthology, twelve essays by historians and literary scholars explore the work of women as healers and physicians. The essays range across centuries, nations, and cultures to focus on the ideological and practical obstacles women have faced in the world of medicine. Each examines the situation of women healers in a particular time and place through cases that are emblematic of larger issues and controversies in that period. The stories presented here are typical of different but parallel facets of women's history in medicine. The first six concern the controversial relationship between magic and medicine and the perception that women healers can harm or enchant as well as cure. Women frequently were banished to the edges of medical practice because their spiritualism or unorthodoxy was considered a threat to conventional medicine. These chapters focus mainly on the Middle Ages and the Renaissance but also provide continuity to women healers in African American culture of our own time. The second six essays trace women healers' efforts to seek professional standing, first in fifth-century Greece and Rome and later, on a global scale, in the mid-nineteenth century. In addition to actual case studies from Germany, Russia, England, and Australia, these essays consider treatments of women doctors in American fiction and in the writings of Virginia Woolf. Women Healers and Physicians complements existing histories of women in medicine by drawing on varied historical and literary sources, filling gaps in our understanding of women healers and nulling social attitudes about them. Although the contributions differ dramatically, all retain a common focus and create a unique comparative picture of women's struggles to climb the long hill to acceptance in the medical profession.
It is April 1551. While the family of Lord Henry Grey are visiting their Devon estate, the Grey sisters are saved from drowning by a local medical apprentice, Richard Stocker. Little does Richard know that this single act will plunge him into a tide of religious and social upheaval which will change not only his own life but the course of British history. In gratitude for saving his daughters, Lord Henry agrees to employ Richard in his household. Lady Katherine has already fallen for her father’s handsome new employee, while Richard is in thrall to the intellect of her troubled but brilliant sister, Lady Jane, with whom he forms a close friendship. Following King Edward’s death, the teenaged Lady Jane is proclaimed Queen. Soon, however, she is deposed and put to the axe. The woman Richard has grown to love as a friend, confidante and adviser is dead. Bereft, he abandons the intrigues and deceptions of Court life, resolving to resume his medical apprenticeship. In the Shadow of Lady Jane is a memorable and richly imagined work of historical fiction – at once a gripping political thriller and a compelling love story.
From the award-winning author of The King's Daughter comes a story of love and defiance during the War of the Roses. It is 1497. The news of the survival of Richard Plantagenet, Duke of York, has set royal houses ablaze with intrigue and rocked the fledgling Tudor dynasty. With the support of Scotland's King James IV, Richard-known to most of England as Perkin Warbeck-has come to reclaim his rightful crown from Henry Tudor. Stepping finally onto English soil, Lady Catherine Gordon has no doubt that her husband will succeed in his quest. But rather than assuming the throne, Catherine would soon be prisoner of King Henry VII, and her beloved husband would be stamped as an imposter. With Richard facing execution for treason, Catherine, alone in the glittering but deadly Tudor Court, must find the courage to spurn a cruel monarch, shape her own destiny, and win the admiration of a nation.
Edited by leading color experts, this comprehensive, illustrated encyclopedia covers all aspects of color including theories, concepts, history, psychology and universal applications. 250 black and white illustrations, 56 pages of color.
THE QUEEN'S GODDAUGHTER. HER MOST TRUSTED MAID. ADULTRESS. ENEMY OF THE STATE. WHO IS THE REAL PENELOPE DEVEREUX? Penelope Devereux is a legendary beauty in the court of Elizabeth I, with a smile that would light up the shadows of hell. But it's not just her looks which have won her favour with the Queen wing; her canny instinct for being in the right place at the right time, and her skilled political manoeuvrings under the guise of diplomacy, have rendered her a formidable adversary to anyone who stands in her path. Including Elizabeth. For Penelope must secure the future of the Devereux dynasty at whatever cost. Even treason. And the Queen, a woman she holds responsible for the death of her father, the exile of her mother and her failure to marry the one man she ever truly loved, is just one more pawn in a deadly game. Walking the knife-edge of court, whilst ensuring that her reckless brother Essex remains the only star in the Queen's firmament - and out of the Tower - Penelope must plan for the inevitable succession of an ailing monarch. But her secret letters of friendship to a foreign King - one who has a strong claim to the English throne - could see her illustrious family in the gutter and her own head on the block. It would only take a single mistake, a slip of the tongue, an intercepted message for Penelope to become the architect of her downfall. In a world where sister is turned against brother, husband against wife, courtier against queen, the rules of the game are forever changing. Praise for Watch the Lady 'The research and historical detail are impeccable . . . and fans will enjoy this evocation of Elizabeth's tumultuous court' Times 'A glamourous tale peopled by warrior poets, flamboyant courtiers and shameless loves, it is also sharp, perceptive and dramatic' Sunday Express 'Be transported to the court of Elizabeth I, where Penelope Devereux is prepared to do anything in the scramble for power. Watch The Lady by Elizabeth Fremantle combines fast-paced storytelling with rich period detail' Good Housekeeping 'If you want an immersive read then this is it. The remarkable story of the beautiful Penelope Devereux comes vividly alive, bursting with colour and detail. The reader is transported to the perilous Elizabethan court, with all its plots, treachery and heartbreak, and gains fascinating insights into some of the most important figures of the time. Yet again Elizabeth Fremantle has produced a pacey, powerful narrative that kept this reader riveted throughout' Jane Thynne 'Penelope Devereux, perspicacious, beautiful and muse of Sir Philip Sidney, will stop at nothing for the sake of her family. I was gripped by the tale of risky political and sexual shenanigans in the court of Elizabeth l' Woman and Home 'Penelope is a fascinating character and beautifully drawn in this enthralling, moving and immaculately written novel... Fremantle handles the intriguing with aplomb and it's impossible to read the books without feeling you are living events alongside the characters' Imogen Robertson, Historia 'Fascinating . . . it's a delight to keep Penelope company as she plunges into the intrigues of Elizabeth's court' The History Girls 'Ever since Queen's Gambit took the world of historical fiction by storm 3 years ago, Liz Fremantle's books have been the ones to watch in the world of Tudor fiction. The combination of depth, intelligence and real historical imagination that she brings to bear on the lesser-known (but immensely powerful) women of the Tudor era is unmatched in contemporary writing and gets better with each book. Not that either of the previous ones were sub par - far from it, they were exceptional - but, as with all good writers, the apprenticeship of each book sees its realisation in the one that comes after it and there's a steady rise in the textures and depths and many-layered plot threads. The Lady we watch here is Penelope, sister of the notorious Essex, wife of a man who doesn't want to bed her, lover of those who do - though never the most important one: that love is unrequited and all the more powerful for it. The machinations of Elizabeth's court were never easy, but became positively frenetic as she edged towards death and refused to name a successor and the way the ageing monarch plays Cecil against Essex, as seen through the eyes of the woman who has to navigate a clear path through the chaos is brilliant. In fact, the shift of viewpoint from Penelope to Cecil and back again is the core strength of this book. Neither is an entirely reliable narrator, even to themselves, but taken together, they mesh to make a hologram of a time in history that is endlessly fascinating, but never fully understood. This book is glorious. It will delight fans of Hilary Mantel and Philippa Gregory alike, but will also garner a whole new audience from those who just love good writing, whatever the genre, whatever the era' Manda Scott 'A wonderful, totally transporting novel that folds you into its world, word by word, page by page, and remains with you long after the last. I absolutely loved this book. Fremantle is a brilliant novelist' Eve Chase, author of Black Rabbit Hall

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