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Determined to secure a place of respect within the Ushiromiya family, Eva stretches her wits to their limit and successfully solves Beatrice's riddle! There is more than enough gold in the family fortune to ease everyone's financial woes, but Eva has no intention of sharing her findings with her siblings. Eva has claimed more than Beatrice's gold-she has claimed also the role of "Beatrice the Golden Witch" for herself! And there are still nine nights that each demand a sacrifice to be carried out...
Battler assumes control of the sixth game, wielding his new golden truth as he parries the logical blows of the detective-and-witch, Erika Furudo. For Battler, what began as a contest over the existence of magic has become a fight to revive the fiery, vibrant Beatrice of his early clashes on the game board. The logical loops and rules of the game were already complex, but now as the game master, Battler must quickly learn how to shape the events to his and Beatrice's ultimate ends without getting locked in a closed room by Erika, the Witch of Truth!
The time for logical debate and magical feints has come to an end; the revelation of the truth about Beatrice the Golden Witch is at hand. To facilitate this, game master Bernkastel has chosen Will Wright the Mage-Hunter to step onto her board and answer a single question: Who killed Beatrice? Joining him in the game is Lion Ushiromiya, Krauss's firstborn and heir, whose role is a mystery in its own right. Will's line of questioning draws together the stray strands from all the previous games, twisting them into a thread of truth, revisiting Kinzou's first encounter with the young Beatrice and working through the legends that have since sprung up around her...
One by one, the attendants of the Ushiromiya family gathering are killed under what can only be described as supernatural circumstances. Even Kyrie, the strongest proponent of logic and reason, is convinced by the vicious parade of witches and demons she has witnessed. Battler and Maria have yet to be tested for their suitability as family head, but the greater test for Battler will be whether or not his logical stance can hold out against the seemingly undeniable tide of the witch's magic...
Remember you saying you could speak to anything if you wanted to. Right? Did you say that? Remember that. Said you could speak to the stars. Just had to know how to do it. It's raining in the Midlands. Again. It won't stop. Someone's standing in it. They're shivering. They're cold. They're waiting for someone they haven't seen in a very long time. They've got a rucksack full of alcohol. And a fish. A touching play about abandoned responsibilities, what we choose to remember and what we thought we'd forgotten. This programme text edition was published to coincide with the world premiere at the Old Red Lion theatre, London on 10 November 2015.
SINGING THE BLUES Lavender has threatened to steal several hearts at the upcoming school choral competition. Hakka and Satsuki have joined the choir in an attempt to stop her without letting Nobara catch on, and they’ve already identified the choir director as a potential shell. But when the day of the competition arrives, they have other problems—Nobara’s rich-girl posse are nowhere to be found. Is their absence related to Lavender’s evil plot?
Exploring a selection of anime adaptations of famous works of both Eastern and Western provenance, this book is concerned with appreciating their significance and appeal as independent texts. The author evaluates three aspects of anime adaptation—how anime adaptations develop their original sources in stylistic, aesthetic, and psychological terms; how specific features of the anime medium impact alchemically on the original sources to bring into being imaginative works of an autonomous nature; and which qualities render an adaptation in anime form a distinctly unique artistic creation.

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