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Banta draws upon essays in Vanity Fair by noted journalists, literary figures, and cultural critics in order to examine the manner by which major cultural and historical events in the Untied States and Britain led to the invention of previously non-existent words to express the rampant changes within society.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Collects photographs, news clippings, and other memorabilia from the Fitzgeralds' own scrapbooks with excerpts from their writings.
An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --
Spanning the ninety-five-year history of Vanity Fair, a remarkable array of iconic portraits features three hundred full-color and black-and-white photographic images by such renowned photographers as Edward Steichen, Cecil Beaton, Annie Leibovitz, and Mario Testino of famed figures from the worlds of film, art, music, sports, business, and politics.
From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.

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