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"Warfare and technology predate human history. The dynamic relationship between them is timeless, echoing through human history in patterns that link the bow and arrow with the IED (improvised explosive device), the walls of Jericho with reconnaissance satellites. This book traces those patterns, from the Scheoningen spears to cyberwarfare."--Provided by publisher.
In this accessible and authoritative Very Short Introduction, Richard English considers what modern warfare is and what it achieves. Addressing our assumptions about war in the modern period, and drawing upon direct accounts of warfare, he considers its impact on society, culture, economics, as well its future.
"This book explores the ways in which ancient society thought about conflict. Many aspects of ancient warfare are examined from philosophy to the technical skills needed to fight"--Provided by publisher.
Despite not having been used in anger since Hiroshima and Nagasaki, the Bomb is still the biggest threat that faces us in the 21st century. As Bill Clinton's first secretary of defence, Les Aspin, aptly put it: 'The Cold War is over, the Soviet Union is no more. But the post-Cold War world is decidedly not post-nuclear'. For all the effort to reduce nuclear stockpiles to zero, it seems that the Bomb is here to stay. This Very Short Introduction reveals why. The history, and politics of the bomb are explained: from the technology of nuclear weapons, to the revolutionary implications of the H-bomb, and the politics of nuclear deterrence. The issues are set against a backdrop of the changing international landscape, from the early days of development, through the Cold War, to the present-day controversy of George W. Bush's National Missile Defence, and the threat and role of nuclear weapons in the so-called Age of Terror. Joseph M. Siracusa provides a comprehensive, accessible, and at times chilling overview of the most deadly weapon ever invented. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century. Today, it continues to adapt and grow as new technologies and viewing platforms become available, and remains an integral cultural and aesthetic entertainment experience for people the world over. Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology. In this Very Short Introduction, Nowell-Smith looks at the defining moments of the industry, from silent to sound, black and white to color, and considers its genres from intellectual art house to mass market entertainment. ABOUT THE SERIES: The Very Short Introduction series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This title explains the history and politics of the bomb, from the technology of nuclear weapons, to the revolutionary implications of the H-bomb, and the politics of nuclear deterrence. The issues are set against a backdrop of the changing international landscape, from the early days of development through the Cold War. Despite not having been used in anger since Hiroshima and Nagasaki, the Bomb is still the biggest threat that faces us in the 21st century. But what significant lessons can be learnt from the history of the nuclear weapons era?
"Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires. Using well-known movies, stars, and directors, the book shows that the elements we take to be a natural part of the Hollywood experience--stars, genre-driven storytelling, blockbuster franchises, etc.--are the product of cultural, political, and commercial forces"--

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