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The third book in the Mary Russell–Sherlock Holmes series. It is 1923. Mary Russell Holmes and her husband, the retired Sherlock Holmes, are enjoying the summer together on their Sussex estate when they are visited by an old friend, Miss Dorothy Ruskin, an archeologist just returned from Palestine. She leaves in their protection an ancient manuscript which seems to hint at the possibility that Mary Magdalene was an apostle--an artifact certain to stir up a storm of biblical proportions in the Christian establishment. When Ruskin is suddenly killed in a tragic accident, Russell and Holmes find themselves on the trail of a fiendishly clever murderer. A Letter of Mary by Laurie R. King is brimming with political intrigue, theological arcana, and brilliant Holmesian deductions.
Winner of the Nero Wolfe Award It is 1921 and Mary Russell--Sherlock Holmes's brilliant apprentice, now an Oxford graduate with a degree in theology--is on the verge of acquiring a sizable inheritance. Independent at last, with a passion for divinity and detective work, her most baffling mystery may now involve Holmes and the burgeoning of a deeper affection between herself and the retired detective. Russell's attentions turn to the New Temple of God and its leader, Margery Childe, a charismatic suffragette and a mystic, whose draw on the young theology scholar is irresistible. But when four bluestockings from the Temple turn up dead shortly after changing their wills, could sins of a capital nature be afoot? Holmes and Russell investigate, as their partnership takes a surprising turn in A Monstrous Regiment of Women by Laurie R. King.
In the eerie wasteland of Dartmoor, Sherlock Holmes summons his devoted wife and partner, Mary Russell, from her studies at Oxford to aid the investigation of a death and some disturbing phenomena of a decidedly supernatural origin. Through the mists of the moor there have been sightings of a spectral coach made of bones carrying a woman long-ago accused of murdering her husband--and of a hound with a single glowing eye. Returning to the scene of one of his most celebrated cases, The Hound of the Baskervilles, Holmes and Russell investigate a mystery darker and more unforgiving than the moors themselves, in Laurie R. King's The Moor.
Sent to Lisbon and Morocco, where a British movie studio is filming a remake of The Pirates of Penzance, Mary Russell investigates a series of crimes targeting the production and confronts a high-stakes situation when actual pirates orchestrate a hostage situation. Reprint.
“A truly bravura performance [with] all the magnetic appeal of the best of the original Conan Doyle novels.”—The Strand Magazine En route to San Francisco to settle her family’s estate, Mary Russell, in the company of husband Sherlock Holmes, falls prey to troubling dreams—and even more troubling behavior. In 1906, when Mary was six, the city was devastated by a catastrophic earthquake. For years Mary has insisted she lived elsewhere at the time. But Holmes knows better. Soon it is clear that whatever unpleasantness Mary wanted to forget hasn’t forgotten her. A series of mysterious deaths leads Russell and Holmes from the winding streets of Chinatown to the unspoken secrets of a parent’s marriage and the tragic “accident” that Mary alone survived. What Russell discovers is that even a forgotten past never dies . . . and it can kill again. BONUS: This edition contains excerpts from Laurie R. King's The God of the Hive and Pirate King.
Mary Russell and Sherlock Holmes are back in Laurie R. King’s New York Times bestselling series—“the most sustained feat of imagination in mystery fiction today” (Lee Child). With Mrs. Hudson gone from their lives and domestic chaos building, the last thing Mary Russell and her husband, Sherlock Holmes, need is to help an old friend with her mad and missing aunt. Lady Vivian Beaconsfield has spent most of her adult life in one asylum after another, since the loss of her brother and father in the Great War. And although her mental state seemed to be improving, she’s now disappeared after an outing from Bethlem Royal Hospital . . . better known as Bedlam. Russell wants nothing to do with the case—but she can’t say no. And at least it will get her away from the challenges of housework and back to the familiar business of investigation. To track down the vanished woman, she brings to the fore her deductive instincts and talent for subterfuge—and of course enlists her husband’s legendary prowess. Together, Russell and Holmes travel from the grim confines of Bedlam to the winding canals and sun-drenched Lido cabarets of Venice—only to find the foreboding shadow of Benito Mussolini darkening the fate of a city, an era, and a tormented English lady of privilege. Praise for Island of the Mad “Superb . . . shocking . . . Come for the mystery, stay for the sightseeing, the gibes at fascism, and the heroine’s climactic masquerade as silent film star Harold Lloyd.”—Kirkus Reviews “[Laurie R.] King’s storytelling is always a pleasure, full of lush details and clever twists. Cole Porter, who is an integral part of the book’s LGBTQ story line, adds an unexpected and welcome star turn.”—Booklist “Well-plotted . . . This ranks as one of the better recent installments in this popular series.”—Publishers Weekly
BONUS: This edition contains an excerpt from Laurie R. King's Garment of Shadows. It’s only the second day of 1924, but Mary Russell and her husband, Sherlock Holmes, find themselves embroiled in intrigue. It starts with a New Year’s visit from Holmes’s brother Mycroft, who comes bearing a strange package containing the papers of an English spy named Kimball O’Hara—the same Kimball known to the world through Kipling’s famed Kim. Inexplicably, O’Hara withdrew from the “Great Game” of espionage and now he has just as inexplicably disappeared. When Russell discovers Holmes’s own secret friendship with the spy, she knows the die is cast: she will accompany her husband to India to search for the missing operative. But Russell soon learns that in this faraway and exotic land, it’s often impossible to tell friend from foe—and that some games aren’t played for fun but for the highest stakes of all…life and death.

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