Download Free After The Fall New Yorkers Remember September 2001 And The Years That Followed Book in PDF and EPUB Free Download. You can read online After The Fall New Yorkers Remember September 2001 And The Years That Followed and write the review.

New Yorkers remember 9/11 in this landmark volume of oral history commemorating the tenth anniversary of the attacks—A “staggering book of living memory” (Booklist, starred review). Within days of September 11, 2001, Columbia’s Oral History Research Office deployed interviewers across the city to collect the accounts and observations of hundreds of people from a diverse mix of New York neighborhoods and backgrounds. With follow-up interviews spanning years, the project produced a deep and revealing look at how the attacks changed individual lives and communities in New York City. After the Fall presents a selection of these fascinating testimonies, with heartbreaking and enlightening stories from a broad range of New Yorkers. The interviews include first-responders, taxi drivers, school teachers, artists, religious leaders, immigrants, and others who were interviewed numerous times since the 2001 attacks. The result is a remarkable time-lapse account of the city as it changed in the wake of 9/11, one that will resonate powerfully with New Yorkers and millions of others who continue to feel the impact of the most damaging foreign attack to ever occur inside the United States.
From the headlines of local newspapers to the coverage of major media outlets, scenes of war, natural disaster, political revolution and ethnic repression greet readers and viewers at every turn. What we often fail to grasp, however, despite numerous treatments of events is the deep meaning and broader significance of crisis and disaster. The complexity and texture of these situations are most evident in the broader personal stories of those whom the events impact most intimately. Oral history, with its focus on listening and collaborative creation with participants, has emerged as a forceful approach to exploring the human experience of crisis. Despite the recent growth of crisis oral history fieldwork, there has been little formal discussion of the process and meaning of utilizing oral history in these environments. Oral history research takes on special dimensions when working in highly charged situations often in close proximity to traumatic events. The emergent inclination for oral historians to respond to document crisis calls for a shared conversation among scholars as to what we have learned from crisis work so far. This dialogue, at the heart of this collection of oral history excerpts and essays, reveals new layers of the work of the oral historian. From the perspective of crisis and disaster oral history, the book addresses both the ways in which we think about the craft of oral hsitory, and the manner in which we use it. The book presents excerpts from oral histories done after twelve world crises, followed by critical analyses by the interviewers. Additional analytical chapters set the interviews in the contexts of pyschoanalysis and oral history methodology.
Award-winning author, curator, and activist Lucy R. Lippard is one of America’s most influential writers on contemporary art, a pioneer in the fields of cultural geography, conceptualism, and feminist art. Hailed for "the breadth of her reading and the comprehensiveness with which she considers the things that define place" (The New York Times), Lippard now turns her keen eye to the politics of land use and art in an evolving New West. Working from her own lived experience in a New Mexico village and inspired by gravel pits in the landscape, Lippard weaves a number of fascinating themes—among them fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water—into a tapestry that illuminates the relationship between culture and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the "subterranean economy." Featuring more than two hundred gorgeous color images, Undermining is a must-read for anyone eager to explore a new way of understanding the relationship between art and place in a rapidly shifting society.
Featured in the New Yorker’s “Page-Turner” One of Mashable's “17 books every activist should read in 2019” “This is an expression not of people who are suddenly freed of something, but people who have been free all along.” —Ralph Ellison, speaking with Robert Penn Warren A stunning collection of previously unpublished interviews with key figures of the black freedom struggle by the Pulitzer Prize–winning author In 1964, in the height of the civil rights movement of the 1960s, Pulitzer Prize–winning author and poet Robert Penn Warren set out with a tape recorder to interview leaders of the black freedom struggle. He spoke at length with luminaries such as James Baldwin, Martin Luther King Jr., Stokely Carmichael, Ralph Ellison, and Roy Wilkins, eliciting reflections and frank assessments of race in America and the possibilities for meaningful change. In Harlem, a fifteen-minute appointment with Malcolm X unwound into several hours of vivid conversation. A year later, Penn Warren would publish Who Speaks for the Negro?, a probing narrative account of these conversations that blended his own reflections with brief excerpts and quotations from his interviews. Astonishingly, the full extent of the interviews remained in the background and were never published. The audiotapes stayed largely unknown until recent years. Free All Along brings to life the vital historic voices of America’s civil rights generation, including writers, political activists, religious leaders, and intellectuals. A major contribution to our understanding of the struggle for justice and equality, these remarkable long-form interviews are presented here as original documents that have pressing relevance today.
Surveillance in America provides a historical exploration of FBI surveillance practices and policies since 1920 based on recently declassified FBI files. Using the new information available through these documents, Ivan Greenberg sheds light on the activities and beliefs of top FBI officials as they develop and implement surveillance practices. Paying particular attention to the uses of the media, Greenberg provides a thorough reconsideration of the Watergate scandal and the role of W. Mark Felt as “Deep Throat.” He exposes new evidence which suggests that Felt led a faction at the FBI that worked together to bring down President Nixon. The book concludes with an in-depth treatment of surveillance practices since the year 2000. He considers the question of “surveillance as harassment” and looks at the further erosion of privacy. stemming from Obama’s counter-terror policies which extend those of the Bush Administration’s second term. The startling increase in surveillance since the events of September 11th, reveal the extent to which America is losing the battle for civil liberties.
Doing Oral History is considered the premier guidebook to oral history, used by professional oral historians, public historians, archivists, and genealogists as a core text in college courses and throughout the public history community. Over the past decades, the development of digital audio and video recording technology has continued to alter the practice of oral history, making it even easier to produce quality recordings and to disseminate them on the Internet. This basic manual offers detailed advice on setting up an oral history project, conducting interviews, making video recordings, preserving oral history collections in archives and libraries, and teaching and presenting oral history. Using the existing Q&A format, the third edition asks new questions and augments previous answers with new material, particularly in these areas: 1. Technology: As before, the book avoids recommending specific equipment, but weighs the merits of the types of technology available for audio and video recording, transcription, preservation, and dissemination. Information about web sites is expanded, and more discussion is provided about how other oral history projects have posted their interviews online. 2. Teaching: The new edition addresses the use of oral history in online teaching. It also expands the discussion of Institutional Review Boards (IRBs) with the latest information about compliance issues. 3. Presentation: Once interviews have been conducted, there are many opportunities for creative presentation. There is much new material available on innovative forms of presentation developed over the last decade, including interpretive dance and other public performances. 4. Legal considerations: The recent Boston College case, in which the courts have ruled that Irish police should have access to sealed oral history transcripts, has re-focused attention on the problems of protecting donor restrictions. The new edition offers case studies from the past decade. 5. Theory and Memory: As a beginner's manual, Doing Oral History has not dealt extensively with theoretical issues, on the grounds that these emerge best from practice. But the third edition includes the latest thinking about memory and provides a sample of some of the theoretical issues surrounding oral sources. It will include examples of increased studies into catastrophe and trauma, and the special considerations these have generated for interviewers. 6. Internationalism: Perhaps the biggest development in the past decade has been the spreading of oral history around the world, facilitated in part by the International Oral History Association. New oral history projects have developed in areas that have undergone social and political upheavals, where the traditional archives reflect the old regimes, particularly in Eastern Europe, the Middle East, Asia, Africa, and Latin America. The third edition includes many more references to non-U.S. projects that will still be relevant to an American audience. These changes make the third edition of Doing Oral History an even more useful tool for beginners, teachers, archivists, and all those oral history managers who have inherited older collections that must be converted to the latest technology.
Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art. The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.

Best Books