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An informative introduction to the history and culture of ancient Nubia from the Bronze Age through the Christian period. The author places Nubia in its historical and cultural context as an important African civilization. This book accompanied a traveling exhibit of the same name and includes black-and-white photographs of more than 300 objects as well as a selection of color photographs. Detailed line drawings of wall paintings, cemeteries, town plans, and architectural reconstructions help reveal the complexity of Nubian society.
The Historical Dictionary of Ancient and Medieval Nubia covers the period from the Paleolithic, all the periods of ancient Nubia (Predynastic, Kerma, Dynasty XXV, Napatan, Meroitic, Post-Meroitic) and to the end of medieval Christianity in Nubia (Sudan). This resource focuses on Nubian history through a Nubian perspective, rather than on the more common Egypto-centrism perspective, and the coverage is based on the latest and best archaeological and epigraphic evidence. Newly created maps of the general area and its specific regions and place names and a photospread showing important related features of the region are included. A detailed chronology provides a timeline of historical events, and an introductory narrative shapes the overall history and leads to the main body of the work in the form of a cross-referenced dictionary. The descriptive entries cover the main features of the region in the various periods that are key not only to Nubian events, but also to the important interactions they had with Egypt to the north. Nine appendices and an extensive bibliography conclude this work. Lobban has been teaching Nubian studies in undergraduate classrooms for thirty years, and this book is a product of his hands-on experiences as well as extensive anthropological fieldwork and travel in Sudanese and Egyptian Nubia.
Geographically, Egypt is clearly on the African continent, yet perceptions of Ancient Egypt routinely regard it as a non-African cultural form. This book considers how Ancient Egypt was dislocated from Africa, drawing on a wide range of sources.
Numerous research projects have studied the Nubian cultures of Sudan and Egypt over the last thirty years, leading to significant new insights. The contributions to this handbook illuminate our current understanding of the cultural history of this fascinating region, including its interconnections to the natural world.
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
THIS ISSUE CONTAINS INVESTIGATING DOMESTIC ECONOMY AT THE BEGINNING OF THE LATE CHALCOLITHIC IN EASTERN ANATOLIA: THE CASE OF ARSLANTEPE PERIOD VIII Cristiano Vignola, Francesca Balossi Restelli, Alessia Masi, Laura Sadori, Giovanni Siracusano KURA ARAXES CULTURE AREAS AND THE LATE 4TH AND EARLY 3RD MILLENNIA BC POTTERY FROM VELI SEVIN’S SURVEYS IN MALATYA AND ELAZIg, TURKEY Mitchell S. Rothman CULTURAL ENTANGLEMENT AT THE DAWN OF THE EGYPTIAN HISTORY: A VIEW FROM THE NILE FIRST CATARACT REGION Maria Carmela Gatto PASTORAL STATES: TOWARD A COMPARATIVE ARCHAEOLOGY OF EARLY KUSH Geoff Emberling A CLAY DOOR-LOCK SEALING FROM THE MIDDLE BRONZE AGE III TEMPLE AT TEL HAROR, ISRAEL Baruch Brandl, Eliezer D. Oren, Pirhiya Nahshoni CASE BASTIONE: A PREHISTORIC SETTLEMENT IN THE EREI UPLANDS (CENTRAL SICILY) Enrico Giannitrapani, Filippo Iannì, Salvatore Chilardi, Lorna Anguilano OLD OR NEW WAVES IN CAPO GRAZIANO DECORATIVE STYLES? Sara T. Levi, Maria Clara Martinelli, Paola Vertuani, John Ll.Williams
How were early Christians influenced by contemporary assumptions about ethnic and colour differences? Why were early Christian writers so attracted to the subject of Blacks, Egyptians, and Ethiopians? Looking at the neglected issue of race brings valuable new perspectives to the study of the ancient world; now Gay Byron's exciting work is the first to survey and theorise Blacks, Egyptians and Ethiopians in Christian antiquity. By combining innovative theory and methodology with a detailed survey of early Christian writings, Byron shows how perceptions about ethnic and color differences influenced the discursive strategies of ancient Christian authors. She demonstrates convincingly that, in spite of the contention that Christianity was to extend to all peoples, certain groups of Christians were marginalized and rendered invisible and silent. Original and pioneering, this book will inspire discussion at every level, encouraging a broader and more sophisticated understanding of early Christianity for scholars and students alike.

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