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Follows Angel as he and his team try to deal with the residual effects of the Fall.
This bibliographic guide covers the “Buffyverse”—the fictional worlds of the acclaimed television series Buffy the Vampire Slayer (1997–2003) and its spinoff Angel (1999–2004), as well as the original Buffy feature film of 1992. It is the largest and most inclusive work of its kind. The author organizes and describes both the original texts of the Buffyverse (episodes, DVDs, novels, comic books, games, and more) and the secondary materials created about the shows, including books, essays, articles, documentaries, dissertations, fan production and websites. This vast and diverse collection of information about these two seminal shows and their feature-film forebear provides an accessible, authoritative and comprehensive survey of the subject.
The fictionalized Los Angeles of television’s Angel is a world filled with literature—from the all-important Shansu prophecy that predicts Angel’s return to a state of humanity to the ever-present books dominating the characters’ research sessions. This collection brings together essays that engage Angel as a text to be addressed within the wider fields of narrative and literature. It is divided into four distinct parts, each with its own internal governing themes and focus: archetypes, narrative and identity, theory and philosophy, and genre. Each provides opportunities for readers to examine a wide variety of characters, tropes, and literary nuances and influences throughout all five televised seasons of the series and in the current continuation of the series in comic book form.
A great deal of scholarship has focused on Joss Whedon’s television and film work, which includes Buffy the Vampire Slayer, Firefly, Doctor Horrible’s Sing-Along Blog, The Cabin in the Woods and The Avengers. But Whedon’s work in the world of comics has largely been ignored. He created his own dystopian heroine, Fray, assembled the goofy fannish heroes of Sugarshock, and wrote arcs for Marvel’s Astonishing X-Men and Runaways. Along with The Avengers, Whedon’s contributions to the cinematic Universe include: script doctoring the first X-Men film, writing a ground-shaking Wonder Woman screenplay, and co-creating ABC’s Agents of S.H.I.E.L.D. Today, Whedon continues the Buffy and Firefly stories with innovative comics that shatter the rules of storytelling and force his characters to grow through life-altering conflicts. This collection of new essays focuses on Whedon’s comics work and its tie-ins with his film and television productions, emphasizing his auteurism in crossing over from panel to screen to panel. Essays focus on the comic inspirations and subversive tropes of the Whedonverse, as well as character changes and new interpretations.
In a story that follows the events of the show's final televised season, a heroic vampire seeks redemption while dealing with the death destruction brought on by his choice to stand up to a demonic multi-dimensional law firm.
This translation of Joan of Arc's trial is set in its legal and historical context. In exploring Joan's place in 15th century society, Hobbins suggests that her claims to divine revelation conform to a recognisable profile of holy women in her culture while her adoption of military lifestyle does not.
[Menage Amour ManLove: Alternative Contemporary Fantasy Menage a Trois Paranormal Romance, MMM, shape-shifter, vampires, demons, HEA] It has been nine months since fae warrior Sasha met and rescued his mate, Samuel, but because of the life he has lead, his skittish mate is still nervous about being claimed. Sammy feels lost and confused by why he has never felt the mating heat that all feline's experience when they meet their mate, but he figures it has something to do with all the experiments done on him in the past. Mike is not only an old friend of Jesse and Taylor but the man who rescued them years ago when they worked for him in Atlanta. He has come to Sanctuary to see his friends and is shocked when his mates just strolled into the room. He's excited that he has found his mates but knows he cannot claim them or allow them to claim him because Mike's past could get them all killed.

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