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Wood has unique qualities, yet is undervalued or ignored in histories of architecture. However, leading designers around the world are increasingly drawn to it to satisfy social and environmental needs. Will Pryce, the most admired architectural photographer in Britain, has travelled the world seeking both famous and obscure buildings in wood. Intensely dramatic but not over-dramatized, technically flawless, but not merely documentary, his photographs convey all the excitement of encountering these amazing structures first hand. In the substantial text he shows how the wooden heritage of Japan grew from its Buddhist history; how Russia's carpenters determined its iconic domes; how Norway's stave churches contain clues to her pagan past; how Turkic tribes brought the yali from Asia; how the settlers of New England would use a provincial English tradition on the new continent; and how, today, sophisticated architects such as Peter Zumthor and Renzo Piano are inventing an eloquent new wooden architecture.
Timber is having a renaissance as an architectural material, as more architects come to understand its properties, and enjoy adding it to their repertoire of materials. With a growing crop of good new timber buildings, architects are coming to realise that this is no longer the sole preserve of the traditionalist, but a material that has an important role to play in the contemporary world. The book's introduction examines the ways in which a raw material of diminishing quality (but abundant quantity) can be 'stretched' to perform as it has never done before using new technology and careful detailing. The 40 case studies are devoted to some of the most interesting new wood projects from around the world. The projects are grouped in seven themed chapters. Featured architects from around the world include Steven Holl, Foster and Partners, Rural Studio, Renzo Piano and Shigeru Ban.
Over the past 10-15 years a renaissance in wood architecture has occurred with the development of new wood building systems and design strategies, elevating wood from a predominantly single-family residential idiom to a rival of concrete and steel construction for a variety of building types, including high rises. This new solid wood architecture offers unparalleled environmental as well as construction and aesthetic benefits, and is of growing importance for professionals and academics involved in green design. Solid Wood provides the first detailed book which allows readers to understand new mass timber/massive wood architecture. It provides: historical context in wood architecture from around the world a strong environmental rationale for the use of wood in buildings recent developments in contemporary fire safety and structural issues insights into building code challenges detailed case studies of new large-scale wood building systems on a country-by-country basis. Case studies from the UK, Norway, Sweden, Germany, Austria, Italy, Canada, the United States, New Zealand and Australia highlight design strategies, construction details and unique cultural attitudes in wood design. The case studies include the most ambitious academic, hospitality, industrial, multi-family, and wood office buildings in the world. With discussions from leading architectural, engineering, and material manufacturing firms in Europe, North America and the South Pacific, Solid Wood disrupts preconceived notions and serves as an indispensable guide to twenty-first century wood architecture and its environmental and cultural benefits.
In light of environmental challenges architecture is facing, wood is no longer regarded as outmoded, nostalgic, and rooted in the past, but increasingly recognized as one of the most promising building materials for the future. Recent years have seen unprecedented innovation of new technologies for advancing wood architecture. Advancing Wood Architecture offers a comprehensive overview of the new architectural possibilities that are enabled by cutting-edge computational technologies in wood construction. It provides both an overarching architectural understanding and in-depth technological information through built projects and the works of four leading design research groups in Europe. The projects presented include large scale, permanent buildings such as the ETH Arch-Tec Lab Building in Zurich, the Landesgartenschau Exhibition Hall near Stuttgart and the Boiler House in Hooke Park, UK, as well as, built research prototypes investigating additive robotic fabrication, folded plate structures and meteorosensitive building skins. Illustrated in full colour, the book showcases the latest technological developments in design computation, simulation and digital fabrication together with an architectural, engineering and manufacturing perspective, offering an outlook towards novel spatial and constructional opportunities of a material with unrivalled ecological virtues.
Wood has always been a stong contributing factor in the creation of interesting architecture. Because of its special physical characteristics, its many possibilities of application and combination with other construction materials, since human beings began building houses, wood has been one of the main building materials. In addition, because of the increasing sensitivity for the protection of resources the ecological potential of wood as a renewable raw material wood has gained in significance. To build with wood has been for years and is still a trend topic, this volume is a road tour of contemporary wood architecture. The many possibilities for use of this natural building material are shown with texts, photos, facts and drawings, as well as the innovative construction techniques which have extended these possibilities. The architectural species diversity ranges from energy efficient passive homes to wide span supporting structures, to multi-story productions halls.
Timber: the old raw material and building material returns.There are many reasons today for building with wood and there are great advantages over conventional designs. Wood is not only a renewable building material that helps reduce the levels of CO2 and is hence good for climate change, but, due to modern computing and manufacturing processes, it can also be used for a variety of construction tasks. Wood possesses excellent qualities for both construction and indoor climate control, and can easily be combined with other common building materials. Based on 24 international projects, the book provides an overview of the range of possibilities in wood construction today. Texts, images, and plans document the architectural and constructive qualities of contemporary timber structures from the conceptual design to the structure in detail. The various uses are based on current research in modern timber engineering but also on timber construction expertise that has been developing over many centuries. This special discipline has evolved significantly in recent decades, particularly in Germany, Austria, and Switzerland, and is a world leader today.
The contact with nature of this material has revitalized the use of wood in architecture. In this sense, the clients who request these types of options do so because they believe in the benefits that wood brings to their lives, satisfying their tastes, their requirements, and their individual styles. WOOD ARCHITECTURE TODAY is a selection of 30 of the most relevant international architects that work with WOOD; a compilation of different types of construction which unify traditional design with different styles of modern creations. Focused on the use of wood, the explanatory texts and drawing plans deleted clearly explain the characteristics of this material and its use in sophisticated projects.
A history of the use of wood as a construction material examines its applications in architecture through the ages from both a chronological and geographical perspective, ranging from the ancient Buddhist temples of Kyoto and Scandinavia's stave churches, to innovative designs of the present day.
Wood has become a source of fascination and inspiration in contemporary architecture. The sustainable and locally available building material is easy to process, structurally very powerful and extremely simple to combine with other materials. It insulates against heat as well as cold, but is also breathable. Along with these practical considerations, it is the unlimited abundance of creative possibilities that accounts for the ever-growing popularity of residential dwellings made of wood. From one-story bungalows to multi-story dwellings, timber houses are at the forefront of the development of contemporary architecture and design.
Featuring eight of his Australian projects dating from 1974 to 2000, this book includes critiques of his oeuvre from Gunnel Adlercreutz and Peter Stutchbury, as well as from the artist himself.
A detailed and timely look at the resourceful ways wood is being used in some of the world's most innovative new buildings.
"This book explores the varied ways in which wood is used in contemporary architecture, showcasing a wide selection of architectural achievements from across North and South America, Europe and Asia. These buildings serve a wide range of purposes, from housing to schools, museums and auditoriums, to sports complexes or cultural centres. This is proof, if any were needed, of just how important wood is in architecture today, as either a structural building material or a form of cladding, opening up new horizons for clients and architects alike. The introduction takes a detailed analytical look at the different functions played by wood in modern-day architectural design, and this in a world where solutions to climate-related challenges are a longawaited necessity. The ensuing chapters zoom in on a generous selection of buildings, along with sketches, layouts, cross-sections and detailed execution plans, illustrating the importance of wood in building the architecture of the future through the myriad possibilities it offers not only to architects and their clients, but also to architecture critics and historians."
Wonder Wood presents this timeless material as it is being used today and how it can be used in the future. It also documents a selection of current international projects and processes, making-ofs, and experiments by 120 internationally renowned designers, architects, and artists, whose creative and innovative approach to the material makes their work compelling. For selected projects, interviews with the designers provide an in-depth look at the creative process and its results. A second section, dedicated to materials and technologies examines innovative developments as well as wood, wood-based materials, finishing technologies, and wooden structure principles. With biographies of the designers represented in the book, an alphabetical index, a bibliography and sources, Wonder Wood will serve the reader as a classic book of reference.
The Present Study, Divided Into Two Parts, Deals With The Socio-Geographical Mosaic, The Racio-Cultural Background And Discusses The Factors Responsible For The Development Of The Wooden Temple Architecture In The Western Himalayas.
American architect Hank Schubart was regarded as a genius for finding the perfect site for a house and for integrating its design into the natural setting, so that his houses appear to be as native to the forest around them as the trees and rocks. Salt Spring Island, one of the Gulf Islands in British Columbia, Canada, offered him a place to create the kind of architecture that responded to its surroundings, and Schubart-designed homes populate the island. Built of wood and glass, suffused with light, and oriented to views, they display characteristic features: random-width cedar siding, exposed beams, rusticated stonework. Over time, Schubart’s homes on Salt Spring Island came to be considered uniquely Gulf Islands homes. This inviting book offers the first introduction to the life and architecture of West Coast modernist Henry A. Schubart, Jr. (1916–1998). While still in his teens, Schubart persuaded Frank Lloyd Wright to accept him as a Taliesin Fellow, and his year’s apprenticeship in the master’s workshop taught him principles of designing in harmony with nature that he explored throughout the rest of his life. Michele Dunkerley traces Schubart’s career from his early practice in San Francisco at the noted firm Wurster, Bernardi & Emmons, to his successful firm with Howard Friedman, to his most lasting professional achievements on Salt Spring Island, where he became the de facto community architect, designing more than 230 residential, commercial, educational, and religious projects. Drawing lessons from his mentors over his decades on the island, he forged an everyday architecture with his mastery of detail and inventiveness. In doing so, he helped define how the island could grow without losing its soul. Color photographs and site plans display Schubart’s remarkable homes and other commissions.
This lavishly illustrated book traces the life and work of Hart Wood (1880–1957), from his beginnings in architectural offices in Denver and San Francisco to his arrival in Hawaii in 1919 as a partner of C. W. Dickey and eventual solo career in the Islands. An outspoken leader in the development of a Hawaiian style of architecture, Wood incorporated local building traditions and materials in many of his projects and was the first in Hawaii to blend Eastern and Western architectural forms in a conscious manner. Enchanted by Hawaii’s vivid beauty and its benevolent climate, exotic flora, and cosmopolitan culture, Wood sought to capture the aura of the Islands in his architectural designs. Hart Wood’s magnificent and graceful buildings remain critical to Hawaii’s architectural legacy more than fifty years after his death: the First Church of Christ Scientist on Punahou Street, the First Chinese Church on King Street, the S & G Gump Building on Kalakaua Avenue, the Honolulu Board of Water Supply Administration Building on Beretania Street, and the Alexander & Baldwin Building on Bishop Street, as well as numerous Wood residences throughout the city.

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