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In the final instalment in his autobiographical trilogy, Robert Douglas takes us through the sixties and into the eighties with his memories of life as a prison officer, and, at the end of his career, as an electricity chargehand driving around the Yorkshire Dales. He tells us of his prison experiences, with anecdotes about many of the most famous criminals in British history -- the Krays, the Richardsons, the Great Train Robbers, Soviet spies and many more. Told in the same endearing and fascinating voice that readers of LAST SONG OF THE NIGHT TRAM and SOMEWHERE TO LAY MY HEAD first fell in love with, this volume continues the story of Robert's remarkable journey of self-education, introducing us to larger-than-life characters on both sides of the bars, and evoking a strong sense of social change as Britain emerged from the post-War gloom into the bright lights of the Beatles years.
This unique book raises the curtain on the history of Adelaide's most remarkable playhouse - Her Majesty's Theatre. For 100 years 'the Maj' has hosted a cavalcade of entertainment. With a treasure-trove of rare photographs, posters and costume and set designs, this book will delight anyone who loves show business and who loves Adelaide.
'Euphemisms are unpleasant truths wearing diplomatic cologne.'(Quentin Crisp). In his latest book, Nigel Rees, one of Britain's foremost commentators on English, has collected and explained 2467 examples of verbal perfume.
The autobiography Grass, and Then There Were Trees follows the whirlwind story of a woman who started a relationship with an evil man. Krisha Stanworth was a happy mum who was catapulted into a life over which she had no control. She lost custody of her two children, and believes to this day that the man guilty of domestic abuse was also responsible for the death of her mother. In her bid for justice, the police have not been on the side of the victim. In a twist of fate, the man in her life was a police informant.
Media and Entertainment Law presents a contemporary analysis of the law relating to the media and entertainment industry both in terms of its practical application and its theoretical framework. It provides a clear, current and comprehensive account of this exciting subject. Fully updated and revised, this second edition is one of the first texts to contain a full analysis of the Leveson Inquiry and the implications for our press and media that are arising from it. The new edition contains; a new chapter analysing the Defamation Act 2013; the Digital Economy Act 2010 which aimed to toughen up against copyright infringement online and has been subject to parliamentary review since coming into power; and the liability of internet service providers, including recent cases such as Tamiz vs Google 2012, which goes some way to define the extent to which an ISP may or may not be found liable for their bloggers content. With integrated coverage of Scots and Northern Irish law, Media and Entertainment Law also highlights comparisons with similar overseas jurisdictions, such as with the liability of ISPs where there are differences in both US and European law, in order to help students demonstrate an awareness of media laws, which may then influence UK legislation. Looking at key aspects such as TV and radio broadcasting, the print press, the music industry, online news and entertainment and social networking sites, this text provides detailed coverage of the key principles, cases and legislation as well as a critical analysis of regulatory bodies such as OFCOM and the new regulator for the UK's newspapers and magazines (and online editions), the Independent Press Standards Organisation (Ipso). The text also provides the most comprehensive and up to date coverage of the law relating to Intellectual Property law for the entertainment industry with recent changes in EU law relating to performers' rights. See what goes behind the writing of Media & Entertainment Law: http://youtu.be/XiCGmnRDvb0

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