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The first work to attempt a complete collection of his letters, some highlighted by sketches on the backs. There are several photographs of his family and friends, and reproductions of several of his most famous drawings.
Rich selection of 170 boldly executed black-and-white illustrations ranging from illustrations for Laclos' Les Liaisons Dangereuses and Balzac's La Comedie Humaine to magazine cover designs, book plates, and more.
From the Publisher: Aubrey Beardsley (1872-1898) was the most notorious illustrator of his day. This book, published to commemorate the centenary of his tragically early death at the age of twenty-five, tells the story of his extraordinary life and brief, hectic career. Beardsley's distinctive body of work is considered alongside that of his contemporaries and friends, among them Oscar Wilde, James McNeill Whistler, Max Beerbohm, Edward Burne-Jones, and W.B. Yeats, and set against the vibrant and often racy artistic, literary, and social world of 1890s London. Beardsley's startling designs are reproduced here from original drawings and from rare early editions of the books and magazines he illustrated. Also included are examples of his innovative prints, posters, and bookbindings, along with a gallery of portraits and photographs of Wilde, Yeats, and other celebrated figures in Beardsley's circle. The authoritative text is the first to fully explore the precocious young artist's diverse influences, which range from ancient Greek vase paintings to erotic Japanese ukiyo-e prints and European Old Master paintings by Mantegna, Watteau, and Botticelli.
as a biographya life's story the book needs no successor. John Russell, New York Times Book Review
Beardsley electrified the public with his exotic, sensual drawings. These 221 seductive black-and-white renderings provide graphic designers with a rich selection -- from cover designs and title pages to poster art and headpieces.
This book includes virtually all of Beardsley's mature work, culled from a wide variety of sources. It enables us to distinguish between the genuine Beardsley and the hundreds of spurious pastiches attributed to him. Perhaps the key to his great popularity is his consummate ability with line and shape and his use of space. His defiant personality projected itself in black and white, not in three-dimensional realism. If some of his contemporaries saw it differently the fact remains he is now regarded as an artist draughtsman of brilliant invention. This is Aubrey Beardsley's centenary year and is marked by a major exhibition at the Victoria and Albert Museum.

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