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"The author describes all of Whedon's work, covering both the original texts of the Whedonverse, along with secondary materials focusing on Whedon's projects, including 2000 books, essays, articles, documentaries and dissertations"--
WHACK! When a mystery man lands smack-dab on the front of their ship while flying through space, the Guardians of the Galaxy bring him aboard to take a closer look. Is he an angel? With that eye patch, could he be . . . a pirate? Turns out it's Thor, the God of Thunder, and he's just as confused by the Guardians as they are by him: a rabbit captaining a ship, and a talking tree he can understand? As the most unlikely team this side of the galaxy, the pirate angel, the talking tree, and captain rabbit head off to Nidavellir in hopes of tracking down the dwarves—the only ones who can forge a weapon worthy enough to be wielded by Thor and strong enough to defeat Thanos. Alternating between their trip to Nidavellir and Rocket's journal entries, this is the perfect lead-up to Marvel Studios' Avengers: Endgame.
A study of Salman Rushdie's seven published novels, with a special focus on his earliest, "Grimus", and his most provocative, "Midnight's Children", "Shame" and "The Satanic Verses". It shows how Rushdie employs cosmology, mythology and mysticism to structure otherworldly dramas.
Presents portraits of real and fictional role models for women, from sports, science, politics, and entertainment, including Dian Fossey, Aretha Franklin, Joan Baez, Anita Hill, and Agent Dana Scully
In this, the first full-length study of the rape-revenge film, Jacinda Read suggests that the rape-revenge cycle can be read as one of the primary ways in which Hollywood has attempted to make sense of feminism and the changing shape of heterosexual femininity in the post-1970 period. Arguing that rape-revenge is better understood not as a genre, but as a narrative structure, the author analyzes the ways that various deployments of this structure rework the "mass cultural fictions of femininity" inscribed in the genres over which they have been mapped.
The packed cruise ship is a terrific nesting ground for a Lord and Lady of the Wamphyri on the run from E-Branch and the new Necroscope, Jake Cutter. By the time the ship is reported missing, the few beings still living on board will no longer be human . . . and the Wamphyri will be long fled to their next conquest. Korath, the vampire who lurks in Jake Cutter's mind, is determined to gain control of Jake's life, and Jake is equally determined not to let him have it. But to win this struggle Jake must confide in Ben Trask-and Trask, the head of E-Branch, is likely to want Jake dead the minute he learns of Jake's intrusive passenger! The spore garden planted under London by the third Wamphyri, Lord Swartz, is bearing bitter fruit indeed as a mysterious sleeping sickness-with a vampiric taint-slowly spreads among the population of Great Britain. E-Branch action teams have more on their plates than they can handle. They must locate terrorists who threaten the world with nuclear homicide; permanently close the Gate between the Wamphyri world and Earth; analyze the spore plague; and locate and destroy the three Wamphyri. In Brian Lumley's Necroscope: Avengers, even the powers of Harry Keogh, the original Necroscope, summoned from the Great Beyond via the combined powers of E-Branch's strongest agents, may not be enough to defeat the monsters who have brought Earth to the brink of total destruction. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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