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This is a complete reference work to the history of Batman big screen works, from the 1940s serials through the campy 1960s TV show and film, and up through the series of Warner Bros. summer blockbusters that climaxed with Christopher Nolan's 2012 film The Dark Knight Rises. Chapters on each Batman feature include extensive film and production credits, a production history, and a critical analysis of the movie relative to the storied history of the Batman character. The book also examines the Batman-related works and events that took place in the years between the character's film exploits.
Christopher Nolan is one of the defining directors of the 21st century. Few of his contemporaries can compete in terms of critical and commercial success, let alone cultural impact. His films have a rare ability to transcend audience expectations, appealing to both casual moviegoers and dyed-in-the-wool cineastes. Nolan’s work ranges from gritty crime thrillers (Memento, Insomnia) to spectacular blockbusters (the Dark Knight trilogy, Inception). They have taken audiences from the depths of space (Interstellar) to the harsh realities of war (Dunkirk). And they have pushed the boundaries of the possible in modern movie making. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur.
Tsui Hark, one of China’s most famous film artists, is little known outside of Asia even though he has directed, produced, written, or acted in dozens of film, some of which are considered to be classics of modern Asian cinema. This work begins with a biography of the man and a look at his place in Hong Kong and world cinema, his influences, and his thematic obsessions. Each major film of his career is then reviewed, production details are provided, and comments from Tsui Hark himself are given.
Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.
An odyssey of family, heartbreak, violence, punk rock, brokenness, broke-ness, sex, love, loss, drinking, drinking, drinking, and an unlikely savior: distance running. A misfit kid at the best of times, Mishka Shubaly had his world shattered when, in a twenty-four-hour span in 1992, he survived a mass shooting on his school's campus, then learned that his parents were getting divorced. His father, a prominent rocket scientist, abandoned the family and their home was lost to foreclosure. Shubaly swore to avenge the wrongs against his mother, but instead plunged into a magnificently toxic love affair with alcohol. Almost two decades later, Shubaly's life changed again when a fateful five-mile run after a bar fight inspired him to clean up his life. And when he finally reconnected with his estranged father, he discovered the story of his childhood was radically different from what he thought he knew. In this fiercely honest, emotional, and self-laceratingly witty book, Shubaly relives his mistakes, misfortunes, and infrequent good decisions: the disastrous events that fractured his life; his incendiary romances; his hot-and-cold career as a rock musician; meeting his newborn nephew while out of his gourd on cough syrup. I Swear I'll Make It Up to You is an apology for choices Shubaly never thought he'd live long enough to regret, a journey so far down the low road that it took him years of running to claw his way back.
Provides a historical survey of films based on graphic novels and comic books, focusing on 15 innovative films and film franchises that have been crucial to the development of this wildly popular film genre.
Cowled and scowling, with a winged cape inspired by da Vinci and a thirst for justice born of his parents' murder, he debuted as a comic book character in 1939. Even his earliest incarnation is instantly recognizable: Batman-the Caped Crusader. A few short years later Bob Kane's creation leapt from the printed page to the silver screen, a brooding presence framed against the darkened Gotham skyline, ever vigilant to the misdeeds of a host of maniacal and devious enemies. Since his film debut in the 1940s, Batman and his alter ego Bruce Wayne have been a regular presence in movies. In various incarnations, with or without his cheerful sidekick Robin, Batman has remained an American icon, capturing the imagination of each successive generation of moviegoers. This detailed examination of live-action Batman features follows his motion picture adventures, from his first appearances on the screen in 1940's film serials, through the camp craze surrounding the 1966 television series, up to the Warner Bros. series of summer blockbusters that began with 1989's Batman starring Michael Keaton. Chapters on each of the seven feature-length Batman movies include extensive film and production credits, a production history, and a critical analysis of the movie relative to other Batman films and the original comic book character. Notes accompany each chapter, and an index and bibliography are included.

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