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One of the greatest graphic novels of all-time, THE DARK KNIGHT RETURNS, isnow available in this beautifully packaged set complete with a replica Batmanmask, done in the style of Frank Miller! Together with inker Klaus Jansonand colorist Lynn Varley, writer/artist Frank Miller completely reinvents thelegend of Batman in his saga of a near-future Gotham City gone to rot, ten yearsafter the Dark Knight's retirement. This masterpiece of modern comicsstorytelling, BATMAN: THE DARK KNIGHT RETURNS, brings to vivid life a dark worldand an even darker man. The Dark Knight retuns in a blaze of fury, taking on awhole new generation of criminals and matching their level of violence. He issoon joined by a new Robin--a girl named Carrie Kelley, who proves to be just asinvaluable as her predecessors. But can Batman and Robin deal with the threatposed by their deadliest enemies, after years of incarceration have made theminto perfect psychopaths? And more important, can anyone survive the comingfallout from an undeclared war between the superpowers -- or the clash of whatwere once the world's greatest heroes? Celebrate thirty years of one of the mostinfluential stories ever told in the comics medium with the undisputed classicBATMAN: THE DARK KNIGHT RETURNS 30TH ANNIVERSARY EDITION, now packaged with areplica mask done in the style of the legendary FrankMiller. "Price IncludesVAT"
This is a complete reference work to the history of Batman big screen works, from the 1940s serials through the campy 1960s TV show and film, and up through the series of Warner Bros. summer blockbusters that climaxed with Christopher Nolan's 2012 film The Dark Knight Rises. Chapters on each Batman feature include extensive film and production credits, a production history, and a critical analysis of the movie relative to the storied history of the Batman character. The book also examines the Batman-related works and events that took place in the years between the character's film exploits.
Christopher Nolan is one of the defining directors of the 21st century. Few of his contemporaries can compete in terms of critical and commercial success, let alone cultural impact. His films have a rare ability to transcend audience expectations, appealing to both casual moviegoers and dyed-in-the-wool cineastes. Nolan’s work ranges from gritty crime thrillers (Memento, Insomnia) to spectacular blockbusters (the Dark Knight trilogy, Inception). They have taken audiences from the depths of space (Interstellar) to the harsh realities of war (Dunkirk). And they have pushed the boundaries of the possible in modern movie making. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur.
Tsui Hark, one of China’s most famous film artists, is little known outside of Asia even though he has directed, produced, written, or acted in dozens of film, some of which are considered to be classics of modern Asian cinema. This work begins with a biography of the man and a look at his place in Hong Kong and world cinema, his influences, and his thematic obsessions. Each major film of his career is then reviewed, production details are provided, and comments from Tsui Hark himself are given.
Monthly current affairs magazine from a Christian perspective with a focus on politics, society, economics and culture.
A fascinating written exploration of the superhero phenomenon, from its beginnings in the depths of Great Depression to the blockbuster movies of today. For over 90 years, superheroes have been interrogated, deconstructed, and reinvented. In this wide-ranging study, Robb looks at the diverse characters, their creators, and the ways in which their creations have been reinvented for successive generations. Inevitably, the focus is on the United States, but the context is international, including an examination of characters developed in India and Japan in reaction to the traditional American hero. Sections examine: the birth of the superhero, including Superman, in 1938; the DC family (Superman, Batman, Wonder Woman and The Justice Society/League of America), from the 1940s to the 1960s; the superheroes enlistment in the war effort in the 1940s and 50s; their neutering by the Comics Code; the challenge to DC from the Marvel family (The Fantastic Four, Spider-Man, and The X-Men), from the 1960s to the 1980s; the superhero as complex anti-hero; superheroes deconstructed in the 1980s (The Watchmen and Frank Miller’s Batman), and their politicization; independent comic book creators and new publishers in the 1980s and 90s; superheroes in retreat, and their rebirth at the movies in blockbusters from Batman to Spider-Man and The Avengers.
Provides a historical survey of films based on graphic novels and comic books, focusing on 15 innovative films that have been crucial to the development of the popular film genre.

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