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"Charlamagne Tha God--the self-proclaimed 'Prince of Pissing People Off,' co-host of Power 105.1's The Breakfast Club, and 'hip-hop's Howard Stern'--shares his unlikely success story as well as how embracing one's truths is a fundamental key to success and happiness"--Amazon.co
PLEASE NOTE: This is a summary, analysis and review of the book and not the original book. In Charlamagne The God's half-memoir, half-self-help book, "Black Privilege: Opportunity Comes to Those Who Create It," the successful radio show host weaves a balance between his own personal narrative and the lessons he learned into a guide for anyone to find success, no matter where they came from. This SUMOREADS Summary & Analysis offers supplementary material to "Black Privilege" to help you distill the key takeaways, review the book's content, and further understand the writing style and overall themes from an editorial perspective. Whether you'd like to deepen your understanding, refresh your memory, or simply decide whether or not this book is for you, SUMOREADS Summary & Analysis is here to help. Absorb everything you need to know in under 20 minutes! What does this SUMOREADS Summary & Analysis Include? An Executive Summary of the original book Editorial Review Key takeaways & analysis Brief chapter summaries A short bio of the the author Original Book Summary Overview Raised in a small town by a religious mother and a crack sniffing, alcoholic father, life didn't come on a platter for Charlamagne. The environment was harsh but here's where he learned one of his most valued principles of attaining success in life: "bite your tongue for none." By following his gut and believing in himself, he managed to land jobs in different radio stations including co-hosting the Wendy Williams show and hosting the Breakfast Club. As a person in the public arena, he experienced love, hate, criticism, physical attack and even dismissal from four different jobs on account of his brutal honesty. Charlamagne describes brutal honesty as a sign of real friendship and good manners. He writes boldly, using fearless speech and uncensored anecdotes from his formative years to explain his evolution. The author is expressive about his sexual and criminal escapades and articulates his learning points using lyrics from hip hop tracks. He quotes artists like a skilled essayist on an excellent thesis driving the point home brilliantly, especially for lovers of hip hop music. He shares eight principles which he learned and developed over time. These principles have been the anchor of his successes, and he hopes to impress on the reader. BEFORE YOU BUY: The purpose of this SUMOREADS Summary & Analysis is to help you decide if it's worth the time, money and effort reading the original book (if you haven't already). SUMOREADS has pulled out the essence-but only to help you ascertain the value of the book for yourself. This analysis is meant as a supplement to, and not a replacement for, "Black Privilege."
A unique and irreverent take on everything that's wrong with our “national conversation about race”—and what to do about it How to Be Less Stupid About Race is your essential guide to breaking through the half-truths and ridiculous misconceptions that have thoroughly corrupted the way race is represented in the classroom, pop culture, media, and politics. Centuries after our nation was founded on genocide, settler colonialism, and slavery, many Americans are kinda-sorta-maybe waking up to the reality that our racial politics are (still) garbage. But in the midst of this reckoning, widespread denial and misunderstandings about race persist, even as white supremacy and racial injustice are more visible than ever before. Combining no-holds-barred social critique, humorous personal anecdotes, and analysis of the latest interdisciplinary scholarship on systemic racism, sociologist Crystal M. Fleming provides a fresh, accessible, and irreverent take on everything that’s wrong with our “national conversation about race.” Drawing upon critical race theory, as well as her own experiences as a queer black millennial college professor and researcher, Fleming unveils how systemic racism exposes us all to racial ignorance—and provides a road map for transforming our knowledge into concrete social change. Searing, sobering, and urgently needed, How to Be Less Stupid About Race is a truth bomb and call to action for everyone who wants to challenge white supremacy and intersectional oppression. If you like Issa Rae, Justin Simien, Angela Davis, and Morgan Jerkins, then this deeply relevant, bold, and incisive book is for you.
As featured by The Daily Show, NPR, PBS, CBC, Time, VIBE, Entertainment Weekly, Well-Read Black Girl, and Chris Hayes, “incisive, witty, and provocative essays” (Publishers Weekly) by one of the “most bracing thinkers on race, gender, and capitalism of our time” (Rebecca Traister) “Thick is sure to become a classic.” —The New York Times Book Review In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom—award-winning professor and acclaimed author of Lower Ed—is unapologetically “thick”: deemed “thick where I should have been thin, more where I should have been less,” McMillan Cottom refuses to shy away from blending the personal with the political, from bringing her full self and voice to the fore of her analytical work. Thick “transforms narrative moments into analyses of whiteness, black misogyny, and status-signaling as means of survival for black women” (Los Angeles Review of Books) with “writing that is as deft as it is amusing” (Darnell L. Moore). This “transgressive, provocative, and brilliant” (Roxane Gay) collection cements McMillan Cottom’s position as a public thinker capable of shedding new light on what the “personal essay” can do. She turns her chosen form into a showcase for her critical dexterity, investigating everything from Saturday Night Live, LinkedIn, and BBQ Becky to sexual violence, infant mortality, and Trump rallies. Collected in an indispensable volume that speaks to the everywoman and the erudite alike, these unforgettable essays never fail to be “painfully honest and gloriously affirming” and hold “a mirror to your soul and to that of America” (Dorothy Roberts).
Infatuated with the legend of Farah Cotton, told through handwritten books by the late Mooney, Cutie Tudy is determined to find out if Farah really exists. Her search leads her to The Fold during a violent and volatile time. Now on the compound, she is not able to un-see what she discovers and is taken in as a permanent guest. Farah Cotton is miserable and is forced in a relationship with the co-leader of The Fold, Bones, while hiding the feelings that she has for her true love, Slade Baker. She was coping with the situation until an incident that Bones was responsible for changes everything. Slade Baker tried to move on with his life and even settled down until he realizes life without Farah is impossible, even if that means death to him and every Baker. The Fold is a bloody thrill ride that introduces you into the dark world of how the vamps came to be…enjoy!
In October 1972, our Czech-written book Literatury eerne Afriky (Literatures of Black Mrica) was published in Prague, presenting a survey of an extensive field. The publication, which was signed at that time by all three authors, differed from most contemporary introductions to the study of Mrican literatures in a threefold way: a) The authors attempted to cover various literacy and literary efforts in the area roughly delimited by Senegal in the west, Kenya in the east, Lake Chad in the north and the Cape in the south. We were well aware-even at that time-that neither technically nor linguistically would it be possible to cover all literary efforts within that area. We did try, however, to include in our survey both the literacies and literatures written in the Indo-European linguae francae (English, French, Portuguese) and in at least several of the major African languages of the area. We did not attempt an exhaustive description, but wished, rather, to show the mutual relationships which emerge, if the literatures of thii\ area, written either in the major linguae francae or in the African languages, are studied not as isolated phenomena, but as mutually complementary features. b) As two of us were linguists and one was a literary historian, we did not limit our analysis of the developing literacies and literatures to the purely cultural and literary aspects. Our intention waR to deal-whcre and if it was relevant-not only with the process of African literary development, but also with the simultaneous, complementar.

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