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This new consideration of Pissarro's work focuses on his strengths as a unifier and champion of other painters, as well as his innovative approach to the Impressionist movement and beyond. As one of the founding figures of Impressionism, Camille Pissarro exerted considerable influence over the movement's other members, such as Paul Cézanne, Claude Monet, Paul Gauguin, Edgar Degas, and Mary Cassatt. This publication focuses on Pissarro's collaborations with these and other artists. It also celebrates the avant-garde quality of his painting, particularly in his contributions to Neo-Impressionism. Focusing on his role in the revolutionary Impressionist movement of the 1870s, the book traces Pissarro's work in dialog with his fellow artists, particularly Cezanne and Gauguin, and also reveals his influence on works by Alfred Sisley, Georges Seurat, Paul Signac and others. In addition to pages of exquisite reproductions of works by Pissarro and his contemporaries, this volume features illuminating essays about his influences on Van Gogh, his approach to the female figure, and the role of synthesis among the early Impressionists. Readers will come away with a new understanding of how Pissarro's unique talent for collaboration and unity was vital to the development of French painting in the late 19th century.
Camille Pissarro
Language: en
Pages: 280
Authors: Christophe Duvivier, Josef Helfenstein
Categories:
Type: BOOK - Published: 2021-10-26 - Publisher: Prestel Publishing

This new consideration of Pissarro's work focuses on his strengths as a unifier and champion of other painters, as well as his innovative approach to the Impressionist movement and beyond. As one of the founding figures of Impressionism, Camille Pissarro exerted considerable influence over the movement's other members, such as
The Studio Reader
Language: en
Pages: 328
Authors: Mary Jane Jacob, Michelle Grabner
Categories: Art
Type: BOOK - Published: 2010-06-15 - Publisher: University of Chicago Press

The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,”
Modern Art and Modernism
Language: en
Pages: 336
Authors: Francis Frascina, Charles Harrison, Deirdre Paul
Categories: Design
Type: BOOK - Published: 1982-12-28 - Publisher: SAGE

Modern Art and Modernism offers first-hand material for the study of issues central to the development of modern art, its theory and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas and interpretations. The works of critics
The Cambridge Introduction to Modernism
Language: en
Pages:
Authors: Pericles Lewis
Categories: Literary Criticism
Type: BOOK - Published: 2007-05-03 - Publisher: Cambridge University Press

More than a century after its beginnings, modernism still has the power to shock, alienate or challenge readers. Modernist art and literature remain thought of as complex and difficult. This introduction explains in a readable, lively style how modernism emerged, how it is defined, and how it developed in different
Modernism versus Traditionalism
Language: en
Pages: 58
Authors: Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais
Categories: Art
Type: BOOK - Published: 2018-03-01 - Publisher: UNC Press Books

Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and