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A Different Voice, A Different Song traces the history of a grassroots scene that has until now operated largely beneath the radar, but that has been gently gathering force since the 1970s. At the core of this scene today are the natural voice movement, founded on the premise that "everyone can sing", and a growing transnational community of amateur singers participating in multicultural music activity. Author Caroline Bithell reveals the intriguing web of circumstances and motivations that link these two trends, highlighting their potential with respect to current social, political and educational agendas. She investigates how and why songs from the world's oral traditions have provided the linchpin for the natural voice movement, revealing how the musical traditions of other cultures not only provide a colourful repertory but also inform the ideological, methodological and ethical principles on which the movement itself is founded. A Different Voice, A Different Song draws on long-term ethnographic research, including participant-observation at choir rehearsals, performances, workshops and camps, as well as interviews with voice teachers, choir and workshop leaders, camp and festival organisers, and general participants. Bithell shows how amateur singers who are not musically literate can become competent participants in a vibrant musical community and, in the process, find their voice metaphorically as well as literally. She then follows some of these singers as they journey to distant locations to learn new songs in their natural habitat. She theorises these trends in terms of the politics of participation, the transformative potential of performance, building social capital, the global village, and reclaiming the arts of celebration and conviviality. The stories that emerge reveal a nuanced web of intersections between the local and global, one which demands a revision of the dominant discourses of authenticity, cultural appropriation and agency in the post-colonial world, and ultimately points towards a more progressive politics of difference. A Different Voice, a Different Song will be an essential text for practitioners involved in the natural voice movement and other vocal methodologies and choral worlds. As a significant study in the fields of ethnomusicology, music education and community music, the book will also be of interest to scholars studying the democratisation of the voice, the dynamics of participation, world musics in performance, the transformative power of harmony singing, and the potential of music-making for sustaining community and aiding intercultural understanding.
Based on Paul Newham's experience as a voice therapist and on his work running a professional training course in the psychotherapeutic use of singing, this text explores both the theory and practice behind the use of voice and singing in expressive arts therapy.
An anthology of voicework techniques. It explores the information the practitioner needs to know in order to bring about successful interventions across a range of client groups. It is suitable for music therapy students or practitioners looking to explore the use of voicework in music therapy.
This is a magnificent new resource for promoting good singing in schools and choirs. Packed with songs and ideas, the book and double CD will inspire any choir and make singing fun.
This book was produced during an intensive participatory workshop process held at the Sustainable Agriculture Community Development Programme (SACDEP) in Thika town, Kenya. The book features case studies of the work done by ALIN-EA and partners in bridging the digital divide and enhancing the process of information exchange among rural communities. It addresses poverty reduction goals and initiatives by strengthening knowledge as a means of empowering the poor to access markets for the products and other issues related to their livelihoods.
Without true community, even the most impressive local church has little more to offer than an endless cycle of meetings. If leaders feel they must be flawless or members find their personal needs and uniquenesses glossed over, the church will never become a place where hearts are touched and lives are changed. Drawn from over 25 years of experience, this book contains principles and suggestions that have repeatedly proven successful in creating community.
Centre for studies in Australian Music, U. of Melbourne, Parkville, VIC 3052, Australia. FAX: (03) 93494473.

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