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One of the most extensive studies of the tremolo technique.
This second comprehensive and scholarly volume of over 500 pages on the life and work of Andres Segovia contains a biography of the years 1958-1987 and focuses on Segovia's rendition of Spanish/Romantic and Contemporary/Neo-Classical masterpieces by Tárrega, Albeniz, Granados, Llobet and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as well as modern editions of these pieces. Includes access to an online audio recording by Gerard Garno.
This book is a collection of studies and exercises designed to help the student develop right-hand technique. the first sections deal with the basic skills of rest and free stroke, finger alternation, and arpeggios; developing flexibility and efficiency in right-hand movements. Later sections deal with the more advanced techniques of timbre production, pizzicato, right-hand harmonics, and tremolo. Most of the study pieces have been selected from the great body of classical guitar music. A few have been adapted from other sources such as keyboard and cello.
This book is a collection of studies and exercises designed to help the student develop right-hand technique. The first sections deal with the basic skills of rest and free stroke, finger alternation, and arpeggios; developing flexibility and efficiency in right-hand movements. Later sections deal with the more advanced techniques of timbre production, pizzicato, right-hand harmonics, and tremolo. Most of the study pieces have been selected from the great body of classical guitar music. A few have been adapted from other sources such as keyboard and cello.
This book contains short and concise exercises for use in a warm-up before practice or performance, and for general technical advancement. The book isdivided into four sections: I Arpeggios, II Scales, III Tremolo, and IV Slurs. Each section contains a description of the exercises and general instructions on how to play them. The exercises are intended for guitarists who are looking for a simple warm-up that does not require learning many complicated etudes, exercises or routines. In this book, only one etude is used for a variety of arpeggio and tremolo patterns. The scale warm-ups are based on a two-octave, one-position scale that is shifted up and down the fretboard, and a simple one-position chromatic scale.The pull-off and hammer-on slurs are combined into one exercise to save time. This same routine, when practiced with the metronome gradually increasing the tempo, can also double for technical work. With the exception of one chromatic scale exercise, the rest are on closed strings. Besides being able to move the scale up and down the fretboard, the first finger can be barred. This will increase the left hand difficulty and improve the left hand position and strength. There is close to an hour's worth of material if all the exercises are played with all of their variations at different tempos. Not everything needs to be played everyday, so the warm-up session can be as long as desired or as short as time allows.
ÊÒThe aim of this book is to gather in one place a compendium of techniques specific to the classical guitar.ÊÊEach technique has a written explanation, preliminary exercises and two original compositions, providing the opportunity to use the techniques in a musical context.ÓÊ Steve Marsh Mel Bay Publications was founded on MelÕs simple pretext of Òfinding a need, and filling it.ÓÊÊMel Bay author, Steve Marsh, continues in that tradition with the publication ofÊThe Anthology of Classical Guitar Techniques, a highly original concept that fills a distinct need in the guitar study repertoire.ÊÊGraded from lower intermediate to higher intermediate in difficulty, this anthology avoids fundamental skills known to most beginners and goes straight to intermediate-level techniques such as: arpeggio, barrŽ, campanella, glissando, harmonics, pizzicato, rapid scales, rasgueado, tambour, tremolo, vibrato, and more. Each of the 32 techniques is illuminated with preliminary studies and two original compositions, all written in standard notation only. If youÕre ready to take the next step with the classical guitar, this book will improve your technique and musicianship in general, increase your ability to listen to yourself critically, and so lead to more productive practice sessions.
This second comprehensive volume on the life and work of Andres Segovia contains a biography of the years 1958-87 and focuses on Segovia's rendition of Spanish/Romantic and Contemporry/Neo-Classical masterpieces by Tarrega, Albeniz, Granados, Llobet, and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as well as modern editions of these pieces
All the exercises in Killer Technique: Classical Guitar are either based on orinspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition.The exercises cover various techniques, such as finger independence in bothhands, different types of shifts, in-context slurs, in-context arpeggios, scales, tremolo and switches between different technical elements. The exercises are presented in standard notation and tablature. Explanations andinstructions are also provided. By using standard notation, the exercises include detailed information regarding fingerings and strings. Tablature versions of theexercises are also included, however, the rhythm and finger information is written in standard notation. The exercises are divided into two main sections: right-hand and left-hand. Eachsection consists of different categories specific to that hand. The exercises are not written in any particular order within each category - by practicing these exercises, the reader will master difficult technical transitions when they are encountered in compositional contexts
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminatesthe guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitaristsincluding: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose AntonioRodriguez, Paco Serrano, and many more
Simply put, this is the Holy Grail of classical guitar resources. Born from a daily warm-up and exercise routine, enhanced with previously unavailable technical information and blessed by Scott Tennant (the holy master of classical guitar himself), comes the best-selling series, Pumping Nylon. Learn to turn every note you play into an inspirational musical experience by improving your accuracy, precision, control, synchronization, speed, focus and stamina. Essential information and a great sense of humor unite in this comprehensive technique handbook for the classical guitarist. 96 pages. DVD running time: 1 hour 57 minutes.
Scott Tennant, world-class classical guitarist and well-respected guitar eduactor, has brought together the most comprehensive technique handbook for the classical guitarist. It is presented here in both standard music notation and TAB. In addition to technical information not available elsewhere, he has compiled selections from Giuliani's 120 Right-Hand Studies; musical examples by Bach, Turina, Rodrigo and others; Tarrega arpeggio studies; and original compositions by Andrew York and Brian Head. Essential information and a great sense of humor are effectively combined in this best-selling book.
Includes entries for maps and atlases.

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