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Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections—Histories, Conflicts, and Genres—the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.
Concise discussions of the lives and principal works of contemporary women playwrights, written by subject experts.
Twenty-nine women discuss censorship, taboo subjects, biased criticism, theater imagery, and the position of women in the theater
'The impressive array of scholars gathered in this collection, all experts in the field, read the plays with nuance and situate them deftly within their cultural and historical contexts. Scholars of contemporary theater and drama and of African American literature will find value in this engaging collection.' – Choice 'For students and scholars of American theatre and drama generally and African American theatre and drama most particularly, this is an extremely valuable critical source.' – Harry Elam, Stanford University, USA In the last fifty years, American and World theatre has been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas. Kolin compiles a wealth of new essays, comprising: Yale scholar David Krasner on the dramatic legacy of Lorraine Hansberry, Zora Neale Hurston, Marita Bonner and Georgia Douglas Johnson individual chapters devoted to: Alice Childress, Sonia Sanchez, Adrienne Kennedy, Ntozake Shange, Pearl Cleage, Aishah Rahman, Glenda Dickerson, Anna Deavere Smith and Suzan Lori-Parks an essay and accompanying interview with Lynn Nottage comprehensive discussion of attendant theatrical forms, from choreopoems and surrealistic plays, to documentary theatre and civil rights dramas, and their use in challenging racial and gender hierarchies. Contributors: Brandi Wilkins Catanese, Soyica Diggs, James Fisher, Freda Scott Giles, Joan Wylie Hall, Philip C. Kolin, David Krasner, Sandra G. Shannon, Debby Thompson, Beth Turner and Jacqueline Wood.
This Companion addresses the work of women playwrights in Britain throughout the twentieth century. Chapters explore the historical and theatrical contexts in which women have written for the theatre and examine the work of individual playwrights. The volume brings together a transatlantic team of feminist theatre scholars and practitioners. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters which raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on non-mainstream writing, including black and lesbian performance.
Though Lorraine Hansberry's A Raisin in the Sun (1959) raised the world's awareness of the abilities of African American female playwrights, both the theater and the literary world often have neglected to include contemporary African American women dramatists within the circle of production, publication, and criticism. This reference book sheds light on the achievement of these playwrights and directs researchers to studies of their works. The first section includes a selected listing of anthologies that contain one or more plays by an African American female dramatist who has published at least one play since 1959. The second provides entries for reference works and for general and scholarly criticism about the dramatists and their plays. The third gives a selected listing of individual dramatists' published plays, with summaries of each drama; the dramatists' primary works related to drama; and secondary works that treat the dramatists and their plays. Entries are accompanied by concise yet informative annotations. The volume closes with a selected listing of periodicals that typically publish criticism of African American female playwrights, brief biographical sketches of the dramatists, and extensive indexes.
Includes biographical sketches, play synopses, production histories, and bibliographical information for more than 80 contemporary women playwrights who present African American, Latina, Asian American, and lesbian perpectives.
Great Scenes From Women Playwrights is a Meriwether Publishing publication.
The 12th edition of the popular Women Playwrights Series is an inspiring collection of new plays by contemporary American playwrights. Introduction by Jan Buttram, Artistic Director, Abingdon Theatre Company. A woman's-eye view of our challenging times.
An anthology of five plays by contemporary American women writers, including Mary Gallagher, Linda Manning, and Jeannie Zusy.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Women playwrights speak about their art and the theatre in this collection of interviews about a key decade of British drama. Twenty leading contemporary dramatists discuss their work from the perspective of being both writers and women. Each talks about the state of the theatre now, the craft of playwrighting, and the pressures of working within a male dominated environment. The book also features Sarah Kane's very last public interview. 'What I think is so exciting about the response to a number of the plays written by women in the last ten years is that they are popular with audiences - because they've got this quality, this energy and this culture that hasn't been seen much on stage before: a humour, sexiness and wit that's been missing' - Charlotte Keatley
Violence against women in plays bywomen has earned little mention. This revolutionary collection fills that gap, focusing on plays by American women dramatists, written in the last thirty years, that deal with different forms of gender violence. Each author discusses specific manifestations of violence in carefully selected plays: psychological, familial, war-time, and social injustice. This book encompasses the theatrical devices used to represent violence on the stage in an age of virtual, immediate reality as much as the problematics of gender violence in modern society.
The first scholarly collection to discuss the intersection of feminism and dramatic theory
This text was the first monograph to document and analyse the plays written by Black and Asian women in Britain. The volume explores how Black and Asian women playwrights theatricalize their experiences of migration, displacement, identity, racism and sexism in Britain. Plays by writers such as Tanika Gupta, Winsome Pinnock, Maya Chowdhry and Amrit Wilson, among others - many of whom have had their work produced at key British theatre sites - are discussed in some detail. Other playwrights' work is also briefly explored to suggest the range and scope of contemporary plays. The volume analyses concerns such as geographies of un/belonging, reverse migration (in the form of tourism), sexploitation, arranged marriages, the racialization of sexuality, and asylum seeking as they emerge in the plays, and argues that Black and Asian women playwrights have become constitutive subjects of British theatre.
A collection of interpretive essays on American women playwrights.
Provides a comprehensive international guide to over 400 women playwrights and their work, from the 10th to the 21st centuries. There are biographical details for each writer, an outline of their major work, lists of plays, publication details and an extensive bibliography.

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