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This is a practical book with over 100 easy-to-follow projects using materials such as wire, tin, plaster, mosaic and polymer clay. All the projects are simple to achieve at home and require no specialist equipment.
Originally published in 1952, this title looks at how various creative crafts were taught in school and whether this had the ability to eventually transform our social environment. The author looks at craft education first in the primary years and then in adolescence, she goes on to examine specific crafts in more detail.
Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice.
Encyclopedia of various handicrafts for a family to make and do together.
This book aims to get you writing and keep you writing - and help you enjoy your writing to the full. It will show you how to free your own unique voice and create original, individual work. It is packed with exercises, visualisation techniques, flow charts, dream-work and word webs that will enable you to explore the treasures of your subconscious, revisit your childhood world of games and make believe, and bring back what you find. Then it shows you how to harness that creativity in developing your characters, settings, plot and dialogue. Additional exercises focus on sustaining your own motivation, providing the perfect setting in which to develop your writing. This book will help you at every stage. Use it to rediscover your love of words and the spontaneity in your writing. Find your voice and become the writer you were meant to be. Contents: 1. Writing as a Way of Life; 2. Tuning In; 3. Discovering the Plot; 4. Developing Atmosphere, Pace and Mood; 5. Working with Beginnings and Endings; 6. Surprise Yourself; 7. Working With Your Dreams; 8. Recycling; 9. Crafting Your Work; 10. Editing Your Work; Glossary; References; Further reading; Useful addresses and websites; Index.
This open access book explores the experience of working as a craftsperson or designer maker in the contemporary creative economy. The authors utilise evidence from the only major empirical study to explore the skills required and the challenges facing contemporary makers in an increasingly crowded marketplace. Drawing upon 180 interviews with peak organisations, established and emerging makers, and four years of fieldwork across Australia, this book offers a unique insight into the motivations informing those who seek to make an income from their craft or designer maker practice, as well as the challenges and opportunities facing them as they do so at this time of renewed interest internationally in the artisanal and handmade. Offering a rich and deep collection of real-life experiences, this book is aimed both at an academic and practitioner audience.
A knapsack of techniques and activities.
Seminar paper from the year 2019 in the subject Social Studies (General), grade: 1.00, University of the Philippines (College of Social Sciences), course: Historical Perspectives on Development, language: English, abstract: The paper attempts to understand the role of the creative class in the proliferation of a creative economy in Baguio City. It draws discussion from the discourse of the reconstruction of Baguio City as a Creative City and from the insights gained by the author during the International Conference on Southeast Asian Crafts and Folk Arts (ICSEACFA). This paper will synthesize empirical specifics and theoretical posits in order to arrive at a deeper and broader understanding of the creative class and the creative economy in Baguio City. The paper puts premium on the exploration as to how the creative economy is ultimately driven by the creative class. Through a review of empirical facts and the theories on creative economies and identifying the creative class, the author affirms the vital role, the creative class plays in the proliferation and development of the creative city. Conversely, the development of the creative city enlivens the creative sectors and encourages them to continue innovating, becoming more productive, generating more employment, increasing household incomes, savings, and investments. Baguio City's position as a UNESCO creative city entails a lifelong commitment of the creative class in proliferating the creative economy. Today, Baguio City is known as the “Summer Capital” of the country. It is one of the most dynamic and prominent cities in the Philippines. It is home to 345,000 residents as of 2015, and has been growing exponentially at a rate peggedm at 1.54 percent. Baguio is now comprised of migrants from various ethno-linguistic groups who have now outnumbered the original Ibaloi population. Currently, only 4% of the total Baguio population are Ibalois. It is an educational, trading, tourism, and administrative hub in northern Luzon.

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