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She vowed to resist . . . It's difficult enough for Lady Clara Stanbourne to run her London home for reformed young pickpockets without having to contend with a criminal rightnext door! The mysterious Morgan Pryce is obviouslydealing in stolen property, and she will never allowthe handsome scoundrel to lead the children astray.Pryce is very much mistaken if he believes her adelicate rose he can wilt with passionate, unspokenpromises. Now if only Clara could douse the fieryyearning the charming cad ignites inside her. His heated caresses . . . This bold, beautiful temptress is indeed a distraction—and Morgan wishes he could tell the exquisite Clarathe truth: that he is working undercover to break upa notorious crime ring. His mind should be on hisduty—not wondering how it would feel to hold Clarain his arms and taste her luscious lips. But nowthat she has entered into his most dangerous game,Morgan knows he must have her, despite the veryreal peril to his secret mission—andto his heart.
Tracking her was easy. Staying out of her bed-that's the hard part. On the run from her past and her overprotective brother, Ellie has had a taste of freedom-and likes it. Nothing can make her go home. Not even when the man she's always longed for shows up to drag her there. His wicked grins and irresistible dimples won't work. But she knows something else about Luke: He doesn't give up easily. Luckily, Ellie's not above resorting to naughty tactics. Seduction, she's certain, will make him so uncomfortable he won't be able to flee fast enough. And boy, is it going to be fun. The last thing Luke expects is for his best friend's sister to launch an erotic assault. He'll go along with her sexy games, but he's sure that when things get too hot, she'll come to her senses and come home. Except resisting her isn't as easy as he thought it'd be. And suddenly he's wondering if maybe there can be more than one winner in this dance of seduction. Warning, this title contains the following: explicit sex, graphic language
Vivienne Le Fleur is one of London’s most sought after opera dancer and one of England’s best weapons: the spy known as the Flower. When a French agent pressures her to change allegiance by abducting her sister, Vivienne is forced to seek the help of the only man in London who doesn’t want her. Maximilian Westwood, retired code breaker, doesn't like surprises or mysteries and The Flower is both. When she sneaks into his study in the middle of the night with a coded message, he’s ready to push her out whatever window she arrived through. Except Maximilian is unable to turn away a woman in trouble. Determined to rescue Vivienne’s sister, they engage in a game of cat and mouse with French spies that requires all of Vivienne’s training and Maximilian’s abilities. Bound together by secrecy, they discover there is more between them than politics and hidden codes, but love has no place among the secrets of espionage... Each book in the Spy in the Ton series is STANDALONE. * A Dance with Seduction * The Lady and Mr. Jones
Music plays a fascinating role in courting and flirting in human cultures. The power of music to enhance social cohesion, to stimulate people to synchronize their rhythms, to sway, to dance, to get into a trance, or indeed, to experience sexual excitement, has led to numerous different traditions of music and dance in the service of seduction or sexual education. This book examines a wide range of such practices: from the dancing and singing of South Indian devadasis (ritual and royal courtesans) to the provocative dialogues exchanged between Chinese rural villagers; from the vigorous dance songs of prepubescent girls of the Baka (Cameroon) to the "bump and grind" and serpentine movements of pole dancers in night clubs. And how did a composer like Mozart define the interplay of attraction and recoil in his operas? Many aspects, from conventions of language to gestures, postures, smells and other sensual signals, appear to be unique for specific local traditions. Other features, such as the seductive qualities of the human voice or the appreciation of vocal musical dialogues as a "battle of wits" clearly transcend cultural boundaries. The shared point of departure for the wide-ranging (musical, biological and anthropological) excursions in this volume is the how and why of music's power to establish a sexual rapport. Does music, like sex, go deeper than culture? A range of scholars from different disciplines set out to address these questions.
When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
FOREVER WITH YOU Savion Monroe’s serious business exterior hides his creative spirit—and only Jazmin Boyd has access. Beautiful, sophisticated and guarding a secret of her own, the television producer evokes a fiery passion that dares the guarded CEO to pursue his dream. But when she accidentally exposes Savion’s hidden talent on air for all the world to see, will he turn his back on stardom and the woman he loves? THE SWEET TASTE OF SEDUCTION Delanie Atwater’s unexpected inheritance comes with hidden dangers—like her irresistible rancher neighbor, who offers his expertise. Soon the sprawling North Carolina vineyard isn’t all Ray Cavanaugh is bringing back to life. But even as he awakens Delanie’s dormant passion, she uncovers a plot to buy her legacy out from under her. This leaves Delanie questioning if her relationship with Ray can truly survive this test.

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