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This splendid volume of short fiction testifies to Margaret Atwood's startlingly original voice, full of a rare intensity and exceptional intelligence. Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition--and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.
Short stories.
This book deals with the study of style in language, how styles can be recognized, and their features. It examines how style is used in literary and non-literary texts, and how familiarity with style is a matter of socialization. The author also discusses the relationship between text and discourse, the production and reception of meaning as a dynamic contextualized interaction, the question of perspective and the variable representation of reality, and how stylistics can complement literary criticism. The final chapter deals with social reading and ideological positioning, including some thoughts on feminist stylistics and critical discourse analysis.
The first anthology of critical interpretations of major Canadian short stories.
Louis Phillips writes and teaches. Mostly he writes. He's published well over forty books, including poems, plays, novels, and short stories. He's published compilations of theatre quotes, TV history, sports nicknames, and jokes. He's a walking encyclopedia of cultural trivia. And he can't stop writing. We're very happy about that. This is the second book of his that we've published, the first being The Woman Who Wrote 'King Lear,' and Other Stories. He lives in New York City.
A collection of new essays on the multi-talented Canadian writer Margaret Atwood.

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