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A Booker Prize Finalist, Daughters of the House is Michèle Roberts' acclaimed novel of secrets and lies revealed in the aftermath of World War II. Thérèse and Léonie, French and English cousins of the same age, grow up together in Normandy. Intrigued by parents' and servants' guilty silences and the broken shrine they find in the woods, the girls weave their own elaborate fantasies, unwittingly revealing the village secret and a deep shame that will haunt them in their adult lives.
Feminist criticism has not been kind to Charles Dickens. The characters George Orwell referred to as 'legless angels' - Little Nell, Agnes Wickfield, Esther Summerson and others - have been conjured as evidence of Dickens' inability to create 'real' women. Critics wishing to rescue him have turned to the dark, angry women - Nancy, Lady Dedlock, Miss Wade - who disrupt the calm surface of some of Dickens' novels. In this book Hilary M. Schor argues that the role of the good daughter is interwoven with that of her angry double in Dickens' fiction, and is the centre of narrative authority in the Dickens' novel. As the good daughters must leave their father's house and enter the world of the marketplace, they transform and rewrite the stories they are empowered to tell. The daughter's uncertain legal status and her power of narrative gave Dickens a way of reading and writing his own culture differently.
Through innovative and controversial readings of Victorian Gothic and 'sensation' fiction, this book interrogates current feminist assumptions about the relation of women to the private sphere, and reveals the unexpectedly radical potential of this association. It is argued that this potential is an intrinsic aspect of the 'female' Gothic tradition traceable back to Ann Radcliffe. A new typology of 'male' and 'female' Gothic is shown to be relevant to contemporary French feminist debates about sexual difference.
The fifth collection of poems by Irish poet Catherine Phil MacCarthy
Honore Bainbridge has been courted by two men, one of whom turned out to be a traitor, the other a murderer. Banished to her family's country estate, where she will hopefully stay out of trouble, she finally meets the man she is sure is exactly right for her: Lord Ashmoor. Tall, dark, and handsome--what more could a girl ask for? But he too is under suspicion because of his American upbringing and accusations that he has helped French and American prisoners escape from Dartmoor Prison. For his part, Lord Ashmoor needs a wife beyond reproach, which Honore certainly is not. Amid a political climate that is far from friendly, Honore determines to help Ashmoor prove his innocence--if she can do so and stay alive. From the rocky cliffs of Devonshire, England, comes the exciting conclusion to the lush Daughters of Bainbridge House series. Award-winning author Laurie Alice Eakes thrusts her readers into high drama from the very first sentence and keeps them on their toes until the final page.
Reproduction of the original.

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