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In 1950, Clive Staples Lewis published the first in a series of children’s stories that became The Chronicles of Narnia. The now vastly popular Chronicles are a widely known testament to the religious and moral principles that Lewis embraced in his later life. What many readers and viewers do not know about the Chronicles is that a close reading of the seven-book series reveals the strikingly effective influences of literary sources as diverse as George MacDonald’s fantastic fiction and the courtly love poetry of the High Middle Ages. Arguably the two most influential sources for the series are Edmund Spenser’s The Faerie Queen and John Milton’s Paradise Lost. Lewis was so personally intrigued by these two particular pieces of literature that he became renowned for his scholarly studies of both Milton and Spenser. This book examines the important ways in which Lewis so clearly echoes The Faerie Queen and Paradise Lost, and how the elements of each work together to convey similar meanings. Most specifically, the chapters focus on the telling interweavings that can be seen in the depiction of evil, female characters, fantastic and symbolic landscapes and settings, and the spiritual concepts so personally important to C.S. Lewis.
Provides a thematic survey of the criticism about C.S. Lewis' seven fantasies about Narnia
Journeys to the end of the world, fantastic creatures, and epic battles between good and evil -- what more could any reader ask for in one book? The book that has it all is the lion, the witch and the wardrobe, written in 1949 by C. S. Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia. For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a world where magic meets reality, and the result is a fictional world whose scope has fascinated generations. This edition presents all seven books -- unabridged -- in one impressive volume. The books are presented here according to Lewis's preferred order, each chapter graced with an illustration by the original artist, Pauline Baynes. This edition also contains C. S. Lewis's essay "On Three Ways of Writing for Children," in which he explains precisely how the magic of Narnia and the realm of fantasy appeal not only to children but to discerning readers of all ages. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to all readers, even fifty years after the books were first published.
The Lion, the Witch and the Wardrobe tells the story of four adventurous children: Peter, Susan, Edmund, and Lucy Pevensie, who have been evacuated to the English countryside in 1940 following the outbreak of World War II. They discover a wardrobe in Professor Digory Kirke's house that leads to the magical land of Narnia. Narnia is a charming, once peaceful land inhabited by talking beasts, dwarfs, fauns, and giants. Unfortunately, it has been frozen in eternal winter and enslaved by the power of the White Witch. The arrival of the children, with the return of the Great Lion Aslan , gives Narnia hope for liberation . . . but with a great sacrifice.
Shows the Christian message within The Chronicles of Narnia® To coincide with the release of Prince Caspian, this book helps kids ages 7-11, understand the symbolism of the Christian faith written by C.S. Lewis in the Chronicles of Narnia series. Christian concepts are simply explained, along with excerpts from the Narnia books. Each section of the book explains the characters, events, places, and themes and gives insight in the spiritual parallels. Kids, parents, teachers and ministers will all find this to be a great tool for use in preparing to see the movie.
Prince Caspian: The Return to Narnia follows the Pevensie children's second trip to Narnia. They are drawn back by the power of Susan's horn, blown by Prince Caspian. The Prince has fled into the woods to escape his uncle, Miraz, who has usurped the throne. Narnia, as the children knew it, is no more. More than 1,000 years have passed and is now under the control of Wicked King Mirax. Their castle is in ruins, while all Narnians have retreated so far within themselves. Could a desperate gamble by Peter save Narnia from the evil?

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