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This collection of Debussy's popular intermediate pieces includes "Clair de lune," "Reverie," "Le petit n�gre," the complete "Children's Corner Suite" and other works. The introductory pages discuss symbolist poetry, French Impressionist painters and Debussy's musical style. A variety of photographs taken throughout the composer's life are also included. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances. 64 pages. Pianist Scott Price is the chair of the Piano Department at the University of South Carolina and holds a doctorate in piano performance from the University of Oklahoma. He has given master classes and recitals throughout the United States and Southeast Asia. His recordings are featured in Alfred's Premier Piano Course.
This collection of Debussy's popular intermediate pieces includes "Clair de lune," "Reverie," "La petit nègre," the complete "Children's Corner Suite" and other works. The introductory pages discuss symbolist poetry, French Impressionist painters and Debussy's musical style. A variety of photographs taken throughout the composer's life are also included.
Deals with Debussy's compositions in relation to the works of painters and poets of his time, and includes information for interpreting his works for pianists
This Practical Performing Edition is a well-rounded introduction to Chopin's easiest piano pieces. It contains the familiar "Prelude in A Major," "Prelude in B minor" and "Prelude in E minor," three waltzes (published posthumously), six mazurkas and additional works. Ornaments are realized and fingering and pedal suggestions are provided. Biographical information and a brief discussion of each work further assist students with Chopin's style. Included is an outstanding CD recording from the Naxos label by internationally renowned artist Idil Biret. Canadian recording artist and piano professor Valery Lloyd-Watts also performs some of the selections.
Granados's 12 Spanish Dances is a cycle of keyboard vignettes depicting Spanish life. This is the first critical edition published in the United States that includes Granados's final revisions. Performance notes, historical information and a glossary of Spanish terms are included. This edition aids in interpretation through added fingerings, editorial pedal, and indications for subtle changes in tempo, which are integral to the performance of Spanish music. Dr. Kuehl-White studied in Barcelona with legendary Spanish pianist Alicia de Larrocha, who provided a tremendous legacy regarding the performance practice traditions of Granados's music. Titles: * Galante * Oriental * Fandango * Villanesca * Andaluza * Rondalla Aragonesa * Valenciana * Asturiana * Romántica * Melancólica * Arabesca * Bolero
Jane Bathori was a catalyst for as well as interpreter of the works of many French composers. In 1904, she met Claude Debussy, played some of his piano pieces for him and sang several of his songs. Their discussions were the basis for her 1953 book, On the Interpretation of the Melodies of Claude Debussy which she resolved to write "after having heard Debussy's intentions betrayed so many times, and also to encourage singers ... to study some of the songs which are not known and are never sung, the excuse being that they are so difficult to interpret" (from Bathori's opening).
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.
A comprehensive picture of Debussy with insights into his character, environment and music.
"In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy." David Grayson -- Book jacket.
Haydn was primarily responsible for shaping the Classical style of performance. During the 18th century, when composers focused mainly on the sonata, quartet and symphony, Haydn's slow-maturing genius assimilated and consolidated the trends into an individual style that was both inspired and disciplined. These eight pieces are among Haydn's easiest works and are presented in their unsimplified, original form. Based on careful study, the editorial markings are clearly distinguished from the composer's.
Unaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described ‘hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ‘ego-less’ composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Léon Theremin and Henry Cowell; promotion of the music of modern French and Spanish schools; appreciation of vernacular, jazz and folk musics; as well as with the study and transcription of non-Western music; he contested received ideas and proposed many radical new approaches. By reappraising Grainger’s social and historical connectedness and exploring the variety of aspects of modernity seen in his activities in the British, American and Australian contexts, the authors create a profile of a composer, propagandist and visionary whose modernist aesthetic paralleled that of the most advanced composers of his day, and, in some cases, anticipated their practical experiments.
A biographical work about the world-renowned Alsatian piano prodigy, composer, and influential teacher who personified the passion of the Romantic Age as it met Modernism before the turn of the 20th century.
Dr. Maurice Hinson caps off his extensive library of period anthologies and DVDs with a comprehensive look at Impressionist compositions. This beautifully engraved edition includes works by the top 20 Impressionistic composers, an extensive foreword with historical information on each composer, specific performance notes for each pieces and a look at the compositional techniques used by Impressionists. In the companion DVD-lecture, Dr. Hinson explores four aspects of Impressionism: early influences, performance techniques, musical characteristics and specific repertoire from the anthology. Alfred's DVDs provide a strong visual and auditory reference for stylistic and technical interpretations, which are important tools for enhancing any musical performance. 208 pages.
Polish composer Moritz Moszkowski (1854-1925) wrote brilliant piano music similar to the early-Romantic style of Chopin, Mendelssohn and Schumann. Written for advancing pianists, each etude is a study in drama, mood and expression as well as finger technique. Hinson's edition contains a biographical sketch of the composer, a discussion of his style, and a helpful performance analysis of each etude.
Debussy was not referring to "arabesque" in the form of a ballet term but rather to the meaning of "arabesque" as a piece with exquisite detail and clear repetitions of ideas and artistic balance. These pieces were written in 1888 during Debussy's earliest compositional period.
Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the opera both established Debussy's mature style and changed the course of operatic history.
Composer, pianist, and critic Claude Debussy's musical aesthetic represents the single most powerful influence on international musical developments during the long fin de siècle period. The development of Debussy's musical language and style was affected by the international political pressures of his time, beginning with the Franco-Prussian War of 1871 and the rise of the new Republic in France, and was also related to the contemporary philosophical conceptualization of what constituted art. The Debussy idiom exemplifies the ways in which various disciplines - musical, literary, artistic, philosophical, and psychological - can be incorporated into a single, highly-integrated artistic conception. Rethinking Debussy draws together separate areas of Debussy research into a lucid perspective that reveals the full significance of the composer's music and thought in relation to the broader cultural, intellectual, and artistic issues of the twentieth century. Ranging from new biographical information to detailed interpretations of Debussy's music, the volume offers significant multidisciplinary insight into Debussy's music and musical life, as well as the composer's influence on the artistic developments that followed. Chapters include: "Russian Imprints in Debussy's Piano Music"; "Music as Encoder of the Unconscious in Pelléas et Mélisande"; "An Artist High and Low, or Debussy and Money"; "Debussy's Ideal Pelléas and the Limits of Authorial Intent"; "Debussy in Daleville: Toward Early Modernist Hearing in the United States"; and more. Rethinking Debussy will appeal to students and scholars of French music, opera, and modernism, and literary and French studies scholars, particularly concerned with Symbolism and theatre. General readers will be drawn to the book as well, particularly to chapters focusing on Debussy's finances, dramatic works, and reception.
This is a newly-engraved critical edition of Claude Debussy's superb orchestration of two of the Gymnopedies by his friend Erik Satie. Debussy used the two outer movements of the original three pieces in reverse order, so that Satie's No. 3 became No. 1 while No. 1 became No. 2. Satie was virtually unknown as a composer at the time of the 1897 Paris premiere of the orchestral setting, which did much to advance his reputation in the early years of the twentieth century. The piano originals are now even more renowned than Debussy's orchestration, which remains a fixture in the orchestral repertoire. The 2004 edition is now made available in a convenient and affordable study score which is sure to be appreciated by musicians, students and fans of both composers everywhere.

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