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They call him Masque. I call him God. The man I want to consume me, own me, break me and corrupt me. Yet I've never seen his face. His body ripples like an Adonis, sculpted in steel and dripping in sin. His flesh is inked with the mark of the chimera - one body, two very different halves. He plays hard. He plays rough. He has no limits. He's so fucking dirty bad wrong. But I love him for it. *** Lydia Marsh is always the strong one. The girl who never breaks, and sure as hell never cries. She's got it all - the perfect little life in cosy suburbia, with her perfectly nice boyfriend, and their perfectly sufficient sex life. She's even got her perfect little career plan all wrapped up at Trial Run Software Group. But when it all falls apart, and Lydia's pretty, green eyes are fixed on a brutally sexual stranger - the man they call Masque - she comes to suspect that being strong isn't all it's cracked up to be. For now Lydia wants something she's never wanted before... And she wants Masque to give it to her. **Warning - this novel contains graphic sex, and hardcore elements of BDSM. There are scenes of violence (consensual) as well as sexual practices some readers may find offensive. If you aren't turned on by dirty bad wrong sex then please walk on by. Thank you.**
I'm not a total dick ... Most days, I'm a damned decent guy. Just not around my buddy's sister. She's sexy as sin, sharp as hell, and she's also the lush little harpy who's been rubbing me wrong since we were kids. I don't want to do her a favor ... If it had been any other damsel in distress looking to shake some unwanted attention, I'd have been the perfect fake boyfriend for all of five minutes. But Laurel brings out the bastard in me, and five minutes hardly seemed enough time to make her squirm. She wants to one-up me, and I want to win. But maybe I need a favor too ...
Love—on the rocks.... The last thing Vaughan Hewson expects to find when he returns to his childhood home is a broken hearted bride in his shower, let alone the drama and chaos that come with her. Lydia Green doesn't know whether to scream or cry in a corner. Discovering the love of your life is having an affair on your wedding day is bad enough. Finding out it's with his best man is another thing all together. Just when this runaway bride has nowhere left to turn, a handsome stranger offers her a broad, muscular shoulder to cry on. Vaughan is the exact opposite of the picture perfect, respected businessmen she's normally drawn to. This former musician-turned-bartender is rough around the edges and is facing his own crossroads. But Lydia's already tried Mr. Right and discovered he's all wrong--maybe it's time to give Mr. Right Now a chance. After all, what's wrong with getting dirty? Dirty is the first book in the Dive Bar series from bestselling author Kylie Scott.
"You can't rush love. Sometimes it just comes out of nowhere and smacks you in the face.""I've messed up royally, and Kade is the only person who can help me."My name is Alix Nova and I'm a successful model. That is, until my ex threatens to leak my nude photos. My filthy rich stepbrother is the only person with enough cash that I can turn to. But he isn't buying my pathetic lies on why I need the money. He's determined to get to the bottom of it. I just hope when he learns the truth, he doesn't abandon me like every other man in my life has."All of the dark fantasies I'd lied to myself about, all of the ways that I wanted to bend her over, to engage in those violent passions that tore at my soul. All those images from my dreams that I never told anyone about came to mind as my lips touched hers for the first time."No one associates my name, Kade Prescott, with my rich father anymore. I'm just a defense attorney, scum of the earth. I'm also the only one who'll help my stepsister, Alix. I know that my desire for her is mutual, I'm just not sure how she'll react to the real me. How she'll react to the RED ROOM.**Dirty Little Secrets is dirty, bad and wrong! Includes light BDSM and spankings...Do you dare turn the page?**Full length novel with a HEA.
The basic premise of this book is that most, if not all, of what we have been taught to believe is true, is not true or only half true. We blindly assume that what our mothers taught us about lying, paternity, religion, incest, nudity, pornography, and other subjects was right. This book states that a closer look at what was taught will reveal that "Your Mama Was Wrong". It says that lying is not always wrong. Sometimes it can be dangerous to tell the truth. When the slaves were being hhid by the "underground railroad", people lied in order to protect them. This book points out the fact that there are males, females and people who are neither male nor female. It also says that all religions are basically hearsay because they are founded upon what someone "said" was "said". All the sacred books were written by someone - usually male, who lived hundreds or thousands of years ago. The chapter on paternity shows how DNA testing can prove that "Your Mama Was Wrong" about who she said your father was. This chapter will prove to be very disturbing to many. There never has been a book written that challenges so many of society's views of right and wrong, true and false, fact and fiction.
Vols. for 1933- include the societys Farmers' guide to agricultural research.
For well over a decade, half-baked analysis and phony science have been used by some feminists to side-track the women's movement into puritanical campaigns against sexual material and imaginative sexual exploration.Many feminists would say that this widely publicised version of feminism is itself sexist, and that the increasingly vocal anti-pornography campaigns are founded on theoretical dead-ends that have allowed feminists to deviate drastically from the basic goals of women's liberation.Bad Girls & Dirty Pictures puts these anti-sex, anti-porn arguments under the microscope of a more thorough and considered feminist analysis. It examines the flaws in the research that purports to prove the harm of pornography and warns against the continuing use of censorship by politicians and the moral right, as well as exposing the dangers of anti-porn feminist arguments.Contributions from a wide range of women, including sex workers and academics, remind us that pornography does not have a special place in our oppression, and that censorship must still be seen as dangerous enemy of women. Bad Girls & Dirty Pictures is a much-needed antidote to falsehoods, shabby thinking, and patronising sexism that have fuelled anti-pornography campaigns and misled the women's movement.
The book is intended for survivors of childhood sexual abuse and their supporters, friends and family. For the general reader the book offers insights into the effects of sexual abuse on the survivors' lives. The first part deals with information about childhood sexual abuse and why children remain silent about it. The second part offers ideas and techniques for victims to understand what has happened and to begin to make changes. Many of the chapters offer exercises to help people deal with their own experience. The third part gives supporters suggestions about how they may be able to help.
This thought-provoking book is an exploration of the ways religion and diverse forms of mobility have shaped post-apartheid Johannesburg, South Africa. It analyses transnational and local migration in contemporary and historical perspective, along with movements of commodities, ideas, sounds and colours within the city. It re-theorizes urban ‘super-diversity’ as a plurality of religious, ethnic, national and racial groups but also as the diverse processes through which religion produces urban space. The authors argue that while religion facilitates movement, belonging and aspiration in the city, it is complicit in establishing new forms of enclosure, moral order and spatial and gendered control. Multi-authored and interdisciplinary, this edited collection deals with a wide variety of sites and religions, including Christianity, Islam, Hinduism and Judaism. Its original reading of post-apartheid Johannesburg advances global debates around religion, urbanization, migration and diversity, and will appeal to students and scholars working in these fields.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018 'Brilliantly inventive and blazingly smart' Garth Greenwell 'Impossible, imperfect, unforgettable' Roxane Gay 'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice. A wife refuses her husband's entreaties to remove the mysterious green ribbon from around her neck. A woman recounts her sexual encounters as a plague spreads across the earth. A salesclerk in a mall makes a horrifying discovery about a store's dresses. One woman's surgery-induced weight loss results in an unwanted house guest. Bodies become inconsequential, humans become monstrous, and anger becomes erotic. A dark, shimmering slice into womanhood, Her Body and Other Parties is wicked and exquisite.

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