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Christopher Decker's critical edition of the Rubaiyat is the first to publish all extant states of the poems and to unearth a full record of its complicated textual evolution.
This Is A New Release Of The Original 1899 Edition.
8x10 edition. All 114 quatrains are presented via a merge of the first four editions of the Rubaiyat of Omar Khayyam, translated by Edward FitzGerald, and illustrated and arranged by Austin P. Torney.The 80+ illustrations, all in color, are a mixture of ancient and modern styles, ranging from Austin's own nature compositions to his enhancement of engravings and drawings obtained from very old books. New sections added on a transmogrification story, a poetic tribute to Omar Khayyam, the Titanic's 'Great Omar' story, colorizations of Edmund Sullivan's b/w illustrations, a new calendar, and more.Austin has also written and published his own invention of about 650 quatrains in 'Austin's Rubaiyat'.This publication celebrates the nearly two hundred years since Edward FitzGerald was born.
A work of staggering poetic beauty that has inspired the likes of John Ruskin, T. S. Eliot, and Robert Bly, The Rubaiyat of Omar Khayyam was written in eleventh-century Persia and was largely unknown in the West until it was translated into English by Edward FitzGerald in 1859. In FitzGerald's hands, the individual Persian quatrains of the original coalesced into one of the most moving and often-cited modern poetic statements about loss, longing, and nostalgia. As Robert D. Richardson notes, The Rubaiyat is startlingly modern in its outlook and composition, and through it, one civilization speaks to another as equals and across a gap of almost a thousand years. Annotated by Richardson and illustrated beautifully with the elegant watercolors of Lincoln Perry, this edition of The Rubaiyat of Omar Khayyam will bring this affirmed classic to a new generation of readers. It is the perfect complement to Richardson's “biography” of The Rubaiyat, Nearer to the Heart's Desire.
The book presents the text of Edward FitzGerald’s three main versions of the Rubáiyát of Omar Khayyám, together with non-technical commentary on the origins, role and influence of the poem, including the story of its publication. The commentary also addresses the many spin-offs the poem has generated in the fields of art and music, as well as its message and its worldwide influence during the 150 years since its first appearance.
In the eleventh century, in Persia, there lived a mathematician named Ghiyathuddin Abulfath Omar bin Ibrahim al-Khayyami--or, Omar, son of Abraham, the tent-maker. Omar wrote poetry, and while his rhymes received little attention in their day, they were rediscovered and translated into beautiful English--more than seven centuries later--by a gentleman and scholar named Edward FitzGerald. It was a meeting of minds, a great collaboration of the past and the present, and FitzGerald's rendition of those passionate verses has become one of the best loved poem cycles in the English language. With their concern for the here and now, as opposed to the hereafter, Omar Khayyam's quatrains are as romantic today as they were hundreds of years ago; they are a tribute to the power of one moment's pleasure over a lifetime of sorrow, of desire over the vicissitudes of time. Rubaiyat of Omar Khayyam, presented here with Edward FitzGerald's original preface, is truly a classic, and it will stand forever as one of our finest monuments to love.

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