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Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.
Eisenstein, Cinema, and History
Language: en
Pages: 262
Authors: James Goodwin
Categories: Performing Arts
Type: BOOK - Published: 1993 - Publisher: University of Illinois Press

Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin
Sergei M. Eisenstein
Language: en
Pages: 296
Authors: Naum Kleiman, Antonio Somaini
Categories: Performing Arts
Type: BOOK - Published: 2016-06-03 - Publisher: Amsterdam University Press

Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 een jaar voor zijn dood aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een
CinTma Et Histoire. English
Language: en
Pages: 175
Authors: Marc Ferro
Categories: Performing Arts
Type: BOOK - Published: 1988 - Publisher: Wayne State University Press

Ferro discusses how film reveals the conscious values of its creators, the dominant ideology of the society in which the film was created, and also unconscious or subverted meanings and values.
The Cinema of Eisenstein
Language: en
Pages: 344
Authors: David Bordwell
Categories: Performing Arts
Type: BOOK - Published: 2020-10-08 - Publisher: Routledge

The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and
Film and History
Language: en
Pages: 192
Authors: James Chapman
Categories: History
Type: BOOK - Published: 2013-10-30 - Publisher: Macmillan International Higher Education

Film is the pre-eminent mass medium of the modern age. It is a valuable source of evidence for the study of both the past and the contemporary world, and is a social practice that has affected the lives of millions. How can historians engage with this important and influential medium?
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