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A newly translated collection of subversive French fairy tales by writers from the Belle Époque The wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, most newly translated, by writers associated with the decadent literary movement that flourished in late nineteenth-century France. These enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, these decadent fairy tales feature perverse settings and disillusioned perspectives, underlining such themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. Complete with an informative introduction, biographical notes for each author, and explanatory notes throughout, these subversive tales will entertain and startle even the most disenchanted readers.
..".a gross act of national indecency... an unwarranted and unpatriotic attack on our sacred and secular traditions and institutions... already the English patriots are donning their St George face masks and storming the halls of Whitehall demanding the banning of this book and the trying of its author for treason..." You think you know the legend of Saint George and the Dragon - you don't! Here, at last, is the truth! The legend we know, fabricated by Lord Blackwater as a cover-up campaign to allow him to commit environmental vandalism, is widely believed and takes us deep into the murky corrupt world of politics and journalism. Despite all his efforts, George is struggling to get the real story out there ... The author also provides a comprehensive critique of the portrayal of dragons as evil creatures in many publications and art forms, plus a study of the diverse anatomy and physiology of these 'orally sadistic monsters'. environmental fairy tale for the disillusioned in the best modern tradition of such oddly decadent fairy tales...
Master's Thesis from the year 2011 in the subject American Studies - Literature, grade: Master's Degree, University of Alexandria (Faculty of Arts (English Dept.)), language: English, abstract: Dreams are the only universal liars who never lose their reputation for veracity because "hope is the poor man's bread" said Gary Herbert to his people. This is how the American Dream emerged and survived to be a legend that knew its way to people's hearts all over the globe. It is the dream of freedom, equality, opportunity and making fortunes; the golden chance to those who can obtain the green passport. It is what drove millions everywhere to immigrate both legally and illegally to the US in search for a better future for them and their children. Unfortunately, one cannot make dreams come true unless he/she wakes up because in fact they are always too good to be true. Americans have realized that their dream is slipping away due to their financial crisis, deteriorating economy and growing population. However, they had to keep promoting their merchandize, entertaining their audience to maintain their superiority, leadership and grandeur. For years, American playwrights praised America's alleged welfare offered to the oppressed and the persecuted. Later, dramatists started disillusioning their audience; revealing the ugly face of reality behind the perfect dream. In an attempt that is unique of its kind, this research traces how the American Dream (the notion that shaped a nation) was depicted in different works of art by various playwrights with special reference to two towering figures of American literature; Tennessee Williams and Arthur Miller. Throughout my project, I was exposed to different points of view of both American and Un-American writers. Some stated their resentment directly in newspaper and television interviews while others made it clear through their characters who depict the suffering average everyday American facing reality by illusion. Modern American theatre is rich with these examples. One can only read between the lines to realize the fallacy of the dream and this has been my favorite part.
In the fourth volume of the Malice in Wonderland Saga, the Brothers Grimm are trying to unleash twisted fairy tale beings into Wonderland. 15-year-old Queen Malice doesn’t want to deal with them. But then Malice’s dear friend, the Mad Hatter, is kidnapped. So to save him, she’s forced to work with Cinderella, and ends up getting sucked into Fairy Tale Land. If things keep going this way, the fairy tales might eventually cross over into the outside world, where her twin, Alice, lives. Malice struggles to do the right thing, but her heart keeps malfunctioning, sending her into fits of maliciousness. Killing Cinderella would be bad, right? By the author of Malice in Wonderland. Keywords: teens young adult fantasy paranormal historical fairy tales myths, twisted Alice in Wonderland, gothic Alice in Wonderland, Mad Hatter, Cinderella, Cheshire Cat, madness returns Malice in Wonderland Saga Malice in Wonderland Prequel Malice in Wonderland #1: Alice the Assassin Malice in Wonderland #2: Alice the Angel of Death Malice In Wonderland #3: Alice the Girl Who Will Tear Your Heart Out and Show It To You Before You Die Malice Hates Fairy Tales Trilogy Jabberwocky Trilogy
This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories. He examines a range of authors, including the Brothers Grimm, Hans Christian Anderson, Ernst Bloch, Tolkien, Bettelheim, and J.K. Rowling to demonstrate the continuing symbiotic relationship between folklore and literature.
At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
The birth of modern fantasy in 1930s Britain and America saw the development of new literary and film genres. J.R.R. Tolkien created modern fantasy with The Lord of the Rings, set in a fictional world based upon his life in the early 20th century British Empire, and his love of language and medieval literature. In small-town Texas, Robert E. Howard pounded out his own fantasy realm in his Conan stories, published serially in the ephemeral pulp magazines he loved. Jerry Siegel created Superman with Joe Shuster, and laid the foundation for perhaps the most far-reaching fantasy worlds: the universe of DC and Marvel comics. The work of extraordinary people who lived in an extraordinary decade, this modern fantasy canon still provides source material for the most successful literary and film franchises of the 21st century. Modern fantasy speaks to the human experience and still shows its origins from the lives and times of its creators.

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