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It's a long, languorous, country summer in a small Ohio town. After many years spent away as a scholar and writer, Elizabeth Lane has returned to the setting of her most poignant childhood memories, a town steeped in her family's long history. She comes to Sunbury to work on a book but finds she is haunted by one memory in particular. It was 1905, she was eleven and in love with her cousin, Steve, painfully watching his ill-fated romance with the beautiful Damaris. Looking back, Elizabeth discovers a world of feelings that she knows belong more to adulthood than to childhood, and as she sees the tragic, doomed love of Steve and Damaris, she wishes she could be a child forever. Peopled with superbly realized characters, steeped in the golden glow of an era fondly recalled, and marked by the prodigious talent displayed in ". . . And Ladies of the Club", Farewell, Summer is the moving tale of star-crossed love -- innocent and elusive -- and of a young girl's coming of age.
In a summer that refuses to end, in the deceiving warmth of earliest October, civil war has come to Green Town, Illinois. It is the age-old conflict: the young against the elderly, for control of the clock that ticks their lives ever forward. The first cap-pistol shot heard 'round the town is dead accurate, felling an old man in his tracks, compelling town elder and school board despot Mr. Calvin C. Quartermain to marshal his graying forces and declare total war on the assassin, thirteen-year-old Douglas Spaulding, and his downy-cheeked cohorts. Doug and his cronies, however, are most worthy adversaries who should not be underestimated, as they plan and execute daring campaigns—matching old Quartermain's experience and cunning with their youthful enthusiasm and devil-may-care determination to hold on forever to childhood's summer. Yet time must ultimately be the victor, with valuable revelations for those on both sides of the conflict. And life waits in ambush to assail Doug Spaulding with its powerful mysteries—the irresistible ascent of manhood, the sweet surrender to a first kiss . . . One of the most acclaimed and beloved of American storytellers, Ray Bradbury has come home, revisiting the verdant landscape of one of his most adored works, Dandelion Wine. More than fifty years in the making, the long-awaited sequel, Farewell Summer, is a treasure—beautiful, poignant, wistful, hilarious, sad, evocative, profound, and unforgettable . . . and proof positive that the flame of wonder still burns brightly within the irrepressible imagination of the incomparable Bradbury.
In a summer that refuses to end, in the deceiving warmth of earliest October, civil war has come to Green Town, Illinois. It is the age-old conflict: the young against the elderly, for control of the clock that ticks their lives ever forward. The first cap-pistol shot heard 'round the town is dead accurate, felling an old man in his tracks, compelling town elder and school board despot Mr. Calvin C. Quartermain to marshal his graying forces and declare total war on the assassin, thirteen-year-old Douglas Spaulding, and his downy-cheeked cohorts. Doug and his cronies, however, are most worthy adversaries who should not be underestimated, as they plan and execute daring campaigns—matching old Quartermain's experience and cunning with their youthful enthusiasm and devil-may-care determination to hold on forever to childhood's summer. Yet time must ultimately be the victor, with valuable revelations for those on both sides of the conflict. And life waits in ambush to assail Doug Spaulding with its powerful mysteries—the irresistible ascent of manhood, the sweet surrender to a first kiss . . . One of the most acclaimed and beloved of American storytellers, Ray Bradbury has come home, revisiting the verdant landscape of one of his most adored works, Dandelion Wine. More than fifty years in the making, the long-awaited sequel, Farewell Summer, is a treasure—beautiful, poignant, wistful, hilarious, sad, evocative, profound, and unforgettable . . . and proof positive that the flame of wonder still burns brightly within the irrepressible imagination of the incomparable Bradbury.
Strupac, fornenst, trappy, scriss, kippy, snool, flying axehandles, from across - these and hundreds of other fascinating and colourful words and phrases give the English language as it has been spoken in Canada's smallest province a flavour all its own. With the Dictionary of Prince Edward Island English, T.K. Pratt makes a major scholarly contribution to the growing list of regional dictionaries that enable us to discover the rich heritage of the language as spoken throughout North America; at the same time it offers a splendid general introduction to the historical and sociological life of the island. There are approximately 1000 entries of non-standard or dialect words, past and present. The notes deal with usage, pronunciation, alternate forms and spellings, and stylistic and regional labels. Entries include definitions, supportive quotations from P.E.I. sources, editorial notes about various subtleties, and dictionary notes which provide links to some thirty-five other dictionaries. Pratt's introduction defines the criteria for inclusion of words, explains his research methods, and outlines the layout of entries. The end matter includes a bibliography and an important sociolinguistic essay, 'The Dictionary in Profile,' which places the work in the broader context of Prince Edward Island speech. Its range and depth of coverage make this an essential work not only for those concerned with P.E.I. and Maritimes studies, but for all those interested in the regional usage of English.
The death of the Provost of Lancaster College is a catalyst for a series of disgraceful doings in the continuing saga of the Canteloupes. Marius, under-age father of the new heir to the family estate, is warned against the malign influence of Raisley Conyngham. With fate intervening, the stage is set for another deliciously wicked instalment.

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