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The definitive book on Mexico City: a vibrant, seductive, and paradoxical metropolis-the second-biggest city in the world, and a vision of our urban future. First Stop in the New World is a street-level panorama of Mexico City, the largest metropolis in the western hemisphere and the cultural capital of the Spanish-speaking world. Journalist David Lida expertly captures the kaleidoscopic nature of life in a city defined by pleasure and danger, ecstatic joy and appalling tragedy-hanging in limbo between the developed and underdeveloped worlds. With this literary-journalist account, he establishes himself as the ultimate chronicler of this bustling megalopolis at a key moment in its-and our-history.
Text and illustrations show the design and construction of Boston's subway system, the first in the United States.
Few Mexican musicians in the twentieth century achieved as much notoriety or had such an international impact as the popular singer and songwriter Agustín Lara (1897-1970). Widely known as "el flaco de oro" ("the Golden Skinny"), this remarkably thin fellow was prolific across the genres of bolero, ballad, and folk. His most beloved "Granada", a song so enduring that it has been covered by the likes of Mario Lanza, Frank Sinatra, and Placido Domingo, is today a standard in the vocal repertory. However, there exists very little biographical literature on Lara in English. In Agustín Lara: A Cultural Biography, author Andrew Wood's informed and informative placement of Lara's work in a broader cultural context presents a rich and comprehensive reading of the life of this significant musical figure. Lara's career as a media celebrity as well as musician provides an excellent window on Mexican society in the mid-twentieth century and on popular culture in Latin America. Wood also delves into Lara's music itself, bringing to light how the composer's work unites a number of important currents in Latin music of his day, particularly the bolero. With close musicological focus and in-depth cultural analysis riding alongside the biographical narrative, Agustin Lara: A Cultural Biography is a welcome read to aficionados and performers of Latin American musics, as well as a valuable addition to the study of modern Mexican music and Latin American popular culture as a whole.
What exactly does it mean to be North American? Europeans have been engaged in a long-running debate about the meaning and nature of Europe. The Labyrinth of North American Identities generates a similar discussion in the context of North America: what do we learn about North America as a unit and its individual countries when we explore the idea of a shared North American identity? Combining cultural, anthropological, historical, political, economic, and religious considerations, Philip Resnick acknowledges the relative differences in power and influence of the United States and its North American neighbours but digs deeper to uncover shared characteristics that constitute a labyrinth of North American identities unrestricted by national boundaries. To date, discussions of North America have largely revolved around the often technical implications of the North American Free Trade Agreement (NAFTA) or US homeland security. What has been lacking, by contrast, is a culturally-driven set of reflections. This book examines the legacy of indigenous cultures; the role of organized religion; pathways to independence; the role of imperial languages; manifest destiny; market capitalism and its limitations; democratic practices and failures; diverging uses of the state; new world utopias and dystopias; regional identities; and civilizational perspectives. What results is a vision of North America that defies any top-down attempt to impose a homogeneous "North Americanness."
Practical and creative activities to develop essential skills.

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