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Ghosts are the true immortals, and the dead grow more alive all the time. Wraiths have a greater vitality to-day than ever before. They are far more numerous than at any time in the past, and people are more interested in them. There are persons that claim to be acquainted with specific spirits, to speak with them, to carry on correspondence with them, and even some who insist that they are private secretaries to the dead. Others of us mortals, more reserved, are content to keep such distance as we may from even the shadow of a shade. But there's no getting away from ghosts nowadays, for even if you shut your eyes to them in actual life, you stumble over them in the books you read, you see them on the stage and on the screen, and you hear them on the lecture platform. Even a Lodge in any vast wilderness would have the company of spirits. Man's love for the supernatural, which is one of the most natural things about him, was never more marked than at present. You may go a-ghosting in any company to-day, and all aspects of literature, novels, short stories, poetry, and drama alike, reflect the shadeless spirit. The latest census of the haunting world shows a vast increase in population, which might be explained on various grounds. Life is so inconveniently complex nowadays, what with income taxes and other visitations of government, that it is hard for us to have the added risk of wraiths, but there's no escaping. Many persons of to-day are in the same mental state as one Mr. Boggs, told of in a magazine story, a rural gentleman who was agitated over spectral visitants. He had once talked at a séance with a speaker who claimed to be the spirit of his brother, Wesley Boggs, but who conversed only on blue suspenders, a subject not of vital interest to Wesley in the flesh. "Still," Mr. Boggs reflected, "I'm not so darn sure!" In answer to a suggestion regarding subliminal consciousness and dual personality as explanation of the strange things that come bolting into life, he said, "It's crawly any way you look at it. Ghosts inside you are as bad as ghosts outside you." There are others to-day who are "not so darn sure!"...
When he and his mother move into an farmhouse in the English countryside, twelve-year-old Jack discovers he can communicate with ghosts and establishes a relationship with a spirit that threatens to destroy both his mother and himself. Reprint.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past... What was the worst thing you’ve ever done? In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives. But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever...
A brutal car accident that claimed the life of her best friend has left seventeen-year-old Catherine in a state of shock and severe depression. She longs to move forward with her life, but feels she can’t until she is somehow assured of her friend’s forgiveness. On a Christmas visit to her grandmother in Pasadena, a mysterious and handsome stranger approaches Catherine at church claiming that he can put her in touch with her dead friend. Catherine is wary of the stranger’s claims and his ghostly appearance but feels he may be the only key to escaping her past. She tells no one of the meeting but is approached by an elderly woman who warns her of the stranger’s powers. The woman’s teenage diary and eerie rumors surrounding other troubled girls who have disappeared from the church community leave Catherine fearful of the stranger’s true intentions. She realizes she must find some way to confront this supernatural presence as well as the ghosts of her past. A classic ghost story from one of Clarion’s most distinguished authors. Eve Bunting brings a new edge to the genre of suspense by interweaving contemporary issues with sharp and frightful storytelling.
The Handbook to the Ghost Story sets out to survey and significantly extend a new field of criticism which has been taking shape over recent years, centring on the ghost story and bringing together a vast range of interpretive methods and theoretical perspectives. The main task of the volume is to properly situate the genre within historical and contemporary literary cultures across the globe, and to explore its significance within wider literary contexts as well as those of the supernatural. The Handbook offers the most significant contribution to this new critical field to date, assembling some of its leading scholars to examine the key contexts and issues required for understanding the emergence and development of the ghost story.
“Folks say Old Auntie takes a girl and keeps her fifty years—then lets her go and takes another one.” Thirteen-year-old Daniel Anderson doesn’t believe Brody Mason’s crazy stories about the ghost witch who lives up on Brewster’s Hill with Bloody Bones, her man-eating razorback hog. He figures Brody’s probably just trying to scare him since he’s the new kid . . . a “stuck-up snot” from Connecticut. But Daniel’s seven-year-old sister Erica has become more and more withdrawn, talking to her lookalike doll. When she disappears into the woods one day, he knows something is terribly wrong. Did the witch strike? Has Erica been “took”?

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