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Originally written for his children, the memoir of Juan Luis Buñuel offers a first-hand look at the life of a vibrant man who has been surrounded by important figures of the twentieth century, including his father Luis Buñuel.
This collection of essays analyzes the audiovisual representation of Goddesses in Japanese popular culture. It proposes a dialectics of the different conceptions of the feminine as taken up in Japanese film, television, and video games.
The first biography of America's greatest twentieth-century sculptor, Alexander Calder: an authoritative and revelatory achievement, based on a wealth of letters and papers never before available, and written by one of our most renowned art critics. Alexander Calder is one of the most beloved and widely admired artists of the twentieth century. Anybody who has ever set foot in a museum knows him as the inventor of the mobile, America's unique contribution to modern art. But only now, forty years after the artist's death, is the full story of his life being told in this biography, which is based on unprecedented access to Calder's letters and papers as well as scores of interviews. Jed Perl shows us why Calder was--and remains--a barrier breaker, an avant-garde artist with mass appeal. This beautifully written, deeply researched book opens with Calder's wonderfully peripatetic upbringing in Philadelphia, California, and New York. Born in 1898 into a family of artists--his father was a well-known sculptor, his mother a painter and a pioneering feminist--Calder went on as an adult to forge important friendships with a who's who of twentieth-century artists, including Joan Miró, Marcel Duchamp, Georges Braque, and Piet Mondrian. We move through Calder's early years studying engineering to his first artistic triumphs in Paris in the late 1920s, and to his emergence as a leader in the international abstract avant-garde. His marriage in 1931 to the free-spirited Louisa James--she was a great-niece of Henry James--is a richly romantic story, related here with a wealth of detail and nuance. Calder's life takes on a transatlantic richness, from New York's Greenwich Village in the Roaring Twenties, to the Left Bank of Paris during the Depression, and then back to the United States, where the Calders bought a run-down old farmhouse in western Connecticut. New light is shed on Calder's lifelong interest in dance, theater, and performance, ranging from the Cirque Calder, the theatrical event that became his calling card in bohemian Paris to collaborations with the choreographer Martha Graham and the composer Virgil Thomson. More than 350 illustrations in color and black-and-white--including little-known works and many archival photographs that have never before been seen--further enrich the story.
Not So Good a Gay Man is the compelling memoir of author, screenwriter, and activist Frank M. Robinson. Frank M. Robinson (1926-2014) accomplished a great deal in his long life, working in magazine publishing, including a stint for Playboy, and writing science fiction such as The Power, The Dark Beyond the Stars, and thrillers such as The Glass Inferno (filmed as The Towering Inferno). Robinson also passionately engaged in politics, fighting for gay rights, and most famously writing speeches for his good friend Harvey Milk in San Francisco. This deeply personal autobiography, addressed to a friend in the gay community, explains the life of one gay man over eight decades in America. By turns witty, charming, and poignant, this memoir grants insights into Robinson's work not just as a journalist and writer, but as a gay man navigating the often perilous social landscape of 20th century life in the United States. The bedrock sincerity and painful honesty with which he describes this life makes Not So Good a Gay Man compelling reading. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The first comprehensive biography of Weegee—photographer, “psychic,” ultimate New Yorker—from Christopher Bonanos, author of Instant: The Story of Polaroid. Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee,” claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied. From self-taught immigrant kid to newshound to art-world darling to latter-day caricature—moving from the dangerous streets of New York City to the celebrity culture of Los Angeles and then to Europe for a quixotic late phase of experimental photography and filmmaking—Weegee lived a life just as worthy of documentation as the scenes he captured. With Flash, we have an unprecedented and ultimately moving view of the man now regarded as an innovator and a pioneer, an artist as well as a newsman, whose photographs are among most powerful images of urban existence ever made.
Mira Hamermesh is an award-winning film maker, painter and writer. This moving memoir gives a vivid account of her remarkable life. As a young Jewish teenager she escaped the horrors of German-occupied Poland with only her natural creativity, a rebellious spirit and a talent for good fortune to rely on. Of the millions of words written about WWII, few come from women, and even fewer recount such adventure. Spared the experience of the ghetto and the concentration camp that claimed most of her family, Mira's story is a life-affirming account of a life lived to the full, and a meditation on survival and coincidence, that pays homage to other people's courage. Recounting her escape into Soviet-occupied Poland, Mira shows how her status as a refugee has continued to influence her throughout her life. The journey led her across Europe and eventually to Palestine in 1941; her account of that region, before the establishment of Israel, provides a fascinating insight into the historical setting for today's conflict. Having settled in London where she studied art and married, she eventually won a place at the celebrated Polish Film School in Lodz. At the height of the Cold War Mira Hamermesh commuted across the Iron Curtain—her experience of a divided Europe offers many insights into the political factors that affected people's everyday lives. Mira's theme of political conflict, so often explored in her films, is brought to life here in an intimate account that will live long in the memory.

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