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Arendt was one of the most important thinkers of her time, famous for her idea of "the banality of evil" which continues to provoke debate. This collection provides new and startling insight into Arendt's thoughts about Watergate and the nature of American politics, about totalitarianism and history, and her own experiences as an émigré. Hannah Arendt: The Last Interview and Other Conversations is an extraordinary portrait of one of the twentieth century's boldest and most original thinkers. As well as Arendt's last interview with French journalist Roger Errera, the volume features an important interview from the early 60s with German journalist Gunter Gaus, in which the two discuss Arendt's childhood and her escape from Europe, and a conversation with acclaimed historian of the Nazi period, Joachim Fest, as well as other exchanges. These interviews show Arendt in vigorous intellectual form, taking up the issues of her day with energy and wit. She offers comments on the nature of American politics, on Watergate and the Pentagon Papers, on Israel; remembers her youth and her early experience of anti-Semitism, and then the swift rise of the Hitler; debates questions of state power and discusses her own processes of thinking and writing. Hers is an intelligence that never rests, that demands always of her interlocutors, and her readers, that they think critically. As she puts it in her last interview, just six months before her death at the age of 69, "there are no dangerous thoughts, for the simple reason that thinking itself is such a dangerous enterprise."
Hannah Arendt, one of the most gifted and provocative voices of her era, was a polarizing cultural theorist—extolled by her peers as a visionary and denounced by others as a fraud. Born in Prussia to assimilated Jewish parents, she escaped from Hitler's Germany in 1933 and became best known for her critique of the world's response to the evils of World War II. A woman of many contradictions, Arendt learned to write in English only at the age of thirty-six, and yet her first book,The Origins of Totalitarianism, single-handedly altered the way generations of Americans and Europeans viewed fascism and genocide. Her most famous—and most divisive—work,Eichmann in Jerusalem: A Report on the Banality of Evil, brought fierce controversy that continues to this day, exacerbated by the posthumous discovery that she had been the lover of the great romantic philosopher and Nazi sympathizer Martin Heidegger. In this fast-paced, comprehensive biography, Anne Heller tracks the source of Arendt's apparent contradictions and her greatest achievements, from a tumultuous childhood to her arrival as what she called a “conscious pariah”—one of those few people in every time and place who don't “lose confidence in ourselves if society does not approve us” and will not “pay any price” to win acceptance.
The book examines the trajectory of joint philosophical-pedagogical concepts within the framework of the dialogue between Hannah Arendt and Martin Heidegger, put in the context of questions concerning the nature of modernity.
An intimate and lively collection of interviews with a giant of twentieth century literature—the only collection of interviews with Marquez available Hailed by the New York Times as a "conjurer of literary magic," Nobel Prize-winning author Gabriel Garcia Marquez is known to millions of readers worldwide as the author of One Hundred Years of Solitude. Beloved by readers of nearly all ages, he is surely the most popular literary novelist in translation—and he remains so today, a decade after the publication of his final novel. In addition to the first-ever English translation of Marquez’s last interview, this unprecedented volume includes his first interview, conducted while he was in the throes of writing One Hundred Years of Solitude, which reveals the young writer years before the extraordinary onslaught of success that would make him a household name around the world. Also featured is a series of unusually wide-ranging conversations with Marquez's friend Plinio Apuleyo Mendoza—surely the only interview with Marquez that includes the writer's insights into both the meaning of true love and the validity of superstitions. Gabriel Garcia Marquez: The Last Interview also contains two interviews with Pulitzer Prize-winning New York Times reporter David Streitfeld. A wide-ranging and revealing book, Gabriel Garcia Marquez: The Last Interview is an essential book for lifelong fans of Marquez—and readers who are just getting encountering the master's work for the first time.
Hannah Arendt is one of the great outsiders of twentieth-century political philosophy. After reporting on the trial of Nazi war criminal Adolf Eichmann, Arendt embarked on a series of reflections about how to make judgments and exercise responsibility without recourse to existing law, especially when existing law is judged as immoral. This book uses Hannah Arendt’s text Eichmann in Jerusalem to examine major themes in legal theory, including the nature of law, legal authority, the duty of citizens, the nexus between morality and law and political action.
Supporters of Hamas and radical religious Israeli settlers seem to serve one purpose in the international peace process: to provide an excuse for its failure. High-level diplomatic negotiators and grassroots peace activists alike blame religious extremists for acting as "spoilers" of rational negotiation, and have often attempted to neutralize, co-opt, or marginalize them. In Producing Spoilers, Joyce Dalsheim explores the problem of stalled peacemaking by viewing spoilers not as the cause, but as a symptom of systemic malfunctions within the concept of the nation-state itself, and the secular constructs of historicism that support it. She argues that spoilers are generated as internal enemies in the course of conflict and used to explain why processes of peace and reconciliation fail. In other words, peacemaking efforts can work to produce enmity. Focusing on the case of Israel and Palestine, Dalsheim shows how processes of conflict resolution, diplomacy, dialogue, education, and social theorizing about liberation, peace, and social justice actually participate in constructing enemies, thus limiting the options for peaceful outcomes. Dalsheim examines the work of politicians and diplomats as well as scholars and grass-roots level peacemakers, drawing on her research and her own experience as an activist for peace. She identifies a number of common techniques and assumptions that help to produce spoilers, among them the constraints of the narrative form and how storytelling is employed in conflict resolution, and the idea of anachronism, which prevents theorists and activists from seeing creative possibilities for peaceful coexistence. Dalsheim also looks at the limits of territorial solutions and the consequences of nationalism-the context in which spoilers of the Israeli-Palestinian conflict are produced. She contrasts that nationalism with current theorizing on flexible citizenship and diasporic identity. The book culminates by moving beyond national enmity and outside conventional peacemaking to clear a space in which to think about alternative forms of negotiation, exchange, community, and coexistence.
Ray Bradbury was long the most influential sci-fi writer in the world, the poetic and visionary author of such classics as Fahrenheit 451, The Martian Chronicles, and The Illustrated Man But he also lived a fascinating life outside the parameters of sci-fi, and was a masterful raconteur of his own story, as he reveals in his wide-ranging and in-depth final interview with his acclaimed biographer, Sam Weller. After moving to Los Angeles, he became an inveterate fanboy of movie stars, spending hours waiting at studio gates to get autographs. He would later get to know many of Hollywood’s most powerful figures when he became a major screenwriter, and he details here what it was like to work for legendary directors such as John Huston and Alfred Hitchcock. And then there are all the celebrities—from heads of state like Mikhail Gorbachev to rock stars like David Bowie and the members of Kiss—who went out of their way to arrange encounters with Bradbury. But throughout that last talk, as well as the interviews collected here from earlier in his career, Bradbury constantly twists the elements of his life into a discussion of the influences and creative processes behind his remarkable developments and inventions for the literary form he mastered. Mixed with cheerful gossiping about his travels and the characters of his life, it makes for a rich reading experience and a revealing collection of interviews.

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