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The first in a three-volume history, covering the period 25,000 BC to the sixteenth century.
Bernal Díaz del Castillo (1492-1584) was a foot soldier in the army of Mexico's conqueror Hernán Cortés, and participated in the campaigns that led to the fall of the Aztec empire in 1521. This 1928 translation of his journals derives from the 1904 edition by the Mexican historian Genaro García - the first edition based on the original manuscript. Written as a corrective to accounts that overemphasised Cortés' exploits, Díaz's epic includes the experiences of the common soldier: hardship, thirst, long marches and unexpected attacks by rebels. The most complete contemporary chronicle of the Mexican conquest, this important historical document is also a captivating adventure narrative that combines factual accuracy with many dramatic anecdotes. This final volume contains chapters 174-214 and historical appendices by the editor. Díaz describes the aftermath of the Mexican conquest, and outlines how the Spanish established their authority over the land and its inhabitants.
"It is a magnificent epic," said William H. Prescott after the publication of History of the Conquest of Mexico in 1843. Since then, his sweeping account of Cortés's subjugation of the Aztec people has endured as a landmark work of scholarship and dramatic storytelling. This pioneering study presents a compelling view of the clash of civilizations that reverberates in Latin America to this day. "Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . Here, as nowhere else, has Prescott succeeded in delineating character. All the chief actors of his great historic drama not only live and breathe, but they are as distinctly differentiated as they must have been in life. Cortés and his lieutenants are persons whom we actually come to know in the pages of Pres-cott. . . . Over against these brilliant figures stands the melancholy form of Montezuma, around whom, even from the first, one feels gathering the darkness of his coming fate. He reminds one of some hero of Greek tragedy, doomed to destruction and intensely conscious of it, yet striving in vain against the decree of an inexorable destiny. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature."

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