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Hitler's Airwaves sets Goebbels' propaganda orchestra, a swing band fronted by the crooner, Karl ('Charlie') Schwedler, within the context of the Reich Ministry for Propaganda. The first book-length study of the full extent of the Nazi propaganda effort, it draws on a vast array of newly-available material: interviews with contemporaries and treason trial transcripts, the private archive of Roderich Dietze, wartime head of German radio's English-language service, reports of the BBC's monitoring service, recently declassified FBI and MI5 files, and documents in the Bonn Foreign Ministry, the Budesarchiv and the former Berlin Document Centre. Bergmeier and Lotz explore the origins of subversive radio broadcasting, describe the establishment of Goebbels' Propaganda Ministry and the rapid growth of its foreign-language broadcasting division, and provide the most detailed anatomy we have of its organisation, operation and personnel. They examine the workings of the so-called 'Secret Stations', ostensibly run by opposition groups broadcasting from inside target countries, but actually located in the Berlin Olympic stadium. And they reveal the ingenious scam of Radio Arnhem which, for several months in 1944-45, the Germans passed off a genuine Allied forces programme.
During the 1920s and 1930s the new medium of radio broadcasting promised to transform society by fostering national unity and strengthening and popularising national cultures. However, many hoped that 'wireless' would also encourage international understanding and world peace. Intentionally or otherwise, wireless signals crossed borders, bringing talk, music, and news to enthusiastic 'distant listeners' in other countries. In Europe, radio was regulated through international consultation and cooperation, to restrict interference between stations, and to unleash the medium's full potential to carry programmes to global audiences. A distinctive form of 'wireless internationalism' emerged, reflecting and reinforcing the broader internationalist movement and establishing structures and approaches which endured into the Second World War, the Cold War, and beyond. This study reveals this untold history. Wireless Internationalism and Distant Listening also explores the neglected interwar experience of distant listening, revealing the prevalence of listening across borders and explaining how individuals struggled to overcome unwanted noise, tune in as many stations as possible, and comprehend and enjoy what they heard. The volume shows how radio brought the world to Britain, and Britain to the world. It revises our understanding of early BBC broadcasting and the BBC Empire Service (the precursor to today's World Service) and shows how government influence shaped early BBC international broadcasting in English, Arabic, Spanish, and Portuguese. It also explores the wider European and trans-Atlantic context, demonstrating how Fascism in Italy and Germany, the Spanish Civil War, and the Japanese invasion of China, combined to overturn the utopianism of the 1920s and usher in a new era of wireless nationalism.
Hitler was one of the few politicians who understood that persuasion was everything, deployed to anchor an entire regime in the confections of imagery, rhetoric and dramaturgy. The Nazis pursued propaganda not just as a tool, an instrument of government, but also as the totality, the raison d'etre, the medium through which power itself was exercised. Moreover, Nicholas O'Shaughnessy argues, Hitler, not Goebbels, was the prime mover in the propaganda regime of the Third Reich - its editor and first author. Under the Reich everything was a propaganda medium, a building-block of public consciousness, from typography to communiques, to architecture, to weapons design. There were groups to initiate rumours and groups to spread graffiti. Everything could be interrogated for its propaganda potential, every surface inscribed with polemical meaning, whether an enemy city's name, an historical epic or the poster on a neighbourhood wall. But Hitler was in no sense an innovator - his ideas were always second-hand. Rather his expertise was as a packager, fashioning from the accumulated mass of icons and ideas, the historic debris, the labyrinths and byways of the German mind, a modern and brilliant political show articulated through deftly managed symbols and rituals. The Reich would have been unthinkable without propaganda - it would not have been the Reich. "
Why do totalitarian propaganda such as those created in Nazi Germany and the former German Democratic Republic initially succeed, and why do they ultimately fail? Outside observers often make two serious mistakes when they interpret the propaganda of this time. First, they assume the propaganda worked largely because they were supported by a police state, that people cheered Hitler and Honecker because they feared the consequences of not doing so. Second, they assume that propaganda really succeeded in persuading most of the citizenry that the Nuremberg rallies were a reflection of how most Germans thought, or that most East Germans were convinced Marxist-Leninists. Subsequently, World War II Allies feared that rooting out Nazism would be a very difficult task. No leading scholar or politician in the West expected East Germany to collapse nearly as rapidly as it did. Effective propaganda depends on a full range of persuasive methods, from the gentlest suggestion to overt violence, which the dictatorships of the twentieth century understood well. In many ways, modern totalitarian movements present worldviews that are religious in nature. Nazism and Marxism-Leninism presented themselves as explanations for all of life—culture, morality, science, history, and recreation. They provided people with reasons for accepting the status quo. Bending Spines examines the full range of persuasive techniques used by Nazi Germany and the German Democratic Republic, and concludes that both systems failed in part because they expected more of their propaganda than it was able to deliver.
The story of how Adolf Hitler created his 'Führer dictatorship' -- consistently and ruthlessly destroying everything that stood in his way, and with with terrifying and almost limitless power over the German people.
This work brings together a collection of articles around the concepts of propaganda and political rhetoric from the 14th century to 1999. It is divided into seven thematic and chronological sections which respond to some of the historiographical debates on these subjects.
Half a century after their deaths, the dictatorships of Stalin and Hitler still cast a long and terrible shadow over the modern world. They were the most destructive and lethal regimes in history, murdering millions. Yet millions of Germans and Russians enthusiastically supported them and the values they stood for.
This text is the culmination of a collaboration between five institutions that recently presented exhibitions of the work of Allora & Calzadilla.
Books recommended for undergraduate and college libraries listed by Library of Congress Classification Numbers.
Provides a new and updated examination of German society under the Nazis, synthesizing a generation of scholarship to offer new insight into the key debates surrounding the subject. Beginning with a focus on Nazi attempts to forge a new national identity and awareness, the book goes on to consider the role and fate of all those excluded form this new national community. Author Lisa Pine interweaves her analysis of society with a look at the Nazis' post-war social legacy, supplying a fresh overview of a much-studied area.
Uses previously classified documents to reveal the broad Austrian support of Hitler's Reich, particularly its anti-Semitic policies. Among the groups examined are the Austrian Nazi Party, the industrial working class, the Catholic Church, and the farming community.
From his emergence on the German political scene in 1914 and subsequent public infatuation with him, to his fall in 1945 and the growing revulsion as his horrific acts were revealed to the world, Adolf Hitler's visage, Claudia Schmölders argues, was the first political image manufactured for the modern media.
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6. Namibia, by David Lush
This book is an extraordinary first-hand account of the German Academy, which was established in 1936 as a platform for German intellectuals in America to speak out against Hitler. Its membership covered the leading German-speaking intellectuals who went into exile in opposition to Hitler's Nazi government -- including such eminent names as Albert Einstein, Sigmund Freud, Thomas Mann, Prince zu Lowenstein and Bertolt Brecht. The main aim of the Academy was to show the world that Hitler and the Nazis were not representative of Germany and that their country could resume its place in the civilized and humane world. Together, its members helped to shape intellectual and cultural developments in the western world in the second half of the twentieth century.

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