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A pioneer of LGBTQ studies dares to suggest that gayness is a way of being that gay men must learn from one another to become who they are. The genius of gay culture resides in some of its most despised stereotypes—aestheticism, snobbery, melodrama, glamour, caricatures of women, and obsession with mothers—and in the social meaning of style.
Preventing LGBT teen suicide is the ultimate aim of this book. Author and coach Sean Lemson works to foster compassion through a better understanding of homosexuality for gay people who are struggling with it, and those who love them.
Launched to coincide with National Coming Out Day, It's OK to be Gay is a collection of inspirational coming out stories from well-known figures from the LGBT community, who talk frankly about their own experiences and how their sexuality has shaped their character and success. Contributors include: Sue Perkins; rugby star Gareth Thomas; best-selling crime writer Val McDermid; Coronation Street star Charlie Condou; Strictly Come Dancing star Robin Windsor; Evan Davis, presenter of Dragon’s Den and Radio 4′s Today programme; Alice Arnold, former BBC newsreader and partner of Clare Balding; Edd Kimber, winner of the first ever Great British Bake Off; Reggae/soul singer Diana King; Lord Waheed Alli, Labour peer and entrepreneur; Award-winning writer Stella Duffy; X Factor finalist Jade Ellis; Author Paul Burston; Paralympian Claire Harvey; Actress Sophie Ward; Jane Czyzselska, editor of Diva magazine; Hip-hop artist Q Boy; Playwright Shelley Silas; Former Brookside actor Stifyn Parri; International rugby referee Nigel Owens; BBC Radio presenter Chris Needs; Rosie Wilby, comedienne and writer; Phyllis Opoku-Gyimah, Director UK Black Pride; Darren Scott, editor of GT magazine; It's OK to be Gay is a raising money for the charity Diversity Role Models and its work to stop homophobic bullying in schools.
Meet the out crowd that’s really “in”—the gay and lesbian stand-up comics who’ve come out of the closet and stormed the mainstream with the hippest and wittiest comedy acts of the last three decades. In A Funny Time to Be Gay, Ed Karvoski Jr. traces the evolution of gay and lesbian comedy from the few pioneers in New York's Greenwich Village in the seventies, to the mavericks who played San Francisco's famed Valencia Rose in the eighties, to the comics who starred in their own TV specials in the nineties and continue to headline comedy clubs. With short introductions that reveal the performers’ approaches to both their sexual and professional identities, over thirty hilarious monologues capture the diversity of the gay and lesbian comic community.
Offers practical guidance for Christians who have gay friends, family members, or who struggle with their own sexuality.
How could my husband be GAY? is an autobiographical look into the life of Ondrea L. Davis. On the outside, Ondrea s life is nothing short of a fairy tale. She has a dream home, the perfect husband and three beautiful children. Ondrea soon discovers that her husband, Marceous King, is not the man she thought she married. Exhausting all efforts to salvage her marriage, Ondrea finds herself in the fight of her life. In the process, she uncovers a highly sophisticated web of deception and shocking secrets. Marceous will stop at nothing to keep Ondrea from exposing the truth and derailing his plan even if it means destroying her in the process. In this battle of good versus evil, who will be the ultimate victor?
Acclaimed for his intricate, incisive, and often controversial explorations of art, literature, and society, Leo Bersani now addresses homosexuality in America. Hardly a day goes by without the media focusing an often sympathetic beam on gay life--and, with AIDS, on gay death. Gay plays on Broadway, big book awards to authors writing on gay subjects, Hollywood movies with gay themes, gay and lesbian studies at dozens of universities, openly gay columnists and even editors at national mainstream publications, political leaders speaking in favor of gay rights: it seems that straight America has finally begun to listen to homosexual America. Still, Bersani notes, not only has homophobia grown more virulent, but many gay men and lesbians themselves are reluctant to be identified as homosexuals. In Homos, he studies the historical, political, and philosophical grounds for the current distrust, within the gay community, of self-identifying moves, for the paradoxical desire to be invisibly visible. While acknowledging the dangers of any kind of group identification (if you can be singled out, you can be disciplined), Bersani argues for a bolder presentation of what it means to be gay. In their justifiable suspicion of labels, gay men and lesbians have nearly disappeared into their own sophisticated awareness of how they have been socially constructed. By downplaying their sexuality, gays risk self-immolation--they will melt into the stifling culture they had wanted to contest. In his chapters on contemporary queer theory, on Foucault and psychoanalysis, on the politics of sadomasochism, and on the image of "the gay outlaw" in works by Gide, Proust, and Genet, Bersani raises the exciting possibility that same-sex desire by its very nature can disrupt oppressive social orders. His spectacular theory of "homo-ness" will be of interest to straights as well as gays, for it designates a mode of connecting to the world embodied in, but not reducible to, a sexual preference. The gay identity Bersani advocates is more of a force--as such, rather cool to the modest goal of social tolerance for diverse lifestyles--which can lead to a massive redefining of sociality itself, and of what we might expect from human communities. Reviews of this book: "Perhaps no one since Leo Bersani in 'Is the Rectum a Grave?' has written so convincingly against the danger of homosexual assimilation as Leo Bersani in Homos...One of the strongest elements of [this book] is Bersani's attack on things which promote a `denial of sex,' whether it be sex acts themselves or, more importantly, the context in which those sex acts are made possible...Homos is a profound piece of imaginative literature." DD--Dale Peck, Voice Literary Supplement "In Homos, Leo Bersani effectively attacks some sacred cows of gay cultural theory. Most obviously, he argues against the tenet that gay and lesbian identities are socially constructed and so ultimately (indeed, preferably) dissolvable...Refreshingly, [Bersani] also does not skate round sensitive questions such as the status of sadomasochism within gay sexual practice, and the tortuousness of the political liaison between gays and lesbians...Bersani emerges as our most persuasive advocate of homosexual identities that offer and require social resistance--he terms this 'anticommunitarianism'--but also as perhaps the only writer in the field who convincingly brings together psychological and sociological accounts of sexuality." DD--Richard Canning, New Statesman & Society "Bersani engages with questions which the gay movement cannot ignore." DD--Times Literary Supplement "In his provocative and sure-to-be-controversial book, Homos, Bersani argues for the need to preserve the 'otherness' that he maintains is the essential core of homosexual identity." DD--David Wiegand, San Francisco Chronicle "Homos is one of the most interesting books to appear in lesbian and gay literature--in fact its vision is so broad that it places lesbian and gay readers centre stage in what could be a revolution." DD--Our Times "Leo Bersani, one of the most interesting, original and sophisticated of...literary historians, has written primarily on Modernism, from Baudelaire to Beckett and Genet, using Freud's metapsychology as a way of penetrating into the radical implications of their thought...[His] work...[is] a surprise and a revelation, both careful and highly original...It is deeply exciting to engage with Bersani's ideas. They allow us to open up traditional psychoanalytic theory, so that it is no longer a mere therapeutic strategy, and consequently a device for social control and homogeneity, but instead a larger perspective for understanding and valuing those possibilities and differences that can constitute human experience." DD--Kenneth Lewes, Psychoanalytic Books "Homos is an extremely persuasive analysis of the `anticommunal' freedom made possible by `perverse' sexuality...Bersani's argument is at once subtle, even brilliant." DD--Peggy Phelan, Contemporary Sociology

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