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Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amused distance? In the present book, Marie N. Sørbø investigates the function and targets of irony in two novels and seven films. Irony and Idyll is the first book-length study of Austen's irony since 1952, and the only comparative analysis of all the available screen adaptations of Pride and Prejudice and Mansfield Park. On the bicentenary of their publication, these novels continue to influence modern culture.Marie Nedregotten Sørbø has taught English literature at Volda University College, Norway, for many years, including courses on film and fiction. For her doctoral degree she wrote a dissertation on the reception of Jane Austen on screen. Sørbø has contributed the Norwegian chapters to the volumes on The Reception of Jane Austen in Europe (2007) and The Reception of George Eliot in Europe (forthcoming, 2015). She was part of the leadership of the European COST Action "Women Writers in History" (2009-13), and is a Principal Investigator in the HERA funded project "Travelling TexTs 1790-1914: The Transnational Reception of Women's Writing at the Fringes of Europe" (2013-16).
Irony and Idyll
Language: en
Pages: 416
Authors: Marie N. Sørbø
Categories: History
Type: BOOK - Published: 2014 - Publisher: Brill Rodopi

Jane Austen's worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted
Irony and Idyll
Language: en
Pages: 416
Authors: Marie N. Sørbø
Categories: History
Type: BOOK - Published: 2014-06-01 - Publisher: Rodopi

Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted
Tradition and Innovation in Hellenistic Poetry
Language: en
Pages:
Authors: Marco Fantuzzi, Richard Hunter
Categories: History
Type: BOOK - Published: 2005-01-13 - Publisher: Cambridge University Press

Hellenistic poets of the third and second centuries BC were concerned with the need both to mark their continuity with the classical past and to demonstrate their independence from it. In this revised and expanded translation of Muse e modelli: la poesia ellenistica da Alessandro Magno ad Augusto, Greek poetry
Romantic Disillusionism and the Sceptical Tradition
Language: en
Pages: 484
Authors: Rolf P. Lessenich
Categories: Philosophy
Type: BOOK - Published: 2017-01-16 - Publisher: Vandenhoeck & Ruprecht

Platonic Romanticism had a dark underside from its inception: Romantic Disillusionism, encompassing the Gothic and the new demonic doppelganger. The Classical Tradition’s conflict between Plato and Pyrrho, foundationalism and scepticism, optimism and pessimism was thus continued. Lord Byron’s was the most listened-to and echoed voice of Romantic Disillusionism in Europe,
The Idylls of Theokritos
Language: en
Pages: 113
Authors: Theocritus
Categories: Poetry
Type: BOOK - Published: 1963 - Publisher: Purdue University Press

These thirty Idylls, written by the Sicilian Theokritos in the third century B.C., present the charms of rustic life in learned, polished verse aimed at a sophisticated audience. A bucolic paradise is seen "through the eyes of city men going to the harvest festival for a holiday, to rest their