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... a major contribution to the world of science and of particular value to the documention of the culture of Islam. N Gedal ... a masterly account of the way in which art and science are combined into aesthetic beauty by the Islamic geometric designs and motifs which decorate much of the Eastern World. M Evans ... This book will allow readers to travel through time and space, from ancient ornaments to the most modern computer graphics patterns. C. Pickover Ever since the discovery of the existence of seventeen space groups in two dimensions by Fedorov in 1891, it has been speculated that all seventeen could be found in Islamic art. But it is in this book that this remarkable fact is for the first time detailed and analysed, with beautiful illustrations. Rarely is there such a thought-provoking blend of esthetics and geometry with abstraction. C N Yang Geometrical form. Here, mathematics combines with art and exhibits clearly its aesthetic appeal Islamic patterns provide a marvellous illustration of symmetry and Drs. Abas and Salman perform a useful service by taking this as their theme and blending it with ideas on computer graphics. Foreword by Michael Atiyah Abas and Salman have assembled a fascinating collection that combines art, history, culture, science, mathematics and philosophy. Their examples range from a 12th-century minaret in Uzbekistan via the Alhambra in Granada to modern computer graphics of Koranic calligraphy on dodecahedrons and tori. They conclude by speculating on the prospect of creating Islamic patterns in virtual reality, where 'a seeker after unity in science and art would be able to submerge himself or herself in exquisite Alhambras of the mind'.Judging by the evidence presented here, it would be an unforgettable experience. New Scien
The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Con struction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet’s Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London – to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of traditional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia.
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works ;Jonathan M. Bloom, The Mosque of the Qarafa in Cairo ;Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture ;Howard Crane, Some Archaeological Notes on Turkish Sardis ;Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period ;Do gan Kuban, The Style of Sinan's Domed Structures ;Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries ;Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan ;Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture ;Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan ;Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations ;A.J. Lee, Islamic Star Patterns ;
Collection of articles coming from the M.C.Escher Centennial Conference, Rome 1998
Featuring new patterns with detailed explanatory texts, this revised edition is an inspirational guide for craftspeople and artists alike.

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