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With his tight leather pants and a sharp edge that makes him dangerous, Jet Keller is every girl's rock and roll fantasy. But Ayden Cross is done walking on the wild side with bad boys. She doesn't want to give in to the heat she sees in Jet's dark, haunted eyes. She's afraid of getting burned from the sparks of their spontaneous combustion, even as his touch sets her on fire. Jet can't resist the Southern Belle with mile-long legs in cowboy boots who defies his every expectation. Yet the closer he feels to Ayden, the less he seems to know her. While he's tempted to get under her skin and undo her in every way, he knows firsthand what happens to two people with very different ideas about relationships. Will the blaze burn into an enduring love. . . or will it consume their dreams and turn them to ashes? Don't miss the latest bad boy in Jay Crownover's unforgettable New Adult series.
The first three thrilling and sexy books in the Marked Men Series, RULE, JET and ROME.
Sometimes the wrong choice can be just right . . . Fun and fearless, Cora Lewis knows how to keep her tattooed "bad boy" friends at the Marked in line. But beneath all that flash and sass is a broken heart. Cora won't let herself get burned again. She's waiting to fall in love with the perfect man—a baggage-free, drama-free guy ready for commitment. Then she meets Rome Archer. Rome Archer is as far from perfect as a man can be. He's stubborn, rigid, and bossy. And he's returned from his final tour of duty more than a little broken. Rome's used to filling many roles: big brother, doting son, supersoldier—but none of those fit anymore. Now he's just a man trying to figure out what to do with the rest of his life while keeping the dark demons of war and loss at bay. He would have been glad to suffer through it alone, until Cora comes sweeping into his life and becomes a blinding flash of color in a sea of gray.Perfect may not be in the cards, but perfectly imperfect could just last forever . . .
White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis.
The weekly source of African American political and entertainment news.
The weekly source of African American political and entertainment news.
The weekly source of African American political and entertainment news.

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