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The second book in the Marked Men series from Jay Crownover - a sizzling story of love, lust and longing
The next thrilling and sexy book in the MARKED MEN series
Sometimes the wrong choice can be just right . . . Fun and fearless, Cora Lewis knows how to keep her tattooed "bad boy" friends at the Marked in line. But beneath all that flash and sass is a broken heart. Cora won't let herself get burned again. She's waiting to fall in love with the perfect man—a baggage-free, drama-free guy ready for commitment. Then she meets Rome Archer. Rome Archer is as far from perfect as a man can be. He's stubborn, rigid, and bossy. And he's returned from his final tour of duty more than a little broken. Rome's used to filling many roles: big brother, doting son, supersoldier—but none of those fit anymore. Now he's just a man trying to figure out what to do with the rest of his life while keeping the dark demons of war and loss at bay. He would have been glad to suffer through it alone, until Cora comes sweeping into his life and becomes a blinding flash of color in a sea of gray.Perfect may not be in the cards, but perfectly imperfect could just last forever . . .
The first three thrilling and sexy books in the Marked Men Series, RULE, JET and ROME.
White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society—as well as other writings, including The Closing of the American Mind—Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis.
This book offers to delineate a key phenomenon in contemporary Anglophone fiction: novel expansion, when the plot and characters from a finished novel are retrieved to be developed in new adventures set before, after or during the narrative time of the source-text. If autographic and allographic sequels are almost as old as literature, prequels – that imagine the anteriority of a narrative – and coquels – that develop secondary characters in the same story time as the source-text – are more recent. The overall trend for novel expansion spread in the mid-1980s and 1990s and has since shown no sign of abating. This volume is organised following three types of relationships to the source-texts even if these occasionally combine to produce a more complex structure. This book comprises 11 essays, preceded by an introduction, that examine narrative strategies, aesthetic, ethical and political tendencies underlying these novel expansions. Following the overview provided in the introduction, the reader will find case studies of prequels, coquels and sequels before a final chapter that encompasses them all and more.

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