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From her first theatrical roles as a teenager in York to her scene-stealing performances as 'M' in the James Bond films, Dame Judi Dench's professional life has consisted of non-stop acting, leading to numerous accolades, including an Academy Award for her performance as Queen Elizabeth I in Shakespeare in Love. Behind the Scenes is a candid blend of reminiscences and photos, many of them never-before-seen from her personal collection. It's a uniquely personal take on her life and brilliant career, showing her off-stage as well as on. Looking back, she provides her millions of fans with reflections and remembrances of those who have mattered to her most - her family, fellow actors, directors and writers - communicating them with the truth and insight that is the hallmark of her acting. Behind the Scenes takes up where her New York Times bestselling memoir and furthermore left off. Dame Judi looks back on the last few years to talk about her role as "M" in the Bond films, the joy of ensemble acting in The Best Exotic Marigold Hotel, the chance to tell the story of the heroic woman at the center of Philomena, her joy in appearing with other great actresses in the MaterpieceTheatre Cranford and her return to the stage in Peter and Alice. Tireless in her desire to perfect her craft, she says "I simply want to go on acting. I suppose I could always be wheeled on stage if necessary. The great thing about acting is that it never ends."
'National treasure? I hate that. Too dusty, too in a cupboard, too behind glass, too staid ... What I love is being part of a company. On stage I am not trying to be myself, I'm trying to be someone else, the more unlike me the better.' From her first theatrical roles as a teenager in York to her scene-stealing performances as 'M' in the James Bond films, Dame Judi Dench's professional life has consisted of non-stop acting, leading to numerous accolades, including an Academy Award. BEHIND THE SCENES is a uniquely personal take on Dame Judi's life and brilliant career, showing her off stage as well as on: in the wings, off sets, in dressing rooms and happily larking about. Beautifully illustrated with photographs from her own collections, here are reflections and reminiscences on those who have mattered to her most - her family, fellow actors, directors and writers - communicated with the truth and insight of her acting.
A celebration of Britain's favourite actress, Judi Dench The very name Judi Dench encourages a warm and admiring response from the public and fellow actors alike. Her wide-ranging career includes numerous Shakespearean performances (most recently in ALL'S WELL THAT ENDS WELL at the RSC) and contemporary theatre (in plays by, among others, David Hare and Hugh Whitemore); on television (in the series A FINE ROMANCE and AS TIME GOES BY) and in the cinema (MRS BROWN, her Oscar-winning performance in SHAKESPEARE IN LOVE, THE SHIPPING NEWS, IRIS, and in four James Bond films as 'M'). Judi Dench is as popular as she is talented - when she and Maggie Smith appeared together in a David Hare play last year all seats were sold for the entire run within 24 hours. John Miller, her biographer, invited fellow actors, writers, and people of the theatre, film and television, to illustrate her genius and her character from their own experience and perspective. With contributors ranging from Billy Connolly to Hugh Whitemore, Bob Larbey to Tim Pigott-Smith, this is a unique portrait of the legend that is Dame Judi Dench.
The Emmy Award-winning producer of PBS’s Masterpiece Theatre and Mystery! reveals the secrets to Downton Abbey, Sherlock, and its other hit programs For more than twenty-five years and counting, Rebecca Eaton has presided over PBS’s Masterpiece Theatre, the longest running weekly prime time drama series in American history. From the runaway hits Upstairs, Downstairs and The Buccaneers, to the hugely popular Inspector Morse, Prime Suspect, and Poirot, Masterpiece Theatre and its sibling series Mystery! have been required viewing for fans of quality drama. Eaton interviews many of the writers, directors, producers, and other contributors and shares personal anecdotes—including photos taken with her own camera—about her decades-spanning career. She reveals what went on behind the scenes during such triumphs as Cranford and the multiple, highly-rated programs made from Jane Austen’s novels, as well as her aggressive campaign to attract younger viewers via social media and online streaming. Along the way she shares stories about actors and other luminaries such as Alistair Cooke, Maggie Smith, Diana Rigg, Benedict Cumberbatch and Daniel Radcliffe, whose first TV role was as the title character in David Copperfield. Readers will also get to know Eaton on a personal level. With a childhood steeped in theater, an affinity for nineteenth century novels and culture, and an “accidental apprenticeship” with the BBC, Eaton was practically born to lead the Masterpiece and Mystery! franchises. Making Masterpiece marks the first time the driving force behind the enduring flagship show reveals all.
Once upon a time… a long time ago in a land far, far away, there lived a girl by the name of Cinderella. This is not her story. This is the story of Lucinda Isabella Casteleoni, who, like her namesake, has a wicked stepmother, two tacky stepsisters, and countless hours of hard work to (not) look forward to. But unlike that fairy tale princess, Bella’s Prince Charming is nowhere to be found. Until a little old man with sparkling green eyes opens a shoe store down the street. Then the magic begins...
Animal rights is one of the fastest growing social movements today. Women greatly outnumber men as activists, yet surprisingly, little has been written about the importance and impact of gender on the movement. Women and the Animal Rights Movement combats stereotypes of women activists as mere sentimentalists by exploring the political and moral character of their advocacy on behalf of animals. Emily Gaarder analyzes the politics of gender in the movement, incorporating in-depth interviews with women and participant observation of animal rights organizations, conferences, and protests to describe struggles over divisions of labor and leadership. Controversies over PETA advertising campaigns that rely on women's sexuality to "sell" animal rights illustrate how female crusaders are asked to prioritize the cause of animals above all else. Gaarder underscores the importance of a paradigm shift in the animal liberation movement, one that seeks a more integrated vision of animal rights that connects universally to other issues--gender, race, economics, and the environment--highlighting that many women activists recognize and are motivated by the connection between the oppression of animals and other social injustices.

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