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The life stories of three women--Kate, a professor's wife; Mary, a dancer; and Rita, a sculptor--provide clear examples of the individuation process of women in a patriarchal society.
Candid and wide-ranging interviews dating from 1985 through 1992 with the best-selling author and Jungian analyst, Marion Woodman. Touches on sexuality, creativity, relationships, addictions, healing, rituals, and the environment.
We're back in the garden but something's changed... This is the Garden of the Great Mother Goddess, where the drama of relationships between women (as daughters, mothers, sisters) and between women and men (as lovers and friends) casts as surprising light on the concept of Paradise...
In this vastly important, widely-acclaimed volume, Appiah, a Ghanaian philosopher who now teaches at Harvard, explores what it means to be an African American, on the many preconceptions that have muddled discussions of face, Africa, and Afrocentrism since the end of the 19th century. A New York Times Notable Book of the Year.
For his final new series, New York Times mega-bestselling author E. Lynn Harris introduces Bentley L. Dean, owner of the hottest modeling agency in Miami's sexy South Beach. Only the world's most beautiful models make the roster of Picture Perfect Modeling agency and they only do shoots for the most elite photographers and magazines. They are fashionista royalty—and the owners, Bentley L. Dean and his beautiful partner Alexandra, know it. But even Picture Perfect isn't immune from hard times, so when Sterling Sneed, a rich, celebrity party planner promises to pay a ludicrously high fee for some models, Bentley finds he can't refuse. Even though the job is not exactly a photo shoot, Bentley agrees to supply fifteen gorgeous models as eye candy for an "A" list party—to look good, be charming and, well, entertain the guests. They don't have to do anything they don't want to, but... His models are pros and he figures they can handle the pressure, until one drops out and Bentley asks his protégé Jah, a beautiful kid who Bentley treats as if he were his own son, to substitute. Suddenly, the stakes are much higher, particularly when Jah falls in love with the hottest African American movie star in America. Seth Sinclair is very handsome, very famous, and very married—and his closeted gay life makes him very dangerous as well. Can Bentley's fatherly guidance save Jah from making a fatal mistake?
The aftermath of murder would continue to baffle me at some times and bring me to the depths of pain at other times over the years. I had to deal with distance in the family, divorce, and the loss of friendships, where people drifted away due to the inability to cope with the reality of murder. Then there were my own physical limitations to consider as I went through it all. I found that I had a need to be with other survivors and had a strong connection to other mothers who had lost children. All of this made me feel less alone in all that I was going through. Recovery does not start at the same place and neither do the stages of grief. I have had to speak openly and freely to not feel ignored in coming to grips with myself in being able to understand my own grief. I know now that murder does not just happen to other people. I had an intense need to talk about it, but I found that I could not talk about it to everyone.
Combining literary criticism and feminist analysis, Death and Dissymmetry radically reinterprets not only the Book of Judges but also the tradition of its reception and understanding in the West. In Mieke Bal's account, Judges documents the Israelite culture learning to articulate itself in a decisive period of transition. Counter to standard readings of Judges, Bal's interpretation demonstrates that the book has a political and ideological coherence in which the treatment of women plays a pivotal role. Bal concentrates here not on the assassinations and battles that rage through Judges but on the violence in the domestic lives of individual characters, particularly sexual violence directed at women. Her skillful reading reveals that murder, in this text, relates to gender and reflects a social structure that is inherently contradictory. By foregrounding the stories of women and subjecting them to subtle narrative analysis, she is able to expose a set of preoccupations that are essential to the sense of these stories but are not articulated in them. Bal thereby develops a "countercoherence" in conflict with the apparent emphases of Judges—the politics, wars, and historiography that have been the constant focus of commentators on the book. Death and Dissymmetry makes an important contribution to the development of a feminist method of interpreting ancient texts, with consequences for religious studies, ancient history, literary theory, and gender studies.

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