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A lion starts visiting the local library but runs into trouble as he tries to both obey the rules and help his librarian friend.
This book is an invaluable resource for school library aides who conduct storytime activities, providing everything from instruction on how to read to children to a week-by-week read aloud curriculum for the entire school year.
Part fun- and information-filled almanac, part good book guide, the Children's Book-a-Day Almanac is a new way to discover a great children's book--every day of the year! This fresh, inventive reference book is a dynamic way to showcase the gems, both new and old, of children's literature. Each page features an event of the day, a children's book that relates to that event, and a list of other events that took place on that day. Always informative and often surprising, celebrate a year of literature for children with The Children's Book-a-Day Almanac.
Setting out to provide a definitive history of the European Film Fund (EFF), the purpose of this thesis is as follows: first, to draw attention to the many exile and refugee organisations by examining one of them, the EFF. As a study of a refugee organisation founded as a result of Nazism, my examination of the EFF not only fills an existing gap in film history as far as the EFF itself is concerned. Refugee organisations in general have received scant attention by exile scholars. By making one refugee organisation the focus of my inquiry, I am also highlighting the presence of women in the topic of exile as two women, Liesl Frank, wife of the writer Bruno Frank, and Charlotte Dieterle, wife of the director William Dieterle, were at the centre of the EFF. My investigation of this organisation demonstrates that women played a much larger role in exile and exile communities than history and literature have thus far accorded them. Additionally, I show how the political situation after 1933, including apathy by the international community, led to the founding of the EFF. Lastly, by shifting the focus away from figureheads of the émigré community to below-the-line film artists, technicians, theatre artists and so on, I foreground those refugees whose lives have hitherto been obscured by their more famous fellow émigrés.

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