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Looking at Movies, Third Edition is an accessible and visually dynamic introduction to film studies that offers more media support and a lower price than all of its competitors. The Third Edition of Looking at Movies is as visually engaging and fun to read as previous editions, and now contains new material on film history, film genre, and cultural contexts, and even more help with film analysis. Supplementary materials, conceived and created by the authors, integrate seamlessly with the text. Two DVDs contain nearly four hours of film clips, frame sequences, short films, and animations to show what the text describes. The Looking at Movies student website provides an abundance of review and ancillary materials, including the Writing About Movies guide. FEATURES Always accessible and interesting; now comprehensive, too. Looking at Movies is a visually dynamic introduction to the elements of film form, and with the addition of new material, it’s a comprehensive introduction as well. The Third Edition adds in-depth (but jargon-free) coverage of three areas: film history, film genres, and the connections between film and culture. More help with film analysis than any other text. Every element of the Looking at Movies package features pedagogy to help students in their critical viewing and analytical writing, including model analyses, end-of-chapter materials, DVD tutorials, and the Writing About Movies guide. The most visually dynamic text on the market. The four-color design of Looking at Movies is easy on the eyes and fun to read. But, more importantly, it shows students what the text describes. Two DVDs (packaged with all new copies of Looking at Movies) provide nearly four hours of moving-image content. The most useful, best-integrated media package. The two DVDs and student website offer an abundance of pedagogically useful and visually dynamic multimedia content. Conceived, directed, hosted, edited, and narrated by coauthor and filmmaker Dave Monahan, each DVD tutorial directly relates to and complements the content in the book. The student website features multimedia quizzes, printable screening worksheets, and other review materials linked to an easy-to-use gradebook, as well as the Writing About Movies guide.
The celebrated survival guide for the working actor - now completely updated and expanded with a foreword by Tony award-winning actor Joe Mantegna! Renowned for more than two decades as the most comprehensive resource for actors, How to Be a Working Actor is a must-read for achieving success in The Business. Now this "Bible of the Biz" has been completely revised and greatly expanded to address new markets, ever-changing opportunities, and the many new ways today's actors find work. Talent manager, teacher, and career coach Mari Lyn Henry and actress, author, and spokeswoman Lynne Rogers combine their extensive skills and years of experience to cover all the essentials of how to market yourself, land roles, and manage a successful career. They also include expert advice from scores of other industry experts - well-known actors, agents, managers, casting directors, and teachers. How to Be a Working Actor is loaded with advice on how to: - put together a professional wardrobe - get a head shot that brings out the real you - create a resume that really works - find the training to develop your talents - communicate effectively with agents and managers - use the internet to promote your business and explore new opportunities - get the most value out of union membership - excel at auditions and screen tests - discover how to get work in regional markets - cope with success How to Be a Working Actor takes a no-nonsense approach to the whole business of being a working actor, with detailed information on how to live on a budget in New York and Los Angeles, what the acting jobs are and what they pay, even how to find a survival strategy that will augment your career. And an extensive section on script analysis shows you how to investigate the depth of a character to create a memorable audition for roles in theatre, film, and television. From the Trade Paperback edition.
For courses in Introduction to Film An engaging, accessible introduction to film Understanding Movies provides valuable insight into the language of film and how meaning is conveyed to audiences. Author Louis Giannetti engages students in the fascinating language systems and techniques of film and helps further their appreciation and understanding of why and how movie watchers respond as they do to different films. Building upon the visually engaging and accessible presentation of previous editions, the Fourteenth Edition adds updated photos, new content on the latest cinematic trends, and coverage of recent films to provide students a new way of looking at films that are familiar to them. Understanding Movies, Fourteenth Edition is also available via Revel(tm), an interactive learning environment that enables students to read, practice, and study in one continuous experience.
Metanoia: A Catholic eTract Series, Volume Number Three: Vocation: Common Priest by Baptism (Fifth Edition) is the author’s third publication in a series of Catholic etracts. In Vocation: Common Priest by Baptism, the author sets forth his personal experience in discerning whether Jesus, The Christ is calling him to the common priesthood in Christ via Baptism or the ministerial priesthood in Christ via Holy Orders. It is the true story of his 21st-Century discernment within the diocese of Los Angeles, including the natural (i.e., deductive logic) and supernatural (i.e., divine signs) factors that went into determining if, in his case, there was/is a vocation to the office of the ministerial priesthood, based the special graces he has received, including his being associated with that office by family, friends, and strangers 41 times over an 18-year period. He is publishing it to document and share his journey in hopes that other Catholic men formally in discernment may find it instructive. Finally, this etract is part of the author’s lay apostolate of Catholic-Christian witness to the reality, power, and transforming/saving Love of God, as well as the author’s response to and promotion of the Church’s “universal call to holiness” (Lumen Gentium) and the “new evangelization” (Novo Millenio Ineunte), in the electronically and globally connected virtual world of the Internet. This book is also available for purchase by Kindle device and app users in the Kindle Store on Amazon.com.
The newest edition of The Psychological and Social Impact of Illness and Disability continues the tradition of presenting a realistic perspective on life with disabilities and then improves upon its predecessors with the inclusion of illness as a major influence on client care needs. Articles included represent the best of developing concepts, theory, research, and intervention approaches. Classic articles kept from previous editions round out a diversity of viewpoints that will enrich student understanding of what is important in beginning rehabilitation practice. Further broadening the scope of this edition is the inclusion of personal perspectives and stories from those living with illness or disabilities. These stories offer a glimpse into what it is like to cope day to day with these issues and direct examples of how effective current care models and rehabilitation theories can be. Relevant, expert articles plus insightful narratives combine to offer a bridge between theory and reality and guide students and professionals in rehabilitation practice closer to their goal of enhancing the quality of life for all individuals.
Offers the critic's reviews from January 2000 through mid-June 2002 on more than 600 movies, in a volume complemented by interviews and the author's essay of the year. Original. for the Movie Answer Man," and more. Original.
An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

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