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Features designs originally wrought either in stone or minute chips of inlaid stone or glass.
Late Antique and Medieval Art of the Mediterranean World isa much-needed teaching anthology that rethinks and broadens thescope of the stale and limiting classifications used for EarlyChristian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visualarts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integratethe newer, historiographical research into 'the canon' ofestablished scholarship Exposes the historical, geographical and cultural continuitiesand interactions in the visual arts of the late antique andmedieval Mediterranean world Covers an extensive range of topics, including the effect thatconverging cultures in late antiquity had on art, the culturalidentities that can be observed by looking at difference oftradition in visual art, and the variance of illuminations in holybooks
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Here’s a fresh take on the crafts of rugmaking and knitting—the very first book of its kind. These 21 stylish rug projects are so eye-catching that it’s hard to believe that even novice knitters can create them. But they can, thanks to a thorough section on knitting basics, sumptuously illustrated with more than 60 how-to photographs; advice on embellishments, including embroidery, fringes, and tassels; and instruction on finishing touches, such as weaving ends, sewing seams, blocking, backing, and lining. Put this knowledge to work on a multicolored Big Needle Garter Stitch Rug, Knit and Purl Oval Rug, Thunderbird Wall Tapestry, and others. Every rug is beautifully photographed in a home setting, and includes patterns and ideas for modifying the design. The author lives in Longmont, CO.
This is a rich assemblage of authentic drawings of ceremonial objects used traditionally in ancient Jewish rituals observed in synagogues and homes throughout the world.
Wycinanki are colorful decorative papercuts, a product of Polish villages and rural areas.
A collection of black-and-white illustrations based on the patterns and motifs used in the metal, wood, ivory, and painted wooden surfaces of the cultures of the Guinea Coast of Africa.
Between the second and the sixth centuries of the common era, elaborate mosaics were designed and created to pave the floors of town homes and rural estates of the Roman settlements in North Africa. These stunning mosaics were especially widespread in the colony of Africa Proconsularis, modern-day Tunisia, and covered a wide range of subject matter: from scenes of daily life and classical mythology, to abstract floral and geometric designs of rare vibrancy and complexity. A distinctive African style emerged, whose influence would extend throughout the Mediterranean basin and beyond. This catalogue is being published to coincide with an exhibition at the J. Paul Getty Museum at the Getty Villa from October 26, 2006, to April 30, 2007--the first major exhibition in the United States solely devoted to ancient mosaics. The twenty-seven mosaics in the exhibition come from Tunisia's leading museums, including the Bardo Museum in Tunis, the Sousse Museum and the El Jem Museum. Stories in Stone is structured around four principal themes--Nature, Theater and Spectacle, Myths and Gods, and Technique--and includes extensive material on mosaic conservation. In addition to color plates of all objects in the exhibit, this catalogue includes nine richly illustrated essays that illuminate the historical background of mosaic art, trace the development of principal themes, and examine the conservation of mosaics both in the museum setting and in situ. Contributors include Taher Ghalia, director of the Bardo Museum; Mongi Ennaifer, minister of cultural affairs, Tunisia; Thomas Roby, senior project specialist, Getty Conservation Institute; and Jerry Podany, head of antiquities conservation, J. Paul Getty Museum.
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique
As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as for figural scenes depicting the interests and activities of the patrons who commissioned them--scenes of daily life, athletic contests, gladiator spectacles, and classical literature and mythology. Abundantly illustrated throughout, Tunisian Mosaics: Treasures from Roman Africa offers the general reader a lively introduction to this extraordinary ancient art. Initial chapters survey the historical background of Roman Africa and discuss the development of mosaic art in the Mediterranean. Subsequent chapters profile Tunisia's major mosaic sites and tour the collections of important museums. A final chapter surveys current initiatives to preserve this heritage for future generations.
Presented through 20 case studies covering Europe and the Near East, Neighbours and Successors of Rome investigates development in the production of glass and the mechanisms of the wider glass economy as part of a wider material culture in Europe and the Near East around the later first millennium AD. Though highlighting and solidifying chronology, patterns of distribution, and typology, the primary aims of the collection are to present a new methodology that emphasises regional workshops, scientific data, and the wider trade culture. This methodology embraces a shift in conceptual approach to the study of glass by explaining typological change through the existence of a thriving supra-national commercial network that responded to market demands and combines the results of a range of new scientific techniques into a framework that stresses co-dependence and similarities between the various sites considered. Such an approach, particularly within Byzantine and Early Islamic glass production, is a pioneering concept that contextualises individual sites within the wider region. By twinning a critique of archaeometric methods with the latest archaeological research, the contributors present a foundation for glass research, seen through the lens of consumption demands and geographical necessity, that analyses production centres and traditional typological knowledge. In so doing the they bridge an important divide by demonstrating the co-habitability of diverse approaches and disciplines, linking, for example, the production of Campanulate bowls from Gallaecia with the burgeoning international late antique style. Equally, the particular details of those pieces allow us to identify a regional style as well as local production. As such this compilation provides a highly valuable resource for archaeologists, anthropologists, and art historians.
Works have been selected primarily for their utility to those conducting research in the fine arts relating to Christianity and religion. General categories covered include bibliographies of bibliographies, aesthetics, architecture, cinema, dance and mime, drama and rhetoric, electronic communications (radio, TV, and video), fabric arts, literature, music, photography, visual arts (calligraphy to sculpture), wit and humor.
How often have you wished that you could create a little corner of the Mediterranean in your own garden? How often have you wished that you could eliminate the strenuous and time-consuming chore of watering the garden? How often have you thought about growing Mediterranean plants but feared they could not survive in a cooler, less hospitable climate? By following the advice in this book, you can do all these things and more. You can create a truly beautiful garden using exciting and exotic plants, yet at the same time eliminate the need for extra water and reduce the maintenance required. Fully illustrated throughout with scores of photographs and the author's own meticulous drawings of plants, this book offers inspiration to anyone wishing to incorporate a dash of Mediterranean style into their garden. AUTHOR: Freda Cox is a well-known artist and writer specialising in plants and garden-related topics. Her botanical paintings, illustrations and articles have appeared in numerous books and gardening publications. She has organised exhibitions for the Royal Horticultural Society was UK branch head for The Mediterranean Garden Society. 400 colour photos

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